Luminous Airplanes. Paul Farge La

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СКАЧАТЬ finally, what she said was, “Ring for the nurse.” I did, and a minute later the nurse came in and chided my grandmother because she hadn’t eaten her vegetables. “These aren’t vegetables,” my grandmother said, “they’re,” and she shrugged, her face lit up with disgust.

      I called my mothers that night from my motel room in Syracuse and had a bad conversation. Why hadn’t they told me? Why had Richard shot himself in Denver? The first question was easier to answer than the second. My mothers had been trying to protect me from having to feel what they still felt, a kind of baffled sadness, which made Richard Ente impossible either to dismiss or to forgive. They wanted me to have two parents and not be haunted by the ghost of a third. But why did he do it? My mothers didn’t know. Celeste believed Richard’s suicide had to do with things that had happened a long time ago, before he came to Thebes. “Any fifty-year-old man who falls in love with a sixteen-year-old girl has serious problems,” she said.

      Marie sobbed into the phone; she didn’t know either.

      “Let him go,” Celeste said. “Suicide is a mystery with no solution.”

      “I’m so sorry,” Marie said. “I wish I could have done something to stop him.” She could have done something, but I wouldn’t know that until much later. Finally I got off the phone with my mothers, wiped my eyes and tried to take Celeste’s advice and put Richard out of my mind. Dead was dead. The fact that Richard had killed himself didn’t make him any more lost to me than he had been already. How could it matter if he died of a bullet or a heart attack? But I couldn’t let go of the question why?

      When I came back from Syracuse, I looked for my father in the Bleak College (not its real name, but that’s another story) library, but nothing I found cast any light on his death. The membership directories of the New York State Bar Association told me that Richard Ente practiced law in New York from 1949 until 1970. He worked for Silberman & Mischeaux, a personal-injury firm, then in 1961 he went into private practice. His office was a few blocks from Times Square, in a building that has since been demolished. Lexis, which was just becoming available at the time, and which I got access to with the help of a friend in the law school, confirmed that my father was of counsel in Oliver Rowland et al. v. Snowbird Resort, Inc. The lawsuit, which my family had talked about only in vague terms, turned out to be stranger and more significant than I’d expected. According to Lexis, my grandfather sued for an injunction to prevent Joe Regenzeit from “interfering with the clouds and the natural condition of the air, sky, atmosphere and air space over plaintiffs’ lands and in the area of plaintiffs’ lands to in any manner, degree or way affect, control or modify the weather conditions on or about said lands,” which, reading farther down in the document, seems to have been a response to Joe Regenzeit’s “cloud-seeding devices and equipment generally used in a weather modification program,” the purpose of which was, in short, to make it snow. As if it didn’t snow enough in Thebes! Beginning sometime in the autumn of 1968, Joe Regenzeit was sprinkling the clouds with silver iodide, bringing further gloom to the gloomy mountain town, with the intention of turning it into a winter paradise. My grandfather objected. He, or rather his counsel, Richard Ente, Esq., argued that Regenzeit’s snow had encumbered the land, choked the roads, and clouded the minds of Thebes’s inhabitants, who were already unhappy enough come winter. He did not prevail. Having failed to demonstrate, in the first place, that Joe Regenzeit’s weather modification program was responsible for any particular snowfall, and, in the second, that the plaintiffs’ hardships were brought on by snow, specifically, as distinguished from cold, darkness, old age, excessive consumption of alcohol, rheumatoid arthritis, poor eyesight, poor diet, unusual devotion to their domestic animals, acts of God, or any other cause, the injunction was not granted, and Rowland v. Snowbird assumed its place in the history of weather-modification law, an important precedent, but one with few successors. According to an articled titled “Who Owns the Clouds Now?” 73 Mich. L. Rev. 129, Rowland v. Snowbird established, tacitly, a doctrine of “modified natural rights,” which is to say that if Regenzeit could make money off the clouds, and my grandfather didn’t lose any money thereby, then the clouds belonged to Regenzeit, which would have made him, my law-school friend said, the first person in American history ever to own a cloud. I took copious notes, and even thought of writing a science-fiction story that would take the case as its starting point, and project from it a world where not only the clouds but all natural phenomena, rain, wind, sunlight, fog, and even such intangibles as “clear skies” and “autumn chill,” were privately owned, so that the experience of the outdoors would involve an endless series of payments, and become in all likelihood a pastime for the rich.

