The Zanzibar Chest: A Memoir of Love and War. Aidan Hartley

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СКАЧАТЬ today I can picture the boy’s grimace and his outstretched hand. As we moved away a shout went up from the seething pedestrians at street level below the black lion’s statue. People were looking up. At the summit of a high building was a young man and I saw that he had a flag wrapped around his shoulders. He jumped. The flag flapped like a parachute that refused to open as he fell to the pavement. I heard a big sigh and a crowd formed where the man had landed, as figures in uniform appeared at the top of the building. These images fed my dreams of monsters: the starving boy, the man with the flag, the emperor’s dogs eating minced steak and the horrid Big Bird and the Muppets of Sesame Street.

      When I look back now I also see us as the disaster family. I had only just learned to write when I sent my father this letter: ‘Dear Dad we had a good holidays. Come home now love from aidan xx.’ But family holidays were really only trips to accompany my father on an assignment to where the latest human catastrophes were being staged. I recall we went on a fishing trip to the Bale Mountains in southern Ethiopia. Dad vanished, while we caught amazing trout in a highland landscape of giant lobelias and fragrant African heathers. My father would join us some days and at night he told me not to wander too far from the tents in camp. The local hyenas had gained a taste for human flesh because there had been so many bodies scattered in the district and live infants were being carried off.

      It was hard to know exactly where, or what, we could call home. Almost wherever we went, the newly free Africans warned my parents that for people of our sort the writing was on the wall. They associated us with an imperialist past they wanted to put behind them. Instead, they found we stubbornly refused to leave. Kenya was the one exception in all of East Africa. We had much to be thankful for as Europeans in Kenya. The founding president Jomo Kenyatta could have kicked us out or robbed us like Nyerere. He might have been inclined to do so, since we had imprisoned him during the Mau Mau rebellion prior to independence. Instead he waved an olive branch. At a rally of whites in the Rift Valley town of Nakuru in 1964 he had said: ‘We are going to forget the past and look to the future. I have suffered imprisonment and detention; but that is gone, and I am not going to remember it. Let us join hands and work for the benefit of Kenya…’ I was born a year after he made that announcement, and as I grew up all races lived alongside one another.

      My parents at last found a family base on Kenya’s coast, south of the Swahili village of Malindi, on the white sandy beach near Leopard Point, so named because a column of dead black coral like a cat’s head stood out on the reef at the southern end. My mother oversaw the building of a small house, with walls of coral and a roof of makuti thatch made of coconut-palm fronds knotted on open mangrove pole rafters. Inside were Zanzibar chests, BaZinza tribal stools, David Shepherd prints of Aden, Bukhara carpets my father had haggled from dhow nakhoda captains at Mombasa’s Kilindini harbour, and cedar beds slung with rawhide thongs of oryx and zebra skins. The bathrooms and verandas were scattered with shells, fragments of coral, and Indian Ocean flotsam and jetsam. The cement floor was black and cool underfoot. Charo, our house servant, polished them each day with two halves of a fibrous coconut, then wrapped rags around his feet and buffed the surfaces until they shone like obsidian. At night we sat outside and gazed up at the blanket of stars. On the rare occasions he was home, Dad pointed up to the constellations that guided ships’ captains and Arab caravans, or the stars of the Africans, who used the constellations to tell them when to plant or harvest their crops.

       Before I was old enough to read the books in my father’s library, kept off on a side veranda that served as his office, I knew each by their pictures, weight and smell. I remember the portrait of Burton’s scarred face, which so attracted me in the signed copy of First Footsteps in East Africa. Livingstone reminded me of my father, but I recoiled at the odour of Stanley’s In Darkest Africa and the man himself resembled a cruel schoolmaster in a silly hat. There was Joseph Thomson’s Through Masai-Land with the engraving of the author, his black-powder gun and helmet being tossed by a giant buffalo; Frederick Courteney Selous’s A Hunter’s Wanderings in Africa, the spine repaired with a heavy needle and thread, with a kudu head embossed in gold on the red cover; Captain Stigand’s The Land of Zinj, eaten into a honeycomb by white ants; the spewing volcanoes of Duke Adolphus Frederick of Mecklenburg’s In the Heart of Africa; the bugs in G. D. Hale Carpenter’s A Naturalist on Lake Victoria; the slaughtered lions laid out in J. H. Patterson’s The Man-Eaters of Tsavo; and the pygmies, tattooed warriors and men with filed teeth in Sir Harry Johnston’s The Uganda Protectorate.

