Collected Letters Volume One: Family Letters 1905–1931. Walter Hooper

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СКАЧАТЬ me at the moment and must come out. Go on and prosper–there goes half past. So gute nacht du lieber kamarad, bon soir mon vieux.

      J.

       TO HIS FATHER (LP V: 114-15):

      [Gastons]

      21st July 1916.

      My dear Papy,

      I was just beginning to get up what I considered a very legitimate ‘grouse’, but must admit that you offer the best of reasons for the offence. I am glad that you enjoyed their visit,¹²⁷ and wish that I could have been one of the party:–at least so I may now say with safety when ‘the tyrranny is over past’.¹²⁸ Many thanks for your indulgent permission to take a Scotch trip–never fear, we’ll keep your place in order.

      Kirk tells me he has sent you a list of the Scholarships and Exhibitions at colleges in the big group, which we will be able to go over together in the holidays. It is cheering to see that we have some fifteen to come and go over, most of them in the first rank.

      My fellow sojourner at Gastons is going home this day (Friday) week, so I think it would be best for me to choose the following Monday. I forget what state the cross-channel routes are in at present, but if Fleetwood is going I had sooner travel by it: failing that by Liverpool with Larne as a pis aller. So if you could book a stateroom for the 31st, and forward a few ‘crowns for convoy’ I shall do myself the honour of waiting on you at Leeborough on Tuesday morning the first. (You may notice the phrasing of the last sentence, the insidious influence of that excellent man, Major Pendennis.)¹²⁹

      I had not heard before about Dick¹³⁰ and was very glad and proud of the news. As you say, he has plenty of ‘guts’ if only he has the luck to stick out. Things look a little brighter at the front now, though I am afraid it will need many such successes to bring the business to an end. Kirk went up to London on Wednesday to see the elder Smythe boy, who is at home wounded, for the third time.

      ‘Summer is a-cummen in’¹³¹ here at last, and we have actually had no rain since Saturday.

      your loving

      son Jack

       TO ARTHUR GREEVES (LP V: 115-17):

      [Gastons]

      July 25 1916 and be d-d to you.

      My dear Arthur,

      That thrice accursed fellow pupil of mine is at present sitting up in the work room so I cannot go and steal a page from his exercise book to write on, as I have been doing all the term–you must be content therefore with these odd scraps: indeed I don’t see why I should write at all, as by writing both the first and the last letter of this term I have treated you to two more than you deserve; however, I will make a note that it is your turn to begin after the holidays.

      You are quite mistaken if you suppose that in asking about Dennis’ bathing things I suggested that he OUGHT to have them on–I only wanted to get a perfectly clear picture: still I don’t see any parallel between him and Bleheris in knickerbockers (a very funny word–that or Bickerknocker would be a good name for a dwarf if either of us should want one), because I take it your story is modern. But of course I quite agree that your hero is far better without them. It seems rather unnatural though to pass over any question of embarrassment in absolute silence: the fey of course, as a non-human being, may be excused, but poor Dennis might at least be allowed to blush when he comes round. Handled delicately and without any foolish humour–I am quite serious–the point might be worked a little more: what think you? Morris–who I always think manages to be as good as gold and at the same time beautifully sensuous, would have revelled in it. This week’s instalment is excellent, and your references to the Sea and the sea gods give me great anticipation of what may happen next: that next number which I am longing to get–from your own hand.

      You must be easily satisfied if you think that I flatter you–when I scarcely let a sentence go past without pricking holes in it: you must also have funny ideas about my rate of composition if you think I have already finished Bleheris. As a matter of fact I write one chapter every Sunday afternoon, and having started before I came back, am always two instalments ahead of the one you get: the general course of the story was mapped out from the start, but of course is changed pretty freely whenever I like. When I said that you wouldn’t like the ‘gist’ of the thing, I meant nothing to do with what you call ‘shocked’ or ‘immodest’ (though I admit that when the heroine turns up she is in fairly sharp contrast to Alice the Saint), but that the meaning of it all is somewhat anti-Christian: however, the story and not the allegory is the important part.

      I have now finished that adorable (to quote our friend Ch-anie)¹³² ‘John Silence’: I still think ‘Ancient Sorceries’ the best, though indeed all, particularly the ‘Fire’ one, are glorious. In the last one the opening part, all about those lovely Northern Islands and the camp life–wouldn’t you love to go there?–is so very beautiful that you feel almost sorry to have the supernatural dragged in. Though the idea of the were-wolf is splendid. At what point of the story did you begin to guess the truth?

      My last budget of books includes a French Everyman copy of a poet called Chenier¹³³ (a poet you might perhaps like some day, when you come to read French verse) and a 13d. Macmillan copy of Walter Pater’s ‘Renaissance’,¹³⁴ in the same edition as the ‘Letters from Hell’ I suppose. That book (Hell) by the way is not by Dostoevsky I think, because I fancy I read somewhere that it is translated not from the Russian but from the Swedish: I have noticed too (did I tell you before) that this edition has a preface by our friend Macdonald, the author of Phantastes. We must certainly get it, as the Macmillan 1/-series are, to my mind, very nicely got up. The French Everyman is quite different from the English one–I am not sure yet whether I like it more, or less–you must judge for yourself.

      It is a terrible responsibility to have to guide my Galahad in poetry: a false step might turn you away altogether! I don’t think I should advise Milton: while there are lots of things in him you would love–the descriptions of Hell and Chaos and Paradise and Adam and Eve and Satan’s flight down through the stars, on the other hand his classical allusions, his rather crooked style of English, and his long speeches, might be tedious. Besides it is written in blank verse (without rhymes) and people who are beginning to read poetry don’t usually care for that. But of course you are different, and for all I know you might. You must have a good look at it in my copy and see what you think.

      Endymion¹³⁵ is top-hole in places, in fact nearly all the time, though somewhat ‘sticky’: it would be a very good thing to try, I think, if you would not scruple to skip whenever you found it dull: the third book especially, where he wanders at the bottom of the sea, would appeal to you strongly. The only other poems I can suggest are Arnold’s ‘Tristan and Isolde’ or ‘Balder Dead’¹³⁶ (though this is in blank verse) or some of the stories in Morris’ ‘Earthly Paradise’¹³⁷ or perhaps some of the other Rossetti’s pieces; these of course you could finish in a few hours, and some of them are not really very good. If you get an edition of Keats perhaps you would like ‘St Agnes СКАЧАТЬ