Название: Come, Tell Me How You Live: An Archaeological Memoir
Автор: Agatha Christie
Издательство: HarperCollins
Жанр: Биографии и Мемуары
isbn: 9780007487202
isbn:
No; an island is, and should be, a dream island! On that island there is no sweeping, dusting, bedmaking, laundry, washing up, grease, food problems, lists of groceries, lamp-trimming, potato-peeling, dustbins. On the dream island there is white sand and blue sea—and a fairy house, perhaps, built between sunrise and sunset; the apple tree, the singing and the gold…
At this point in my reflections, Max asks me what I am thinking about. I say, simply: ‘Paradise!’
Max says: ‘Ah, wait till you see the Jaghjagha!’
I ask if it is very beautiful; and Max says he has no idea, but it is a remarkably interesting part of the world and nobody really knows anything about it!
The train winds its way up a gorge, and we leave the sea behind us.
The next morning we reach the Cilician Gates, and look out over one of the most beautiful views I know. It is like standing on the rim of the world and looking down on the promised land, and one feels much as Moses must have felt. For here, too, there is no entering in… The soft, hazy dark blue loveliness is a land one will never reach; the actual towns and villages when one gets there will be only the ordinary everyday world—not this enchanted beauty that beckons you down…
The train whistles. We climb back into our compartment.
On to Alep. And from Alep to Beyrout, where our architect is to meet us and where things are to get under way, for our preliminary survey of the Habur and Jaghjagha region, which will lead to the selection of a mound suitable for excavation.
For this, like Mrs Beeton, is the start of the whole business. First catch your hare, says that estimable lady.
So, in our case, first find your mound. That is what we are about to do.
Beyrout! Blue sea, a curving bay, a long coastline of hazy blue mountains. Such is the view from the terrace of the Hotel. From my bedroom, which looks inland, I see a garden of scarlet poinsettias. The room is high, distempered white, slightly prison-like in aspect. A modern wash-basin complete with taps and waste-pipe strikes a dashing modern note.fn1 Above the basin and connected to the taps is a large square tank with removable lid. Inside, it is full of stale-smelling water, connected to the cold tap only!
The arrival of plumbing in the East is full of pitfalls. How often does the cold tap produce hot water, and the hot tap cold! And how well do I remember a bath in a newly equipped ‘Western’ bathroom where an intimidating hot-water system produced scalding water in terrific quantities, no cold water was obtainable, the hot-water tap would not turn off, and the bolt of the door had stuck!
As I contemplate the poinsettias enthusiastically and the washing facilities distastefully, there is a knock at the door. A short, squat Armenian appears, smiling ingratiatingly. He opens his mouth, points a finger down his throat, and utters encouragingly ‘Manger!’
By this simple expedient he makes it clear to the meanest intelligence that luncheon is served in the dining-room.
There I find Max awaiting me, and our new architect, Mac (Robin Macartney), whom as yet I hardly know. In a few days’ time we are to set off on a three months’ camping expedition to examine the country for likely sites. With us, as guide, philosopher, and friend, is to go Hamoudi, for many years foreman at Ur, an old friend of my husband’s, and who is to come with us between seasons in these autumn months.
Mac rises and greets me politely, and we sit down to a very good if slightly greasy meal. I make a few would-be amiable remarks to Mac, who blocks them effectively by replying: ‘Oh, yes?’ ‘Really?’ ‘Indeed?’
I find myself somewhat damped. An uneasy conviction sweeps over me that our young architect is going to prove one of those people who from time to time succeed in rendering me completely imbecile with shyness. I have, thank goodness, long left behind me the days when I was shy of everyone. I have attained, with middle age, a fair amount of poise and savoir faire. Every now and then I congratulate myself that all that silly business is over and done with! ‘I’ve got over it,’ I say to myself happily. And as surely as I think so, some unexpected individual reduces me once more to nervous idiocy.
Useless to tell myself that young Mac is probably extremely shy himself and that it is his own shyness which produces his defensive armour, the fact remains that, before his coldly superior manner, his gently raised eyebrows, his air of polite attention to words that I realize cannot possibly be worth listening to, I wilt visibly, and find myself talking what I fully realize is sheer nonsense. Towards the end of the meal Mac administers a reproof.
‘Surely,’ he says gently in reply to a desperate statement of mine about the French Horn, ‘that is not so?’
He is, of course, perfectly right. It is not so.
After lunch, Max asks me what I think of Mac. I reply guardedly that he doesn’t seem to talk much. That, says Max, is an excellent thing. I have no idea, he says, what it is like to be stuck in the desert with someone who never stops talking! ‘I chose him because he seemed a silent sort of fellow.’
I admit there is something in that. Max goes on to say that he is probably shy, but will soon open up. ‘He’s probably terrified of you,’ he adds kindly.
I consider this heartening thought, but don’t feel convinced by it.
I try, however, to give myself a little mental treatment.
First of all, I say to myself, you are old enough to be Mac’s mother. You are also an authoress—a well-known authoress. Why, one of your characters has even been the clue in a Times crossword. (High-water mark of fame!) And what is more, you are the wife of the Leader of the Expedition! Come now, if anyone is to snub anyone, it is you who will snub the young man, not the young man who will snub you.
Later, we decide to go out to tea, and I go along to Mac’s room to ask him to come with us. I determine to be natural and friendly.
The room is unbelievably neat, and Mac is sitting on a folded plaid rug writing in his diary. He looks up in polite inquiry.
‘Won’t you come out with us and have tea?’
Mac rises.
‘Thank you!’
‘Afterwards, I expect you’d like to explore the town,’ I suggest. ‘It’s fun poking round a new place.’
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