Название: Mike Tyson (Text Only Edition)
Автор: Monteith Illingworth
Издательство: HarperCollins
Жанр: Биографии и Мемуары
isbn: 9780008193355
isbn:
For every hour they spent in preparation, Tyson doubled it when alone. He sensed opportunity. “One of the guards went by his room at three in the morning and heard grunting and snorting,” Stewart recalled. “He was working on slipping punches.”
On a chilly weekend in March 1980 they drove down to Catskill. D’Amato had converted a town meeting hall located above the police station into a gym, plopping a boxing ring in the center of a room maybe a hundred feet long and sixty feet wide. There were no windows. Five round Deco-style lamps provided the only light. As in all boxing gyms, the walls were covered with press clippings boasting of the feats of his boys, some fight posters, and a collection of fading black-and-white still photos of heavyweight notables through the ages—Jack Sharkey, Jack Dempsey, Joe Louis, Rocky Marciano, Sonny Liston. Also on the walls were photos of the two champions D’Amato had managed and helped train during the 1950s and 1960s—Floyd Patterson, a heavyweight, and José Torres, who won crowns in two weight classes.
“Mike started to throw me around,” Stewart recalled of the exhibition they gave D’Amato. “He had that incredible speed and power. I caught him with a couple right hands and his nose bled. Cus wanted to stop it. Mike almost cried. ‘No, we always go three rounds. We have to go three.’”
Cus had seen enough. His first words to Stewart would become a centerpiece of the Tyson mythology: “That’s the heavyweight champion of the world,” he said—as if everyone with eyes had to reach the same conclusion.
Afterward, they all went to D’Amato’s home for lunch. D’Amato and Ewald lived four miles outside Catskill in the town of Athens. The house was a quarter mile off the main road in a clearing on a hill. A yellow sign on a tree at the driveway entrance reads Children at Play. The house, built at the turn of the century in a late Victorian design, rose up three stories and was covered in white clapboard. Several dormer windows jutted out from the shale-gray roof. A porch wrapped around three-quarters of the section with the river view. Rosebushes hugged one side. Two towering maple trees shaded part of the well-kept lawn. Nestled back at the edge of the forest sat a barn-shaped coach house. It was the sort of spread, ten acres in all, that once would have belonged to the town judge.
Tyson had never seen anything like it. When they pulled up the driveway, a look of awe spread across his face. “I told him that if he wanted to, he could live here,” Stewart said. “He couldn’t believe it.”
They entered the house through the long, narrow kitchen. The dining room table could seat ten or more. But the heart of the fourteen-room house was the mock-Tudor-style living room. Deep, rich mahogany paneling went halfway up the walls. Broad beams crossed the ceiling. There was a fireplace that had been covered up. The couch looked deep and comfortable; the chairs sported rich leather, and solid, heavy, hardwood frames. One entire wall held a collection of hardcover books. A family lived here. To Tyson it seemed warm, secure, and, with the books, slightly mysterious.
For her guests Ewald cooked a hearty meal. D’Amato did all the talking. To Tyson, he must have seemed an odd old man. D’Amato had a large, round, bald head set on a thick neck and broad, square shoulders. His hair, almost snow-white, was cut short around the sides. His eyes were deep brown and set a bit apart. The nose looked strong. Though only five foot eight, and a bit overweight, D’Amato had an imposing presence. He had a barrel chest, thick forearms, and large hands.
D’Amato’s voice was gravelly and harsh, a voice from some urban New York place that Tyson couldn’t place. The word “champion” came out as “champeen. His eyes was busy. He’d squint, then suddenly his eyebrows would rise up and his eyes would open wide. It made him look alternately skeptical and surprised. He blew air out of his nose in light bursts for no apparent reason and made a “tch” sound with his tongue in the middle of a sentence.
It wasn’t easy to follow his thinking. D’Amato frequently meandered off the point, diverted by some inner music into other ideas, anecdotes, and aphorisms, all related to boxing. He seemed to speak about obvious, self-evident things in complex ways—at times getting lost in the web of his own spun-out thought. Often he would stop himself and ask, “What was I talking about?” Ultimately, he’d manage to return to the original point, which he would then complete as if he’d never strayed.
For Tyson, not used to having to sit and listen for so long to one person, let alone an old white man accustomed to a captive audience, D’Amato must have seemed both foreign and annoying. At the same time, he was also mesmerizing.
Ewald remembered the day. As she watched Tyson drive away with Stewart, the car suddenly stopped. Tyson jumped out and ran back to her. “We had all these rosebushes around the house. He asked if he could take some flowers back to Tryon. ‘I’ve never seen roses before,’ he said. ‘I thought only the very rich people grew roses. I want to show them to the other kids.’”
Ewald found out later that by the time Tyson got back to Tryon, the roses had died.
D’Amato insisted that Stewart provide proof of Tyson’s age. He couldn’t believe that any boy of thirteen was both that physically developed and mentally focused. Stewart looked in the Tryon records, but he couldn’t find a birth certificate. He did, however, get verification of Tyson’s birthday from New York City officials.
Stewart took Tyson back to Catskill for three more visits. All during this period at Tryon, Tyson was conforming even more to the role of model student. “When he did something wrong, any little thing, he’d ask me, ‘Will you still work with me?’ He didn’t want to take the chance of losing me or missing out on the opportunity to live with Cus,” Stewart said.
D’Amato watched him box but didn’t offer much instruction. He spent more time alone with Tyson, talking, but also listening. He was more interested in the boy’s mind than in his body. He wanted to see the bends in Tyson’s mind and the distortions of his heart. Sometimes the more troubled the boy, the better—it gave D’Amato the chance to completely reorder the psychic furniture. That was the core of his method, on which all the other training depended. He’d knock and bang until the boy opened up, and then he’d stomp about inside, pointing to the disorder to make the boy see the truth about himself. And the truth he was most interested in was human fear. D’Amato believed that a boxer, by confronting fear and using it effectively in the ring, assured his success—the imposition of the will through violence.
Of course, D’Amato’s method didn’t always make a champion. Sometimes all that D’Amato’s mind-work produced was a more confident young man, not a champion boxer. Many of the boys left him because he was too strict about what they did, both in and out of the ring. And D’Amato had yet to see any of his protégés—Patterson and Torres included—execute fully his unique style of boxing, a style that, as far back as the 1950s, his critics had ridiculed. The D’Amato style required almost robotlike training, intense concentration, extreme confidence, and superb emotional control. D’Amato believed that when executed to perfection, especially by a fast-punching heavyweight, the style would produce an unbeatable boxer.
Tyson had the kind of hand speed D’Amato required and certainly, given his size at the age of thirteen, the potential to grow into an imposing natural heavyweight. D’Amato also realized that he had a teenager whose psychic furniture was disposed in a chaotic and entangled clutter of fear and insecurity. Tyson wanted desperately to find order and meaning in his life, but didn’t know how. D’Amato did. “After they’d talked for hours, Cus decided Mike had it,” said Ewald. “He told me, ‘Camille, this is the one I’ve been waiting for all my life. My third champion.’”
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