Название: The Golden Notebook
Автор: Doris Lessing
Издательство: HarperCollins
Жанр: Классическая проза
isbn: 9780007369133
isbn:
I have never, in all my life, been so desperately and wildly and painfully happy as I was then. It was so strong I couldn’t believe it. I remember saying to myself, This is it, this is being happy, and at the same time I was appalled because it had come out of so much ugliness and unhappiness. And all the time, down our cold faces, pressed together, the hot tears were running.
A long time later, a red glow came up into the dark in front of us, and the landscape fell away from it, silent, grey, exquisite. The hotel, unfamiliar from this height, appeared half a mile away, and not where we expected it. It was all dark, not a light anywhere. And now we could see that the rock we sat on was at the mouth of a small cave, and the flat rock wall at its back was covered with Bushman paintings. They were fresh and glowing even in this faint light, but badly chipped. All this part of the country was covered with these paintings, but most were ruined because white oafs threw stones at them, not knowing their value. Paul looked at the little coloured figures of men and animals, all cracked and scarred, and said: ‘A fitting commentary to it all, dear Anna, though I’d be hard put to it to find the right words to explain why, in my present state.’ He kissed me, for the last time, and we slowly climbed down through the tangles of sodden grass and leaves. My crepe dress had shrunk in the wet and was above my knees, and this made us laugh, because I could only take tiny steps in it. We walked very slowly along a track to the hotel, and then up to the bedroom block, and there on the verandah sat Mrs Lattimore, crying. The door into the bedroom behind her was half-open, and Mr Lattimore sat on the floor by the door. He was still drunk, and he was saying in a methodical, careful, drunken voice: ‘You whore. You ugly whore. You barren bitch.’ This had happened before, obviously. She lifted her ruin of a face to us, pulling at her lovely red hair with both hands, the tears dropping off her chin. Her dog crouched beside her, whining softly, its head in her lap, and the red feathery tail swept apologetically back and forth across the floor. Mr Lattimore took no notice of us at all. His red ugly eyes were fixed on his wife: ‘You lazy barren whore. You street girl. You dirty bitch.’
Paul left me, and I went into the bedroom. It was dark and stuffy.
Willi said: ‘Where have you been?’
I said: ‘You know where.’
‘Come here.’
I went over to him, and he gripped my wrist and brought me down beside him. I remember lying there and hating him and wondering why the only time I could remember him making love to me with any conviction was when he knew I had just made love to someone else.
That incident finished Willi and me. We never forgave each other for it. We never mentioned it again, but it was always there. And so a ‘sexless’ relationship was ended finally, by sex.
Next day was Sunday and we assembled just before lunch under the trees by the railway lines. George had been sitting there by himself. He looked old and sad and finished. Jackson had taken his wife and his children and vanished in the night; they were now walking north to Nyasaland. The cottage or shack which had seemed so full of life had been emptied and made derelict overnight. It looked a broken-down little place, standing there empty beyond the paw-paw trees. But Jackson had been in too much of a hurry to take his chickens. There were some guinea-fowl, and some great red laying hens, and a handful of the wiry little birds called kaffir fowls, and a beautiful young cockerel in glistening brown and black feathers, black tail feathers iridescent in the sunlight, scratching at the dirt with his white young claws and crowing loudly. ‘That’s me,’ said George to me, looking at the cockerel, and joking to save his life.
Back in the hotel for lunch, Mrs Boothby came to apologize to Jimmy. She was hurried and nervous, and her eyes were red, but although she could not even look at him without showing distaste, she was genuine enough. Jimmy accepted the apology with eager gratitude. He did not remember what had happened the night before and we never told him. He thought she was apologizing for the incident on the dance floor with George.
Paul said: ‘And what about Jackson?’
She said: ‘Gone and good riddance.’ She said it in a heavy uneven voice, that had an incredulous wondering sound to it. Obviously she was wondering what on earth could have happened to make her dismiss so lightly the faithful family servant of fifteen years. ‘There are plenty of others glad to get his job,’ she said.
We decided to leave the hotel that afternoon, and we never went back. A few days later Paul was killed and Jimmy went off to fly his bombers over Germany. Ted shortly got himself failed as a pilot and Stanley Lett told him he was a fool. Johnnie the pianist continued to play at parties and remained our inarticulate, interested, detached friend.
George tracked down, through the native commissioners, the whereabouts of Jackson. He had taken his family to Nyasaland, left them there, and was now cook at a private house in the city. Sometimes George sent the family money, hoping it would be believed it came from the Boothbys who, he claimed, might be feeling remorse. But why should they? Nothing had happened, as far as they were concerned, that they should be ashamed of.
And that was the end of it all.
That was the material that made Frontiers of War. Of course, the two ‘stories’ have nothing at all in common. I remember very clearly the moment I knew I would write it. I was standing on the steps of the bedroom block of the Mashopi hotel with a cold hard glittering moonlight all around me. Down beyond the eucalyptus trees on the railway lines a goods train had come in and was standing and hissing and clattering off clouds of white steam. Near the train was George’s parked lorry, and behind it the caravan, a brown painted box of a thing that looked like a flimsy packing case. George was in the caravan at that moment with Marie—I had just seen her creep down and climb in. The wet cooling flower-beds smelt strongly of growth. From the dance room came the drumming of Johnnie’s piano. Behind me I could hear the voices of Paul and Jimmy talking to Willi, and Paul’s sudden young laugh. I was filled with such a dangerous delicious intoxication that I could have walked straight off the steps into the air, climbing on the strength of my own drunkenness into the stars. And the intoxication, as I knew even then, was the recklessness of infinite possibility, of danger, the secret ugly frightening pulse of war itself, of the death that we all wanted, for each other and for ourselves.
[A date, some months later.]
I read this over today, for the first time since I wrote it. It’s full of nostalgia, every word loaded with it, although at the time I wrote it I thought I was being ‘objective’. Nostalgia for what? I don’t know. Because I’d rather die than have to live through any of that again. And the ‘Anna’ of that time is like an enemy, or like an old friend one has known too well and doesn’t want to see.
[The second notebook, the red one, had been begun without any hesitations at all. The British Communist Party was written across the first page, underlined twice, and the date, Jan. 3rd, 1950, set underneath:]
Last week, Molly came up at midnight to say that the Party members had been circulated with a form, asking for their history as members, and there was a section СКАЧАТЬ