Collected Letters Volume One: Family Letters 1905–1931. Walter Hooper

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СКАЧАТЬ I may buy it from you at a reasonable price, if I like the look of it, just to match my ‘Gawaine’–that is unless I get Morris’s ‘Beowulf’⁸⁶ instead, which is rather too dear at 5/-.

Your remarks about music would seem to lead back to my old idea about a face being always a true index of character: for in that case, if you imagined from the music of the soul either of Gordon or of this mysterious ‘fille aux cheveux de lin’⁸⁷ one would be bound to imagine the face too–not of course exactly, but its general tone. What type of person is this girl of whom Debussy has been talking to you? As to your other suggestions about old composers like Schubert or Beethoven, I imagine that, while modern music expresses both feeling, thought and imagination, they expressed pure feeling. And you know all day sitting at work, eating, walking etc., you have hundreds of feelings that can’t (as you say) be put into words or even into thought, but which would naturally come out in music. And that is why I think that in a sense music is the highest of the arts, because it really begins where the others leave off. Painting can only express visible beauty, poetry can only express feeling that can be analysed–conscious feeling in fact: but music–however if I let myself go on such a fruitful subject I should take up the rest of this letter, whereas I have other things to tell you.

      What is nicer than to get a book–doubtful both about reading matter and edition, and then to find both are topping? By way of balancing my disappointment in ‘Tristan’ I have just had this pleasure in Sidney’s Arcadia’. Oh Arthur, you simply must get it–though indeed I have so often disappointed you that I oughtn’t to advise. Still, when you see the book yourself, you will be green with envy. To begin with, it is exactly the sort of edition you describe in your last letter–strong, plain, scholarly looking and delightfully–what shall I say–solid: that word doesn’t really do, but I mean it is the exact opposite of the ‘little book’ type we’re beginning to get tired of. The paper is beautiful, and the type also.

The book itself is a glorious feast: I don’t know how to explain its particular charm, because it is not at all like anything I ever read before: and yet in places like all of them. Sometimes it is like Malory, often like Spenser, and yet different from either. For one thing, there is a fine description of scenery in it (only one so far, but I hope for more) which neither of them could have done. Then again the figure of the shepherd boy, ‘piping as though he would never be old’⁸⁸ rather reminds me of the ‘Crock of Gold’.⁸⁹ But all this comes to is that Sidney is not like anyone else, but is just himself. The story is much more connected than Malory: there is a great deal of love making, and just enough ‘brasting and fighting’ to give a sort of impression of all the old doings of chivalry in the background without becoming tedious: there is a definite set of characters all the time instead of a huge drifting mass, and some of them really alive. Comic relief is supplied by the fussy old king of Arcadia–rather like Mr Woodhouse in Emma–and his boor, Dametas. The only real fault is that all the people talk too much and with a tendency to rhetoric, and the author insists on making bad puns from time to time, such as ‘Alas, that that word last should so long last’.⁹⁰ But these are only small things: true, there is a good deal of poetry scattered through it which is all detestable, but then that has nothing to do with the story and can be skipped. I’m afraid this description won’t help much, but I am just longing for Saturday when I can plunge into it again. (I mean the book, not the description.)

So much have I chattered that I have hardly any more room left. No, I have never yet read any of Christina Rosetti’s poems, though, as you have heard me say, I love her brother Gabriel Rosetti. I believe she is very good, and a faery picture illustrating the ‘Goblin market’⁹¹ which I saw in the Academy attracted me very much. That is certainly a lovely edition of Lily’s, though of course not worth [getting], unless somebody presented it to you. A nice sentiment truly! But you understand.

I see that I have scribbled a note about illustrations on this week’s instalment (of course each is written a fortnight before you get it). Well do have a try: or rather that is a patronizing thing to say: I mean, do exert yourself. I am afraid my poor description won’t inspire you much. I wonder do you really know what Cloudy Pass⁹² looks like?

      Well, they’re going to bed now. It is eleven o’clock so I suppose you yourself are already in that happy place. Don’t forget my manifesto.

      Yours,

      Jack

       TO HIS FATHER (LP V: 86-7):

      [Gastons

      23 June 1916]

      My dear Papy,

      There is certainly something mysterious about the ‘machinations of the Knock’, as one might put it in the title of a novel; because, though I had not thought of it before, his success with Warnie is an unanswerable point against him. As to the Smythe business, however, I understand that mathematics were taught by him at some school in Manchester to which he went every day. But still, we are not flying so high as Woolwich. Tell me what Kirk says in answer to your letter. I do not think that there is anyone at Malvern whose advice I should prefer to Kirk’s on the question of Oxford: unless indeed I were to amuse myself by writing to Smugy and asking in an off-hand way whether it was Oxford or Cambridge he was at!

      No; to be serious, I think we must rely chiefly on K. and on our own judgement. There is of course a considerable temptation to risk it and try for a Balliol: it was Balliol we always thought of, before we knew as much as we do now, and I must admit there is still a glamour about the name. On the other hand, Dodds says in his letter that the prestige of Balliol is on the decline, and quotes as Colleges in the big group, New, Corpus, Christ Church, Oriel, Trinity, and Wadham. Of course these are all merely names to us both, but the first three and Trinity are generally admitted to be in the first rank, while Dodds speaks with particular admiration of New, and Kirk assures me that now-a-days Christ Church is little if at all inferior to Balliol in scholarship. Bearing all this in mind I am afraid we should hardly be well advised in following,

‘The desire of the moth for the star’⁹³

      when the star in this case is so perilous, and perhaps after all does not differ from another in glory so much as we have been led to expect. A further point to remember is that New College–of which Kirk has got a prospectus–substitutes for verse a paper of French and German translation instead of prose; which of course is far better from our point of view.

      If then we decide to enter the big group, as I think we must, it remains to consider in what order we shall put down our Colleges. I should suggest Christ Church first, as undoubtedly the biggest name of the six, and after it perhaps New: and then the others in any order, keeping Wadham to the last.

      It is a great relief to hear your news about the exact terms of the Military Service Act, as in this case I ought to be able to get a commission of some sort at home, or even a nomination from Oxford. At any rate, since there is no hurry–detestable expression, but let it pass–we can leave the matter to be discussed at ease in the seclusion of Leeborough.

      If you have had even two hot days at home, you need not complain of the weather. We have had,

‘Clouds instead an ever during dark’СКАЧАТЬ