Название: Catastrophe: Europe Goes to War 1914
Автор: Max Hastings
Издательство: HarperCollins
Жанр: Историческая литература
isbn: 9780007519750
isbn:
Yet if Germany admired Britain, it also sought to challenge her, most conspicuously through the creation of a fleet capable of engaging the Royal Navy – this was overwhelmingly the Kaiser’s personal commitment, strongly opposed by the chancellor and the army – and more fundamentally by rejecting the continental balance of power, so dear to British hearts. At Kiel in 1914, Vice-Admiral Sir George Warrender sought to flatter Tirpitz. The Englishman said: ‘You are the most famous man in Europe.’ Tirpitz answered: ‘I have never heard that before.’ Warrender added: ‘At least in England.’ The admiral growled: ‘You in England always think that I am the bogey of England.’ So Tirpitz was, and so too was the Kaiser. However Germany dressed matters up, its leaders aspired to secure a dominance in the management of Europe which no British government would concede, and thereafter they proposed to reach out across the oceans of the world.
Lord Haldane told Prince Lichnowsky, in the German ambassador’s words: ‘England, if we attacked France, would unconditionally spring to France’s aid, for England could not allow the balance of power to be disturbed.’ Lichnowsky was not taken seriously in Berlin, partly because of his enthusiasm for things English. His hosts did not reciprocate. British prime minister Herbert Asquith wrote of the Lichnowskys to his confidante Venetia Stanley: ‘rather trying guests. They have neither of them any manners, and he is loquacious and inquisitive about trifles.’
Haldane’s warning, transmitted to Berlin by the ambassador, was contemptuously dismissed. Gen. Helmuth von Moltke, Germany’s chief of staff, thought the British Army an imperial gendarmerie of little consequence, and the Royal Navy irrelevant in a continental clash of soldiers. The Kaiser scrawled on the ambassador’s report his own view that the British concept of a balance of power was an ‘idiocy’ which would make England ‘eternally into our enemy’. He wrote to Franz Ferdinand of Austria, describing Haldane’s remarks as ‘full of poison and hatred and envy of the good development of our mutual alliance and our two countries [Germany and Austria]’. Several British academics warned of the prevalence of opinion in German universities about the inevitability of a historic struggle between the Kaiser’s people and their own, identified as ascendant Rome and doomed Carthage.
Germany and the Dual Monarchy of Austria-Hungary were twin pillars of the Triple Alliance, of which Italy was a third member, upon whose attendance in the event of war nobody relied. For much of the previous century, the Ottoman Empire had been known as ‘the sick man of Europe’, its might and territories shrivelling. It had now been supplanted in that predicament by the Hapsburg Empire, whose dissolution in the face of its own contradictions and disaffected minorities was a focus of constant speculation in chancelleries and newspapers, not least in Germany. But the rulers of the Hohenzollern Empire elevated preservation of their tottering ally to a key objective of foreign policy. The Kaiser and his advisers shackled themselves to the Hapsburgs, not least because the beneficiaries of Austria-Hungary’s dissolution would be their chosen enemies: Russia and its Balkan clients. The Kaiser delivered frequent denunciations of ‘Slavdom’ and Russia’s alleged leadership of a front against ‘Germandom’. On 10 December 1912 he told the Swiss ambassador in Berlin: ‘we will not leave Austria in the lurch: if diplomacy fails we shall have to fight this racial war’.
The Hapsburg Empire embraced fifty million people of eleven nationalities, occupying the territories of modern Austria, Slovakia, the Czech Republic, Hungary, Croatia, Bosnia-Herzegovina, parts of Poland and north-east Italy. Franz Joseph was a weary old man of eighty-three, who had occupied his throne since 1848, and created the Dual Monarchy in 1867. For twenty-eight years he had enjoyed an intimacy with the actress Katharina Schratt. He wrote to her as ‘My Dear Good Friend’; she replied to ‘Your Imperial and Royal Majesty, my Most August Lord’. She was fifty-one in 1914, and they had long since settled into a pleasant domesticity. At Ischl, his summer residence, the Emperor rambled alone to her house, Villa Felicitas, where he would sometimes arrive at 7 a.m. after sending a note: ‘Please leave the small door unlocked.’