      Mum gave us each something to plant in the garden. My eldest brother Richard’s tree was a bombax, with a knobbly trunk that grew ever so slowly. Kim planted a Norfolk pine with crazy branches inside the circle of hibiscus next to the house. Bryony’s was a frangipani, fragrant and delicate. Dad scattered the seedpods of a Red Sea saltbush that grew into blue-grey fleshy clumps along the high-water mark. Mum loved her Adenium desert roses. This plant had a few plump branches that produced pinkish or dark, red blooms above ground. But like a vegetable iceberg, underground was a massive, tuberous bulb. Much later I, too, was given a tree. I can’t recall what it was except that it was dubbed the ‘whacker’ plant because Dad ripped it up to give me a thrashing with it on the only occasion he ever beat me.

      At the north end of the beach was the sandy pool, where I learned to swim at eighteen months with my armbands on, bum in the air and my eyes open underwater. When I was older I joined my brother Kim and went out with the fishermen, who taught us the names for all the fish, shells and corals. Fragments of blue ceramic and celadon washed in with every tide, reminders of Chinese traders from six centuries before. On the southern end of the village bay stood a pillar dedicated to the Holy Ghost, erected by Vasco da Gama, who had sailed from here to India in 1498. Below the beachfront mosque, surrounded by tall phallus-shaped tombs of forgotten notables, townspeople haggled over the day’s catch. In the labyrinth of houses of coral and mud and wattle lived a rich mix of cultures from all over the Indian Ocean. Bajuni fishermen, Giriamas in grass skirts balancing pots and banana branches on their heads. The ironmonger was a Hadhramauti who served ginger tea and did not let my mother pay for bags of nails. Our tailoring was done by a bearded Bohra, who had a row of men working on foot-pedalled Singers outside his shop. The newsagent was a Pakistani we called Frankenstein, because his teeth were brown from chewing betel nut. There was Archie Ritchie, an old game warden who wore a lilac-breasted roller bird on his shoulder, and his wife, Queenie, whom the village Arabs called ‘the Queen’; Terence Adamson, who had had half his jaw torn off by one of his brother George’s lions, and who taught me how to divine for water with a forked stick; Laly, who took us snorkelling; Max, a German-Irish Baron, who was captured on the Eastern Front and survived years in Siberia as a POW, when snow blew in through his cell window; Max’s wife, Anna, a Seychellois beauty whose first husband had been killed by a charging elephant; Gigi, a singer at the Dhow Nightclub, famous for her rendition of ‘Malaika’, the most famous Swahili pop song, about a man too poor to marry his girl; Gigi’s boyfriend Knut, a Dane who had been a circus clown and could walk a straight line on his hands but not his legs when he was drunk. And there was Marujin, a Catalonian marquesa whom I held in awe. She wore heavy silver bracelets up each arm that click-clacked as she glided barefoot through her dark, cool house. On the walls were tantric designs and she had a huge copper tray piled with the ivory, smooth fragments of cowrie shells. For hours I listened to her speak as she sat cross-legged on her veranda.

       ‘One thing we know is that we’re not Europeans. We know that, but we’re also not Africans. What we are, I don’t know, but we’re not Europeans…’ Marujin said the mind was the ‘lunatic in the house’, the cricket in the cage relentlessly chirping ‘tchya-ko, tchya-ko, tchya-ko’. She said anything we learned came to us spontaneously, when the mind was still and serene.

      As a small boy I had a string of fevers, but my parents were offhand about medical treatment. My mother had seen the inside of hospitals only to give birth and I grew up, barefoot and in shorts, to believe Dad’s superstitions that visiting a doctor might make an illness more critical rather than cure it. At home our first-aid box had been stocked with Mercurochrome, antiseptic powder, СКАЧАТЬ