The Screwtape Letters: Letters from a Senior to a Junior Devil. C. S. Lewis
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Название: The Screwtape Letters: Letters from a Senior to a Junior Devil

Автор: C. S. Lewis

Издательство: HarperCollins

Жанр: Классическая проза

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isbn: 9780007332250

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СКАЧАТЬ In civilised life domestic hatred usually expresses itself by saying things which would appear quite harmless on paper (the words are not offensive) but in such a voice, or at such a moment, that they are not far short of a blow in the face. To keep this game up you and Glubose must see to it that each of these two fools has a sort of double standard. Your patient must demand that all his own utterances are to be taken at their face value and judged simply on the actual words, while at the same time judging all his mother’s utterances with the fullest and most over-sensitive interpretation of the tone and the context and the suspected intention. She must be encouraged to do the same to him. Hence from every quarrel they can both go away convinced, or very nearly convinced, that they are quite innocent. You know the kind of thing: ‘I simply ask her what time dinner will be and she flies into a temper.’ Once this habit is well established you have the delightful situation of a human saying things with the express purpose of offending and yet having a grievance when offence is taken.

      Finally, tell me something about the old lady’s religious position. Is she at all jealous of the new factor in her son’s life?—at all piqued that he should have learned from others, and so late, what she considers she gave him such good opportunity of learning in childhood? Does she feel he is making a great deal of ‘fuss’ about it—or that he’s getting in on very easy terms? Remember the elder brother in the Enemy’s story?

      Your affectionate uncle

      SCREWTAPE

      My dear Wormwood,

      The amateurish suggestions in your last letter warn me that it is high time for me to write to you fully on the painful subject of prayer. You might have spared the comment that my advice about his prayers for his mother ‘proved singularly unfortunate’. That is not the sort of thing that a nephew should write to his uncle—nor a junior tempter to the under-secretary of a department. It also reveals an unpleasant desire to shift responsibility; you must learn to pay for your own blunders.

      The best thing, where it is possible, is to keep the patient from the serious intention of praying altogether. When the patient is an adult recently reconverted to the Enemy’s party, like your man, this is best done by encouraging him to remember, or to think he remembers, the parrot-like nature of his prayers in childhood. In reaction against that, he may be persuaded to aim at something entirely spontaneous, inward, informal, and unregularised; and what this will actually mean to a beginner will be an effort to produce in himself a vaguely devotional mood in which real concentration of will and intelligence have no part. One of their poets, Coleridge, has recorded that he did not pray ‘with moving lips and bended knees’ but merely ‘composed his spirit to love’ and indulged ‘a sense of supplication’. That is exactly the sort of prayer we want; and since it bears a superficial resemblance to the prayer of silence as practised by those who are very far advanced in the Enemy’s service, clever and lazy patients can be taken in by it for quite a long time. At the very least, they can be persuaded that the bodily position makes no difference to their prayers; for they constantly forget, what you must always remember, that they are animals and that whatever their bodies do affects their souls. It is funny how mortals always picture us as putting things into their minds: in reality our best work is done by keeping things out.

      If this fails, you must fall back on a subtler misdirection of his intention. Whenever they are attending to the Enemy Himself we are defeated, but there are ways of preventing them from doing so. The simplest is to turn their gaze away from Him towards themselves. Keep them watching their own minds and trying to produce feelings there by the action of their own wills. When they meant to ask Him for charity, let them, instead, start trying to manufacture charitable feelings for themselves and not notice that this is what they are doing. When they meant to pray for courage, let them really be trying to feel brave. When they say they are praying for forgiveness, let them be trying to feel forgiven. Teach them to estimate the value of each prayer by their success in producing the desired feeling; and never let them suspect how much success or failure of that kind depends on whether they are well or ill, fresh or tired, at the moment.

      But of course the Enemy will not meantime be idle. Whenever there is prayer, there is danger of His own immediate action. He is cynically indifferent to the dignity of His position, and ours, as pure spirits, and to human animals on their knees He pours out self-knowledge in a quite shameless fashion. But even if He defeats your first attempt at misdirection, we have a subtler weapon. The humans do not start from that direct perception of Him which we, unhappily, cannot avoid. They have never known that ghastly luminosity, that stabbing and searing glare which makes the background of permanent pain to our lives. If you look into your patient’s mind when he is praying, you will not find that. If you examine the object to which he is attending, you will find that it is a composite object containing many quite ridiculous ingredients. There will be images derived from pictures of the Enemy as He appeared during the discreditable episode known as the Incarnation: there will be vaguer—perhaps quite savage and puerile—images associated with the other two Persons. There will even be some of his own reverence (and of bodily sensations accompanying it) objectified and attributed to the object revered. I have known cases where what the patient called his ‘God’ was actually located—up and to the left at the corner of the bedroom ceiling, or inside his own head, or in a crucifix on the wall. But whatever the nature of the composite object, you must keep him praying to it—to the thing that he has made, not to the Person who has made him. You may even encourage him to attach great importance to the correction and improvement of his composite object, and to keeping it steadily before his imagination during the whole prayer. For if he ever comes to make the distinction, if ever he consciously directs his prayers ‘Not to what I think thou art but to what thou knowest thyself to be’, our situation is, for the moment, desperate. Once all his thoughts and images have been flung aside or, if retained, retained with a full recognition of their merely subjective nature, and the man trusts himself to the completely real, external, invisible Presence, there with him in the room and never knowable by him as he is known by it—why, then it is that the incalculable may occur. In avoiding this situation—this real nakedness of the soul in prayer—you will be helped by the fact that the humans themselves do not desire it as much as they suppose. There’s such a thing as getting more than they bargained for!

      Your affectionate uncle

      SCREWTAPE

      My dear Wormwood,

      It is a little bit disappointing to expect a detailed report on your work and to receive instead such a vague rhapsody as your last letter. You say you are ‘delirious with joy’ because the European humans have started another of their wars. I see very well what has happened to you. You are not delirious; you are only drunk. Reading between the lines in your very unbalanced account of the patient’s sleepless night, I can reconstruct your state of mind fairly accurately. For the first time in your career you have tasted that wine which is the reward of all our labours—the anguish and bewilderment of a human soul—and it has gone to your head. I can hardly blame you. I do not expect old heads on young shoulders. Did the patient respond to some of your terror-pictures of the future? Did you work in some good self-pitying glances at the happy past?—some fine thrills in the pit of his stomach, were there? You played your violin prettily, did you? Well, well, it’s all very natural. But do remember, Wormwood, that duty comes before pleasure. If any present self-indulgence on your part leads to the ultimate loss of the prey, you will be left eternally thirsting for that draught of which you are now so much enjoying your first sip. If, on the other hand, by steady and cool-headed application here and now you can finally secure his soul, he will then be yours forever—a brim-full living chalice of despair and horror and astonishment which you can СКАЧАТЬ