Having spent some years of his youth as a soldier, even seeing a little action, the Emperor almost invariably affected military uniform; he perceived his army as the unifying force of the empire. Its officer corps was dominated by noblemen, most of whom combined conceit with incompetence. Franz Joseph’s reign was symbolised by his insistence, when a young monarch, upon holding military exercises on a parade ground sheeted in ice, which caused many horses to slip and fall, killing two of their riders. On a larger scale, this was how he continued to rule, seeking to defy inexorable social, political and economic forces. Norman Stone has categorised the Hapsburg monarchy as ‘a system of institutionalised escapism’. Its capital harboured as much poverty and unemployment as any European city, and more despair than most: in 1913 almost 1,500 Viennese attempted suicide, and more than half succeeded. As for popular consent, one writer has observed of the Austrian parliament: ‘It was less a legislature than a cacophony. But since it was a Viennese cacophony, it shrilled and jangled with a certain flair.’ In March 1914 the racket grew too loud for Franz Joseph: he prorogued the Reichsrat in the face of relentless clashes between its Czech and German members. He and his ministers thereafter ruled by decree.
Austria-Hungary was a predominantly rural society, but Vienna was toasted as one of the most cultured and cosmopolitan capitals on earth, beloved of Franz Lehár and Thomas Mann. Lenin thought it ‘a mighty, beautiful and vivacious city’. Irving Berlin’s ‘Alexander’s Ragtime Band’ was sung there in English, and in 1913 it played host to the world premiere of Bernard Shaw’s Pygmalion. It is an oddity of history that in the same year Stalin, Trotsky, Tito and Hitler alike lived for some months in Vienna. The great American boxer Jack Johnson was star turn of that winter’s season at the Apollo Theatre. Among a host of popular cafés, the Landtmann was the favourite of Sigmund Freud. The city represented a global pinnacle of snobbery: bowing, scraping and even hand-kissing shopkeepers flattered their middle-class customers by adding an aristocratic ‘von’ to their names, and addressing them as ‘Your Grace’. Domestic servants were subject to almost feudal routines: employment law entitled housemaids to only seven hours off a fortnight, every alternate Sunday. Aristocratic Viennese had a New Year custom of pouring gobbets of molten lead into buckets of iced champagne, then trying to predict the future by the shapes into which they hardened.
Austrian aristocratic social life was the most ritualised in Europe, dominated by appearances in the boxes of the Parquet Circle at the Court Theatre and Court Opera, and weekly At Homes. Every smart Viennese knew that Sunday was the afternoon of Princess Croy; Monday, of Countess Haugwitz; Tuesday, Countess Berchtold; Wednesday, Countess Buquoy. Countess Sternberg organised weekend ski outings at the Semmering Alp; Countess Larisch presided at bridge parties; Pauline, Princess Metternich, was alleged to entertain so many Jewish bankers that she received sneers as ‘Notre Dame de Zion’. Vienna boasted one of the largest and most influential Jewish communities in Europe, and formidable anti-Semitism to go with it.
Though the Germans condescended politically and militarily to the Austrians, they were prone to spasms of social inadequacy when meeting Hapsburg grandees on their home turf. Wickham Steed, the long-serving Times correspondent, wrote of Vienna: ‘The combination of stateliness and homeliness, of colour and light, the comparative absence of architectural monstrosities and the Italian influence everywhere apparent, contribute, together with the grace and beauty of the women, the polite friendliness of the inhabitants and the broad, warm accent of their speech, to charm the eye and ear of every travelled visitor.’ But Steed found Viennese vanity СКАЧАТЬ