      Lexis had nothing to say on the subject of Richard Ente’s character. Since childhood, I had pictured my father as a handsome man, a distinguished lawyer in a dark suit and a blue-and-gold Bleak College necktie, because yes, he went to Bleak, just the same as my grandfather, the same as me, and I wonder if I didn’t go there in part because I hoped I’d find some trace of him. I imagined Richard Ente sitting at dinner with my grandfather, twirling a glass of wine between his fingers, like an old version of the young Sean Connery, if you see what I mean. Richard Ente offering his considered opinion on legal matters, then turning and catching Marie’s eye. Richard Ente pressing my mother’s hand as they said goodbye, and murmuring something in her ear. Richard Ente under cover of darkness climbing the roof of the garage, still in his dark suit, and slipping through my mothers’ open window. My love! said his love. Ssh, Richard Ente murmured, a cross now between James Bond and Humbert Humbert, although I suppose Humbert Humbert is already that. We don’t want to wake them, do we? Marie’s hands at the knot of his tie. Richard’s hairy fingers— with a ring, perhaps, on the third left one?— undoing the top of Marie’s dress. Then an unclarity, willful, on my part. Then Richard Ente murmured, You mustn’t tell your father. —Damn my father, Marie said, rolling away from him and snugging her back to his chest. He’s a good man, Richard said softly. Not as good as you, Marie said. Hm, said Richard. He got up and dressed in the moonlight. Is my tie straight? —You look dashing, Marie said. —Then adieu. —No! But Richard Ente was gone; he had climbed out the window and down to the ground, and now he walked to where his car idled silently among the trees. None of this explained him taking his own life. I invented other scenes in which Richard Ente’s suicidal tendency would be manifest: Richard draining a flask before he gets into his car. Richard growling, I can’t go on with this charade! Richard speeding around a curve and closing his eyes. No. The story I’d made up about my father had petrified in my memory; adding the story of his death in Denver didn’t change him any more than the addition of paint to a rock would make it not a rock. My story was beyond contradiction, to the point where even now I think of it as being about my real father, even though I know for a fact that it is wrong in almost every particular.

      Finally I stopped looking for the truth about Richard Ente. I was left with a mystery, a love of library research and a desire to get as far away from my family as I could: these last two came in handy when I went to Stanford to study American history.

      LOST THINGS

      The sun was already high over the mountains when I woke up, my neck and back frozen at bad angles from sleeping on the sofa. I washed my face and drank sulfurous water from the tap. By day, the house didn’t seem haunted, only cluttered. Four generations of Rowlands had lived there and as far as I could tell not one of them had ever thrown anything out. Cigar boxes and tobacco tins from the early twentieth century were heaped on a table in the hall, teapots, hatracks, mugs, pens, bowls full of buttons and pins, vases, stacks of old magazines, china statuettes of shepherds and milkmaids, candlesticks, bundles of letters, books, albums, records, telephone directories, ashtrays, bottle openers and pens given away by businesses that no longer existed, framed photographs of long-dead cousins, sewing kits, skeins of wool, coasters, place mats, watercolors of the Catskills that my grandmother had painted in her youth, road maps, paperweights, letter openers, seashells, lamps. Every horizontal surface in the house was heaped with stuff; every cabinet was full. There was no separation between the priceless things and the worthless ones: in the parlor, the silver inkwell which supposedly came over from France with Jean Roland was full of paper clips.

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