The Time of the Ghost. Diana Wynne Jones

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СКАЧАТЬ jerking and twitching all over. That means Cart was speaking to me! Sally said, and hovered to a halt in the doorway. Cart? she said.

      Cart plunged a pile of thick plates under the water and broke into a song. “I leaned my back up against an oak, thinking he was a trusty tree—” It sounded as if there was a cow in the kitchen, in considerable pain.

      CART! said Sally.

      “First he bended and then he broke!” howled Cart. Oliver began to stir.

      Sally realised it was no good and went on into the sitting room, just as Fenella shut its door to keep out the sound of Cart singing. She brushed right by Fenella, feeling again the tingle of the field of life round a human body. But Fenella seemed to feel nothing. She turned away from Sally and went to crouch like a gnome in an old armchair. Imogen was still lying on the sofa. The room was hot and fuggy and dusty.

      You both ought to go outside, Sally said disgustedly. Or at least open a window.

      There was a desk and a coffee table and a bookcase in the room, each covered and crowded with papers. There were rings from coffee cups on all the papers, and dust on top of that. Sally could tell simply by hovering near that it was several months since any of the papers had been moved. That meant there was no point looking at them. The notion was very firm – though dim – in Sally’s mind that, if there was a letter, it had not been written very long ago. She went over to try the papers on the piano.

      It was the same story there. Dust lay, even and undisturbed, over each magazine and each old letter, and only slightly less thickly over a school report. This last term’s, Sally saw from the date. “Name of pupil: Imogen Melford.” A for English – A for almost everything except Maths. Imogen was disgustingly brilliant, Sally thought resentfully. A for Art too, which made a change. Only B for Music – which made a change also, a surprising one, considering Imogen’s career. Underneath: “An excellent term’s work. Imogen has worked well but still seems acutely unhappy. I would be grateful for an opportunity to discuss Imogen’s future with Imogen’s parents. B.A. Form Mistress.”

      But Imogen always seems unhappy! Sally said.

      The papers on the treble end of the piano keys were actually browning with age. Nothing there. The picture – it was good – was more recent, but still slightly dusty. There was a film of scum on the water in the crookedly balanced paste-pot at the other end.

      Here Sally noticed that Imogen had turned on the sofa to stare at her. Imogen’s eyes were large and a curiously dark blue. They had a way of looking almost blank with, behind the blankness, something so keen and vivid that people often jumped when Imogen looked at them. Sally jumped now. They were, as she remembered agreeing with Cart, unquestionably the eyes of a genius.

      Imogen? Sally said hopefully.

      But it was the picture behind Sally that Imogen was staring at. “I like those brambles particularly,” she said. “The stalks are just that deep crimson – brawny, I call them. They almost have muscles – tendons, anyway – and thorns like cats’ claws.”

      “My self-portrait,” Fenella said smugly.

      “It’s not a self-portrait. You didn’t paint it,” said Imogen. “And it makes you look too brown.” She sighed. “I think I shall take up writing poetry.” A large tear detached itself from the uppermost of her dark blue eyes and rolled down the hill of her cheek, beyond her nose.

      “What are you grieving about now?” Fenella enquired.

      “My utter incapacity!” said Imogen. A tear rolled out of her lower eye.

      Imogen’s grieving was so well known that Sally was bored before the second tear was on its way. There was going to be no letter down here. The place to look was the bedroom. She flitted to the stairs at the end of the room, as Fenella said, “Well, I won’t interrupt you. I’m going to steal some tea.”

      Sally was halfway upstairs when the door was barged open under Fenella’s hands. Oliver’s huge blurred head appeared on a level with Fenella’s face.

      “Get out, Oliver,” Imogen said, lying with a tear twinkling on either cheek.

      Fenella pushed at Oliver’s nose. “Go away. Imogen’s grieving.” Oliver took no notice. He simply shouldered Fenella aside and rolled into the room, growling lightly, like a heavy lorry in the distance. Where Oliver chose to go, Oliver went. He was too huge to stop. And he had detected that the peculiar Sally was here again. He shambled past Imogen to the foot of the stairs, alternating growls with whining.

      “Sorry,” Fenella said to Imogen, and went out.

      Sally hung at the top of the stairs, looking down at Oliver. He filled the first four steps. She did not think he would come up any farther. Oliver was so heavy and misshapen that his feet hurt him most of the time. He did not like going upstairs. But she wished he would not behave like this. It was alarming.

      “Imogen’s grieving again,” Fenella said to Cart in the kitchen.

      “Damn,” said Cart.

      Sally gave Oliver what she hoped was a masterful look. Go away. The result was alarming. Oliver growled until Sally could feel the vibrations in the stairs. The hair on his back came pricking up. Sally had never seen that happen before. It was horrifying. He looked as big as a bear. Sally turned and fled to the bathroom, where Oliver’s growls followed her but, to her relief, not Oliver himself.

      The bathroom was in its usual mess, with a bright black line round the bath and dirty towels and slimy facecloths everywhere. Sally retreated from it in disgust, into the bedroom. Here, as seemed to keep happening, she found herself being startled by something she should have known as well as the back of her hand. Perhaps it’s because I haven’t got a back to my hand at the moment, she thought, trying to make a joke out of it.

      The bedroom was airless and hot, from being up in the roof. It was the size of the kitchen and sitting room downstairs, with a bite out for the bathroom, but that space did not seem very big with four beds in it. Three of the beds were unmade, of course, with covers trailing over the floor. The fourth bed, Sally supposed, must be hers. It had a square, white, unfamiliar look. There was no personality about it at all.

      Another reason why the room looked so small was that it was as high as it was long. Three black bending beams ran overhead. You could see they had all been cut from the same tree. The twists in them matched. Above them was a complex of dusty rafters, reaching into the peak of the roof, which was lined with greyish hardboard. Sally found herself knowing that this part, where they lived, was the oldest part of School House. It had been stables, long before the red buildings went up beside it. She also knew it was very cold in winter.

      She turned her attention from the roof and found that the walls were covered with pictures. By this time, from under the floor, through the rumbles from Oliver, she could hear Cart in the sitting room. Cart was beginning on another unsuccessful attempt to stop Imogen grieving. “Now look, Imogen, it’s not your fault you keep being turned out of the music rooms. You ought to explain to Miss Bailley.”

      Sally paid no attention, because she was so astonished by the number of pictures. There were pen and ink sketches, pencil drawings, crayoned scenes, water colours, poster paintings, stencils, prints – bad and wobbly, obviously done with potatoes – and even one or two oil paintings. The oil paints and the canvases, Sally knew guiltily, had been stolen from the school Art Room. Most of the rest were СКАЧАТЬ