Ordinary Decent Criminals. Lionel Shriver

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      Estrin Lancaster was not the only American on this tour; the piping comments of just the couple she longed to escape had led her to bottling. The two were Northeasterners, though Estrin could no longer decode their accents into states. Abroad the better part of ten years now, Estrin was growing stupid about her own country, and had to admit that while she plowed her Moto Guzzi over the Middle East she hadn’t a clue what was going on in Pennsylvania; and that this, like any ignorance, was no claim to fame. Rather, she’d made a trade-off, a real important trade-off, because there was a way you could know the place you were born that you never got a crack at anywhere else, and Estrin didn’t have that chance anymore.

      These years her access to U.S. news had been spotty, and lately, when Americans glommed onto her—a national characteristic—she didn’t get their jokes. She was currently following the Birmingham Six appeal, with all the unlikelihood of a British reversal—the more miserable the evidence on which the six Irishmen were convicted, the more certain the decision would remain, for didn’t people defend their weakest opinions with the most violence? Yet Estrin barely skimmed articles about presidential primaries in the States. She knew she was lost when in her Irish Times she no longer understood Doonesbury. The detachment had become disquieting.

      “Did you notice all those L’s and R’s on people’s cars, Dale? Do you suppose that means Loyalist and Republican?”

      Estrin flinched. The stickers meant Learner and Restricted, and she saw locals look to each other and smile. No one corrected the woman’s mistake. Estrin didn’t either. Simply, she didn’t want to be seen with them: sheer badness. Americans embarrassed her. They made no distinction between what came into their heads and what came out—an endless stream of petty desires and ill-examined impressions dribbling from a hole in the face, the affliction amounted to mental incontinence.

      Better you’re not seen running after me, MacBride,” said Farrell coldly to the man in the doorway.

      “Only tourists. That was the idea.”

      “We were to run into each other. You’re getting sloppy.”

      “Successful. Seen off with Farrell O’Phelan, I’ll survive. You’re such a chameleon, I paint you the color I like. More harm done you, I’d think.”

      “On the contrary, one of my accomplishments—”

      “One of the many,” said MacBride pleasantly.

      “—is I can be seen with whomever I like.”

      “Everyone knows we were mates back.”

      “Everyone was everyone’s mate back,” said Farrell. “What makes this place so sordid.”

      “Quite a lolly passed me at the door,” MacBride observed, moving on to more interesting business. “All that black leather, wouldn’t have to dress her up, like.”

      “Young for you,” said Farrell distractedly.

      “Looks old enough to know how.”

      “Haven’t you your hands full with—”

      “Ah-ah.” MacBride raised a finger as they drew within earshot of the group. “Now that is sloppy.”

      Estrin knew Bad Work, so she recognized the strain in their guide’s patter. He injected his information with artificial enthusiasm, like pumping adrenaline into a corpse. If he kept the job he would have to give over, and not simply to boredom, for there are states far beyond that, where you no longer recognize that at 2:45 there is any alternative to repeating “Our water rises in peaty ground” one more time. It’s relaxing, actually, a sacrifice to other forces. Minutes stretch out so wide and meaningless there is no more time, there are no more questions. Beyond interpretation or struggle, the advanced stages of Bad Work amount to a religious conversion. Also to being dead. She assessed the guide: Estrin would have quit by now.

      She swung between the pot stills towering fifteen feet overhead, shining Hershey’s Kisses. Bushmills kept the copper polished—now, that was the job she would keep. Estrin loved metal—its resistance, its arrogance, its hostility. She could see herself arriving weekly with chamois in every pocket, to rub down the curves, the stills now looking less like wrapped chocolate than firm upright breasts.

      NO MATCHES OR NAKED FIRE.

      It was the sign between them. Estrin, once more lost in her own world, which she was always mistaking for the world at large, had almost run into him. The tall man shot her a weary smile. He did not seem very interested in the distillery.

      “We’re honored, sir.” The guide hustled over to Farrell’s friend. “What brings you?”

      “Tired of single-handedly supporting the shop short by short. Thought I’d save a few quid to come buy the lot of it.”

      The guide laughed. Farrell sighed.

      Through the warehouse, where whiskeys married in boundless sherry casks, Estrin hung back to inhale. She tucked away stray jargon—cooper, blend vat, spirit safe—souvenir knickknacks. Pretty and useless, they packed well. Best of all she pocketed the smell, for Bushmills steeped the Antrim coast for miles around with a must of rising bread, liquor, and ripe manure, evoking pictures of a stout woman baking while her fagged-out husband rests his dung-crusted boots on the hearth and slowly gets pissed.

      At the end of the tour, downstairs for her sample, Estrin felt sorry for the harried bartender and held back—the woman had to keep smiling and ask, “Hot, black, regular, or malt?” over and over in a happy voice, explaining slowly to Germans what goes into a toddy, fighting back disdain for Americans, who could easily afford a case, still so eager for their free drink. Estrin had the same problem in restaurants, where, whether or not her order was wrong or cold or late, she identified with the waiter rather than herself; in shops she sympathized with rattled salesmen, not clientele; in high-rises she allied herself with reception, janitors; and even in the restroom her heart went out to the lady with the towels. From a well-established Philadelphia family, Estrin Lancaster had downwardly mobile aspirations.

      Farrell cast about the crowd, goaded by those sanctimonious poppies on every staff lapel. Thank God, it was Remembrance Day, after which the Somme would once more be over for another good eleven months. Farrell supposed dully that there was nothing wrong per se with mourning your war dead, though of course every gesture was subverted here and that wasn’t what the poppies connoted at all. Those are OUR wars. Those are OUR dead. Take ’em, thought Farrell, childish bastards. Little matter that plenty of Catholics had died in both world wars; fact had never contaminated anyone’s politics in Ireland. (The fiction was wick, since who needed it? We’ve got history.) No, ceremonies were divvied up and the Prods had picked Remembrance Day, the Twelfth, and probably Christmas, since they’d more cash. The Taigs got Easter, Internment Day, and for twenty years a whole smattering of, ah, unscheduled celebrations all across the calendar. Let the Prods have their sorry paper poppies and weepy parades to cenotaphs, it was only fair.

      Don’t get the wrong idea. This left Farrell in a conflicted position—Catholics didn’t wear poppies and Prods did, but if Farrell were Protestant, being Farrell, he would refuse to wear a poppy, so to express this alienation in Catholic terms should he wear one instead? For his own people had excluded him as well, or he’d excluded himself; each had leapt to disown the other. Farrell despised groups of all kinds and made sure they despised him in return; then he needed the backs of crowds to feel wholly, spitefully СКАЧАТЬ