Sharpe 3-Book Collection 7: Sharpe’s Revenge, Sharpe’s Waterloo, Sharpe’s Devil. Bernard Cornwell

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      Captain Peter d’Alembord sat in the drawing-room of the Cork Street house and felt acutely uncomfortable. It was not that d’Alembord was unused to luxury, indeed he had been raised in an affluent family of the most exquisite tastes, but his very familiarity with civilized living told him that there was something exceedingly vulgar about this high-ceilinged room. There was, he considered, simply too much of everything. A great chandelier, much too large for the room, hung from a plaster finial, while a dozen crystal sconces crowded the walls. The sconces, like the chandelier, dripped with candle wax that should long have been scraped away. The furniture was mostly lacquered black in the fake Egyptian style that had been fashionable ten years earlier. There were three chaise-longues, two footstools, and a scattering of small lion-footed tables. The gilt-framed pictures seemed to have been bought as a job lot; they all showed rather unlikely shepherdesses dallying with very ethereal young men. A box of candied cherries lay gathering dust on one table, and a bowl of almonds on another.

      Dust was everywhere and d’Alembord doubted whether the room had been cleaned for days, perhaps even weeks. The grate was piled with ashes, and the room smelt overwhelmingly of powder and stale perfume. A maid had curtseyed when d’Alembord had handed in his card at the door, but there was little evidence that the girl did any cleaning. D’Alembord could only suppose that Jane Sharpe was merely lodging in the house, for he could not believe that she would allow such slovenliness in her own home.

      D’Alembord waited patiently. He could find only one book in the room. It was the first of a three volume romance which told the story of a clergyman’s daughter who, snatched from the bosom of her family by brigands in Italy, was sold to the Barbary pirates of Algiers where she became the plaything of a terrible Muslim chief. By the last page of the book, to which d’Alembord had hastily turned, she was still preserving her maidenly virtue, which seemed a most unlikely outcome considering the reputed behaviour of the Barbary pirates, but then unlikely things properly belonged in books. D’Alembord doubted if he would seek out the remaining volumes.

      A black and gilt clock on the mantel whirred, then sounded midday. D’Alembord wondered if he dared pull aside the carefully looped velvet curtains and open a window, then decided that such an act might be thought presumptuous. Instead he watched a spider spin a delicate web between the tassels of a table-cloth on which a vase of flowers wilted.

      The clock struck the quarter, then the half, then the hour’s third quarter. D’Alembord had come unannounced to the house, and had thus expected to wait, but he had never anticipated being kept waiting as long as this. If he was ignored till one o’clock, he promised himself, he would leave.

      He watched the filigreed minute hand jerk from five minutes to four minutes to one. He decided it would be prudent to leave a message in writing and was about to tug the bell-pull and demand paper and pen from the maid, when the drawing-room door suddenly opened and he turned to see the smiling face of Mrs Jane Sharpe.

      ‘It’s Captain d’Alembord!’ Jane said with feigned surprise, as though she had not known who had been waiting for her for so long. ‘What a pleasure!’ She held out a hand to be kissed. ‘Were you offered tea? Or something more potent, perhaps?’

      ‘No, Ma’am.’

      ‘The girl is perverse,’ Jane said, though d’Alembord noted that she did not ring the bell to correct the perversity. ‘I didn’t know the battalion had reached England?’

      ‘Two weeks ago, Ma’am. They’re now in Chelmsford, but I’m on leave.’

      ‘A well deserved leave, I’m sure. Would you like to draw a curtain, Captain? We must not sit here in Stygian gloom.’

      D’Alembord pulled back the heavy velvet, then, when Jane had arranged herself on a chaise-longue, he sat opposite her. They exchanged news, complimented London on its current fine weather, and agreed how welcome the coming of peace was. And all the time, as this small-talk tinkled between them, d’Alembord tried to hide the astonishment he was feeling at the change in Jane. When she had been with the army she had seemed a very sweet-natured and rather shy girl, but now, scarce six months later, she was a woman dressed in the very height of fashion. Her green satin gown fell in simple pleats from its high waist to her ankles. The neckline was cut embarrassingly low so that d’Alembord was treated to an ample view of powdered breasts; very pretty breasts, he decided, but somehow it seemed inappropriate for the wife of a man he liked and admired so to display herself. The shoulders of Jane’s dress were puffed and the sleeves very long, very tight and trimmed at their wrists with lace frills. She wore no stockings, instead displaying bare ankles that somehow suggested the vulnerability of innocence. Her shoes were silver slippers tied with silver thongs in the quasi-Greek fashion. Her golden hair was drawn up above her ears, thus displaying her long and slender neck about which was a necklace of rubies which d’Alembord supposed must have been plundered from the French baggage at Vitoria. The rubies suited her, d’Alembord decided. They were rare jewels for an undoubtedly СКАЧАТЬ