The Zanzibar Chest: A Memoir of Love and War. Aidan Hartley

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СКАЧАТЬ and pillars, and from down below on the plains I myself have seen the ruins gleam brightly like a beacon against the slopes of the mountain.

      

      My father was not the type of man to give up and turn his back on Africa. Nor did he stay in order to retreat into bitterness, as had so many Europeans who found their hopes and dreams dashed but found it was too late for them to start again elsewhere. Instead, he embarked on a dramatic new direction. Having been a colonial officer, then a rancher, he now became a development aid worker himself, ultimately in the same game as the Scandinavian experts who had occupied the ranch on Kilimanjaro. The difference with my father was that he truly was an expert after more than forty years of working in Africa, his adopted home. And so he threw himself into working in the most remote areas of the continent he could find, assisting nomads with the husbandry of livestock and peasants with the growing of crops.

      In my first coherent memories that run in sequence, in full-colour as it seems, I am often in the back of a four-wheel-drive among clanking kettles, piles of rations and dust, bumping across some drought-blasted plain. I am in camp where wild-haired men squat by the fire and chat with my father about rain and camels. I make my bed out in the open under the stars, or am woken in a village hut by bleating goats or mission hymns, or in a shabby border-town hotel with bare electric bulbs and blue gloss walls.

      ‘We’re like a tribe of mechanized nomads,’ says my mother. To hear this makes me happy. We are like gypsies, living out an adventure in Africa.

      The problem was that we couldn’t always be on the road with Dad. The ways were dangerous. In Eritrea, Dad lost fifteen of his team to landmine explosions on the roads and it was typical of him that he used this as an excuse to dispense with vehicles in favour of trekking cross-country with pack mules. If only I had been old enough to join him. What walks we might have had together.

      Instead, our new way of life was filled with goodbyes and absences and flights with my mother to see him wherever he was. These were long journeys with endless waits in airports. Our fellow passengers were often the new Soviet or Chinese officials who had appeared with Africa’s liberation from its European masters. I remember asking a group of men – my mother tells me they were Soviets – to read a story from my Disney comic book. They peered at the pages, looked worried and shook their heads.

      We’d arrive in hot and sticky capitals and have to wait for Dad while he was traced out in his wilderness with his livestock and nomads. In Mogadishu, Somalia, we were invariably confined to whichever hotel compound we were checked into due to the upheavals outside. We stayed at the Croce del Sud, known as the Sweaty Crotch. Nearby was the Shebelle, a.ka. the Scratchy Belly. The city erupted in anti-Western riots when Apollo 11 landed Neil Armstrong and Buzz Aldrin on the moon and the mosque preachers declared that it was either American lies or blasphemy.

      Soon after the moon landings, the Somali president was assassinated and the army took over. Each afternoon I’d watch from the Sweaty Crotch as soldiers goose-stepped down the street. Many years later I worked out that this was when the dictator president Mohamed Siad Barre had seized power in a coup d’état. During one parade, while my mother and sister were out shopping at the bazaar, I filled a soda bottle from the tap, went back to the room’s balcony and emptied the contents onto the heads of the spectators below. The consequences were dire, for within a few minutes there were loud voices and a hammering at the door. I hid in the bathtub until Mother returned, when she had to promise a group of irate men that I had not pissed on them.

      Finally we’d be summoned to desert reunions with my father. These trips survive in my mind only as a jumble of images like one of our heat- and dust-damaged family films. We flew for hours and so slowly that we could see the shadow of the Dakota propeller aircraft on the scrub below. On landing at a Somali airfield I broke loose from my mother and burrowed between the sandal-shod brown legs of men in turbans and women in flowing robes. I knew I would recognize him because he would be the only white man in the crowd. But how was I to behave when I met my father? How warmly would Dad kiss Mum and did they still love each other? And what was this strange life my father lived, among such fierce people?

      On Sundays in Somalia, the cooks used to hack the chickens’ heads off with loud bismillahs, then allowed the headless bodies to dance about behind the kitchen. I have a sequence of other disjointed memories: of mosquito larvae in our table water, flexing like red commas magnified in the distorted bowl of the jug; playing Ping-Pong with pasty-faced Chinese commissars in the local hotel; the bleeding toes I got from barefoot soccer with the tough Somali boys; my brother Kim and I on Lido Beach, where camels were slaughtered so that guts lay in bluish puddles on the coral sand; the northern Somali highlands, on a mountain called Ga’an Libah, the Lion’s Fist, where Kim and I tried and failed to rescue a goat from our lunch table; a cave of prehistoric paintings of red handprints and herds of eland stalked by cats and men with alien heads. Once I stood on the banks of a dry riverbed, feeling wind on my face, hearing a rumble, then seeing a wall of brown water explode from around the corner as the flash flood approached.

      Another time we visited Dad in a big white Arab fort on the Indian Ocean. His housemates were American hippies, young men and women my mother now tells me were from the Peace Corps. Dad wore a bandana, grew his hair down to his shoulders and listened to Led Zeppelin. He was learning yoga and at dusk he practised his asanas on the flat roof while looking out over the sea. It was the end of the 1960s, Timothy Leary was urging the world to ‘turn on, tune in, and drop out’, and Dad was sixty-two years old.

      After Somalia came Ethiopia. In the summer that I was first taken to see my father there, rumours had been circulating of starvation among the peasants outside the capital, Addis Ababa. My teenage sister Bryony was with him, and together they filled the car with loaves of bread and Arabian dates packed in baskets. On the road to Bati, they found thousands of Oromo peasants whose crops had withered in drought and highland frost. When my sister stood at the back of the truck tossing out the bread and dates, the hungry mob rioted. After Bati, they drove down into the Rift Valley and Denkalia. The local Afar nomads, normally tough enough to inhabit the hottest and most inhospitable place on earth, were dying too, since their livestock was gone. A tragedy was unfolding due to all the usual causes: civil war, overpopulation and misuse of the land and rivers in the name of modern development.

      On the edge of the Danakil Depression, the dead and dying all around him, Dad sat down and wrote a message, which he handed to a runner, who took it to the nearest post office for cabling to Addis Ababa. This was before the days when African famines were the news stories they are today. There were no rock concerts, T-shirts or advertisements in the paper. But with that message, news of what was happening soon reached Europe. A BBC team flew to Bati and their TV film exposed the truth. When the pictures were shown in Addis Ababa, it helped the tide of revolution that toppled the medieval dictatorship of Emperor Haile Selassie. Back on the plains of Bati Dad sat down by himself. ‘The camps lie broken down on hill and plain, / Skulls, bones and horns remain,’ he wrote. ‘No shouts, no songs of fighting, or of love, / But from the bare thorn tree above, / So sadly calls the mourning dove.’ ‘…Was this your ravaged land, / The work of God, or was it Man’s own hand?’ For me this just about sums up what happened all over Africa in the twentieth century.

      The Addis Ababa I remember was, as usual, a place of waiting for days in a dark, smelly hotel. The TV broadcast almost back-to-back episodes of Sesame Street. In short slots between the programmes, the revolutionaries who had taken over the TV station showed footage of the emperor feeding his lapdogs fillet steak interspersed with images of stick figures, crying babies with distended bellies, flies cramming into their eyes and mouths. After a few minutes of this, the programming would return to Sesame Street.

      In the square outside the hotel was a black stone statue of the Lion of Judah, the symbol of Abyssinia’s emperors. At the foot of it I found a boy, my age, with his hands out begging.

      ‘I am hungry,’ СКАЧАТЬ