The Time of the Ghost. Diana Wynne Jones

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СКАЧАТЬ straight past her, frowning. Fenella’s frown was the one thing about her that was like Phyllis. It gave Fenella the angel look too – a fallen angel. “Weaving spiders come not near,” Fenella said to the air beyond Sally and walked on. She came to the hut made of old chairs and knelt down in front of the opening in the soggy carpet. At once, she became a large-fronted dwarf again, with spindly arms. The spindly arms stretched towards the hut. “Come forth, Monigan. Come forth and meet thy worshipper,” Fenella intoned. “Thy worshipper kneeleth here with both arms outstretched. Come forth! She never does come forth, you know,” she remarked to the air above Sally.

      I know, Sally said impatiently. The Monigan game had gone on far too long, it seemed to her. She knew she had thought it was pretty boring when Cart first invented the Worship of Monigan a year ago. Fenella, listen, look! Notice me!

      “Monigan, thou hast but one worshipper these days,” Fenella intoned, unheeding. “Thou hadst better look out, Monigan, or I shall go away too. Then where wouldst thou be? Come forth, I say to thee. Come forth!”

      Fenella! Please! said Sally.

      But Fenella simply swayed around on her knees, intoning. “Come forth! Monigan, thou mightst do me a favour and come forth just this once. Canst thou not understand how boring thou art, just sitting there? Come forth!”

      It would teach you if she did! Sally said, unheard and soundless. Then she had an idea. If she could flip a latch and barge a door, she might be able to move something as light as a rag doll, if she tried very hard. Fenella would notice that at least. Sally drifted to the hut and ducked in through the old carpet.

      She only had the part of her that seemed to be head and shoulders inside it, but even that was almost too much. It was dank and stifling in there. And it smelt. Sally had a moment’s wonder that she should mind a smell so much, when she seemed to have no real nose to smell with. But I can hear and see too, she thought. Mostly what I can’t do is feel. She could not feel the sopping carpet, though she could smell the mildew on it, and smell Monigan herself, leaning soggily against the table leg at the back of the hut. There was a sharp mushroom smell from the pale yellow grass. But the worst smell came from the four or five little dishes in front of Monigan. The stuff was too rotten for Sally to tell what it had once been, but it smelt worse than the school kitchen. In front of the dolls’ plates, someone had carefully planted three black feathers upright in the pale grass.

      Hm, said Sally. I wonder if Fenella is the only worshipper. Or did she do that?

      She leant further in to push Monigan. She did not want to in the least. Monigan was hideous. A year in the wet hut had turned the rag face livid grey, and fungus had puckered it until it looked like a maggot. The rest of Monigan was misshapen before she went into the hut. One time, Cart, Sally, Imogen and Fenella had each seized an arm or a leg – Sally could not remember whether it had been a quarrel or a silly game – and pulled until Monigan came to pieces. Then Cart, in terrible guilt, had sewed her together again, as badly as she had sewed Fenella’s green sack, and dressed her in a pink knitted doll’s dress. The dress was now maggot grey. To make it up to Monigan for being torn apart, Cart had invented the Worship of Monigan.

      Sally did not like to go near Monigan, but she made one halfhearted attempt to push her. But she had forgotten how a rag doll, sitting in the wet, soaks up moisture like a sponge. Monigan was too heavy to move. Gladly, Sally came up out of the hut. It was unbearable in there.

      “I shall go and check the hens now,” Fenella remarked to the air, as Sally emerged.

      No – notice me first! Sally cried out.

      Fenella simply unfolded her insect legs and went wandering off. “Spotted snakes with double tongue,” Sally heard her say. “I wonder, do goddesses know how boring they are?”

      Sally left her to it and went to find Cart or Imogen. They were both in the living room. Sally drifted in there, with Oliver anxiously trudging behind her.

      “Can’t you play this piano?” Cart was saying. She had one hand keeping her place in her book and the other vaguely pointing to the old upright piano against the wall.

      Imogen and Sally both looked at the piano, Imogen with contempt, Sally as if she had never seen it before. It was a cheap, yellowish colour and very battered. Its yellow keys looked like bad teeth. Sally could see nobody ever used it because of the heaps of papers, books and magazines all over it. There was a box of paints on the bass end, with a paste pot full of painty water balanced crookedly among the black notes. A painting was propped on the yellow music-stand – a surprisingly good painting of Fenella standing in a blackberry bush. Sally wondered who had done it.

      “Play that!” Imogen said contemptuously. “I’d rather play a xylophone compounded of dead men’s bones!” She collapsed her full yellow length on a dirty sofa, which gave off a loud twang of springs as she landed. “My career is in ruins,” she said. “Was Myra Hess ever tormented in this way? I think not.”

      Why does she talk like a book all the time? Sally wondered irritably. Cart seemed busy with her reading again. Since there seemed little chance of either of them noticing her, Sally roosted dejectedly on the back of an armchair. Oliver, seeing her settled, flopped down himself with a deep groan and lay like a heaped up hearthrug. But he was not asleep. Every so often he whined and turned one morbid eye in Sally’s direction.

      “What’s wrong with him?” said Cart, looking up. Her blurry look was stronger when she was reading. It was as if she had faded into her book.

      “His lunch, probably,” said Imogen. “You’re always fussing about that wretched animal.”

      “Well, he’s my dog – or supposed to be,” said Cart. “I show a natural concern.”

      “You show total, besotted devotion,” declared Imogen.

      “I don’t! Why do you talk like a book all the time?” retorted Cart.

      “It’s you that does that,” said Imogen. “You’re a walking dictionary.”

      Cart went back to her book. Imogen stared stormily at the yellow piano. Sally tried to muster courage to attract their attention. She knew why she could not. They were both bigger than she was. Though why it should matter to me in this state, I can’t imagine, she said to herself.

      Cart looked up again. “Isn’t it peaceful? I suppose it’s because the boys are in lessons. It’s hard on them breaking up a week after us, isn’t it?”

      “No,” said Imogen. “I could use the music room if School term was over.”

      “No you couldn’t,” said Cart. “Mrs Gill told me there’s a Course for Disturbed Children as soon as term ends. They’re coming to overrun the place on Tuesday.”

      “Oh my Lord!” Imogen looked up at the ceiling and twiddled her mauve beads, faster and faster, so that they clattered viciously. “I hate the way we never get any holidays! It’s not fair!”

      Oh, thought Sally. Her bodiless mind became clearer. Her parents kept a school – or rather, she seemed to think, they kept School House of a large boys’ boarding school. Yes, that was it. The girls went to quite a different school, some miles away. Oh dear! said Sally. She had been very silly looking for her class in the boys’ school. She was glad no one had known. Why had she not remembered she had broken up already? Because she had lived in the boys’ school all her life, she supposed, and it was much more real to her than her СКАЧАТЬ