Galilee. Clive Barker

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СКАЧАТЬ house falls. None of us will.”

      I stared at the passageway.

      “I guess that’s my answer then,” I said.

      “So you’re goin’ to go in?”

      “I’m goin’ to go in.”

      Luman smiled. “Hold on,” he said. Then he did a remarkable thing. He picked up the wheelchair, with me in it, and carried us both up the stairs. I held my breath, afraid he was either going to drop me, or topple back down the flight. But we reached the top without incident. There was a narrow landing, and a single door.

      “I’m goin’ to leave you here,” Luman said.

      “This is as far as you go?”

      “You know how to open a door,” he said.

      “What happens when I get inside?”

      “You’ll find you know that too.” He laid his hand on my shoulder. “If you need anything, just call.”

      “You’ll be here?”

      “It depends how the mood takes me,” he said, and sauntered off down the stairs. I wanted to call him back; but I was out of delaying tactics. Time to do this, if I was going to do it.

      I wheeled my way to the door, glancing back once to see if Luman was still in sight. He’d gone. I was on my own. I took a deep breath, and grasped the door handle. There was still a corner of me that hoped the door was locked and I’d be denied entry. But the handle turned, and the door opened—almost too readily, I thought, as though some overeager host stood on the other side, ready to usher me in.

      I had some idea of what I thought lay on the other side, at least architecturally speaking. The dome room—or “sky room” as Jefferson had dubbed his version at Monticello—was, I’d been told by Marietta (who’d crept up there once to do the deed with a girlfriend) a somewhat strange but beautiful room. At Monticello it had apparently been used as a child’s playroom, because it was hard to access (a design deficiency which also applied to L’Enfant) but here, Marietta had told me, there was a whisper of unease in the room; no child would have been happy playing there. Though there were eight windows, after the Monticellian model, and a skylight, the place seemed to her “a little on the twitchy side,” whatever that meant.

      I was about to find out. I pushed the door wide with my foot, half-expecting birds or bats to fly in my face. But the room was deserted. There was not so much as a single piece of furniture to spoil its absolute simplicity. Just the starlight, coming in from nine apertures.

      “Luman,” I murmured to myself, “you sonofabitch…”

      He’d prepared me for something fearful; a delirium, an assault of visions so violent it might put me out of my wits. But there was nothing here but murk and more murk.

      I ventured in a couple of yards, looking everywhere for a reason to be afraid. But there was nothing. I pressed on, with a mingling of disappointment and relief. There was nothing to fear in here. My sanity was perfectly secure.

      Unless, of course, I was being lulled into a false sense of security. I glanced back toward the door. It was still open; still solid. And beyond it the landing where I’d stood with Luman, and debated the wisdom of coming in here. What an easy mark I’d made; he must have been thoroughly entertained at the sight of my discomfort! Cursing him again, I took my eyes from the door and returned them to the murk. This time, however, much to my astonishment, I discovered that the sky room was not quite as empty as I’d thought. A few yards from me—at the place where the lights of the nine windows intersected—there was a skittering pattern in the gloom, so subtle I was not certain at first it was even real. I kept staring at it, resisting the urge to blink for fear that it would vanish. But it remained before me, intensifying a little. I wheeled my way toward it; slowly, slowly, like a hunter closing on his quarry, fearful of alarming it into flight. But it didn’t retreat. Nor did it become any the less mystifying. My approach had become less tentative now; I was very soon at the center of the room, directly under the skylight. The patterns were in the an all around me; so subtle I was still not absolutely certain I was ever seeing them. I looked up to my zenith: I could see stars through the skylight, but nothing that would be likely to create these shifting shadows. Returning my gaze to the walls, I went from one window to the next, looking for some explanation there. But I found none. There was a little wash of light through each of them, but no sign of motion—a wind-stirred branch, a bird fluttering on a sill. Whatever was creating this shifting shadow was here in the room with me. As I finished my study of the windows, muttering to myself in confusion, I had the uncomfortable sense my befuddlement was being watched. Again, I looked toward the door, thinking maybe Luman had crept back to spy on me. But no; the landing was deserted.

      Well, I thought, there’s no use my sitting here, getting dizzy and paranoid. I may as well spit out my reasons for coming, and see if that elicited some response.

      I drew an anxious breath, and spoke.

      “I came…I came to see the past,” I said. My voice sounded tiny, like a child’s voice. “Cesaria sent me,” I added, thinking that might help whatever forces occupied the room understand that I was a legitimate presence, and that if they had something to show me, they should damned well do it.

      Something that I’d said—whether it was talking about the past or about Cesaria I can’t say—brought a response. The shadows seemed to darken around me, and their motion grew more complex. Some portion of the pattern twitched like a living thing, and rose up in front of me—up, up toward the skylight. Another flew off toward the wall at my left, trailing more fragments of dark air, whipping like the tail of a kite. A third dropped to the polished boards and spread across the floor.

      I believe I breathed some words of astonishment. “Oh my Lord,” or some such. I had reason. The spectacle was growing by the moment, the writhing motions of these shadows, and their scale, expanding as if by some logarithmic progression. Motion was inspiring motion; forms were inspiring forms. In the space of perhaps forty-five seconds the walls of the dome room had been all but eclipsed by these roiling abstractions; gray on gray, yet filled with subtle intimations of visions to come. My eyes were darting everywhere, of course, astonished by all this, but even as my gaze went on from one cloudy cluster of shapes to the next, it moved with the impression that something was almost visible here. That I was moments away from understanding how these abstractions worked.

      And yet, even in their protean condition they moved me. Watching these rollings and cavortings I began to understand why Luman had been so reluctant to enter this room. He was a man of great vulnerability, despite his manner: there was simply too much feeling here for a soul so tender. Watching the unfolding spectacle, I felt as though I were listening to a piece of music; or rather several at the same time.

      Those grand shapes moving overhead, like columns of smoke passing across the sun had all the gravity of a requiem; while the forms that moved close to me reeled and swaggered as though to a drunken polka. And in between, circling me as they climbed, were sinuous ropes of ether that seemed to express lovely, rising music, like the bright line of a rhapsody.

      To say I was enchanted does not begin to express my beguilement. It was all so perfectly mysterious: a seduction of eye and heart that left me close to tears. But I was not so enthralled that I didn’t wonder what powers lay so far undisclosed. I had invited this vision with my own readiness to accept it. Now it was time to do the same thing again; to open my spirit, as it were, a little wider, and see what the shadows would show me.

      “I’m СКАЧАТЬ