Men from the Boys. Tony Parsons

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СКАЧАТЬ I was still wearing my Cath Kidston. I quickly pulled it off and tossed it aside. I did not want him to see me in an apron. Even if he wasn’t at Elba.

       ‘Our mob are marching,’ he said, ‘that’s why I’m here.’

      Then I watched in horror as he took out a pack of cigarettes with a death’s head covering most of the packet. Perhaps I imagined it, but I think I heard Cyd’s intake of breath.

      ‘Didn’t have any Old Holborn in your newsagent,’ he told me, as if I was personally to blame. ‘The geezer didn’t seem to know what I was talking about. Foreign chap.’

      The children were all staring at him, their dinner forgotten. They had never seen someone taking out a pack of fags in our house – or any house – before. That twenty-pack of Silk Cuts had the exotic danger of an Uzi, or a gram of crack cocaine, or a ton of bootleg plutonium.

      ‘You know,’ Ken said. ‘At the Cenotaph. The eleventh hour of the eleventh month of the eleventh day.’ He stuck a Silk Cut in his mouth. ‘Nearest Sunday, anyway,’ he said, fumbling in his blazer for a light. ‘What did I do with those Swan Vestas?’ he muttered.

      My wife looked at me as if she would tear out my heart and liver if I did not stop him immediately. So I took his arm and gently steered him to the back garden.

      I sat him down at the little table at the back, just beyond the Wendy House. Through the glass I could see my family eating their dinner. Joni was still laughing at the hilarity of someone saying ‘arse’ and thinking they could smoke in our house.

      And I realised that Ken Grimwood talked about my father in the present tense.

      ‘But he died ten years ago,’ I said, afraid he might unravel. ‘More than ten years. Lung cancer.’

      Ken just looked thoughtful. Then he struck a match, lit up and sucked hungrily on his Silk Cut. I had brought a saucer out with me – we hadn’t owned an ashtray since the last century – and I pushed it towards him.

      ‘I’m sorry,’ I said. ‘Someone should have told you.’

      He took it surprisingly well. Perhaps he had seen enough death – as a young man, as an old man – to vaccinate him against the shock. I had seen a few of them over the years – those old men from my dad’s mob. I remembered their green berets at the funeral of my father, and later my mother, although there were less of them by then. But Ken Grimwood was new to me.

      ‘You lose touch over the years,’ he said, by way of explanation. ‘Some of our mob – well, they liked the reunions, the marching, putting on the old medals.’ He considered his Silk Cut and coughed for a bit. ‘That wasn’t for me.’ He looked at me shrewdly. ‘Or your old man.’

      It was true. For most of his life, my father never gave me the impression that he wanted to remember the war. Forgetting seemed like more his thing. It was only towards the end, when the time was running out, that he talked about going back to Elba, and seeing the graves of boys that he had known and loved and lost before they were twenty. But he never got around to it. No time.

      And it turned out that Ken Grimwood’s time was running out too.

      ‘Lung cancer,’ he said casually. ‘Yeah, that’s what I’ve got.’

      He stubbed out his Silk Cut, lit up another and saw me looking at him, and his cigarette, and his fag packet with a skull. ‘You’ve got to go sometime, son,’ he chuckled, dry-eyed and enjoying my shock. ‘I reckon I’ve had a good innings.’

      And we sat there in the twilight until he could not force any more smoke into his dying lungs, and my meatballs had gone stone cold.

      

      I walked him to the bus stop at the end of our road.

      It took some time. I had not noticed until we were out on the street that he had a slow, strange walk – this laborious, rolling gait. When we finally got there I shook his hand and went back home.

      Cyd was watching the bus stop from the window. She’s a kind person, and I knew she would not approve of me abandoning him on the mean streets of Holloway.

      ‘But you can’t just leave him out there, Harry,’ she said. ‘It’s dangerous.’

       ‘He’s a former Commando,’ I said. ‘If he’s anything like my dad, he’s probably killed dozens of Nazis and he’s probably had bits of old shrapnel worming its way out of his body for the last sixty years. He can catch a bus by himself. He’s only going to the Angel.’

      She started to follow me into the kitchen. And then she stopped. And I heard it too.

      A smack of air, then breaking glass, and then laughter. And again. The crack of air, the breaking glass, and laughter. We went back to the window and saw the two men standing in front of the house across the street.

      No, not men – boys.

      A security light came on – the kind of blinding floodlight that was becoming increasingly popular on our street – and illuminated William Fly and his mate, a spud-faced youth who cackled by his side, every inch the bully’s apprentice.

      Fly lifted his hand, pointing it at the light, and I heard my wife gasp beside me as the air pistol fired.

      The security light went dark in a tinkle of glass and a ripple of laughter.

      They moved on down the street, letting the next security light come on, and I was glad that we had decided against getting one. Fly shot out that light too, and they sauntered on, down to the bus stop where the old man was sitting.

      My wife looked at me, but I just kept staring out the window, willing the bloody bus to come.

      The two boys looked down at the old man.

      He stared at them curiously. They were saying something to him. He shook his head. I saw the air pistol being brandished in the right hand of William Fly.

      Then my wife said my name.

      And we both saw the glint of the blade.

      I was out of the house and running down the street, a diminished number of the security lights coming on as I went past them, and I was almost upon them when I realised that the knife was in the hand of the old man.

      And they were laughing at him.

       And as I watched, Ken Grimwood jammed the blade deep into his left leg.

      As hard as he could, just below the knee, half of the blade disappearing into those neatly pressed trousers and the flesh beneath. And he did not even flinch.

      There was a long moment when we stood and stared at the knife sticking out of the old man’s leg.

      Me. And the boys. And then William Fly and Spud Face were gone, and I was approaching Ken Grimwood as if in a dream.

      Still sitting at the bus stop, still showing no sign of pain, he pulled out his knife and rolled up his trousers.

      His prosthetic leg was pink and hairless – that’s what struck me, the lack of hair – and it was like a photograph of a limb rather than the thing of flesh and blood СКАЧАТЬ