Scenes from Early Life. Philip Hensher

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      7.

      ‘I’ve been to see the hall at the university,’ Altaf said.

      It was a year later, and they had been very happily ensconced in Mrs Khandekar’s apartment, just the two of them. It suited them perfectly. It was on the third floor of an old building, and the streets that ran in front of and to the side of it were quiet ones. This was in the furniture-makers’ quarter, and all day long the streets were crowded with bed frames, like brown grazing cows. The smell of wood-shavings perfumed the air; the day was filled with the sounds of honest labour. In the corner of the sitting room, Amit’s mattress was rolled up and tied: he unrolled it every night when Altaf went to the bedroom. The flat was quite dark, with its small windows, but it suited them both and they were happy there. The musical instruments and the copies of music, including ‘Githo Bitan’ by Tagore, were on a shelf in the bedroom. In the sitting room there was a radio they had bought together, which they referred to as ‘our radio’. They had always battened on to the radios of others – an aunt’s, a mother’s – and it was a pleasure to share one instead. There was a portrait of Tagore tacked to the wall of the sitting room, and in each room, a kerosene lamp for when, as now, the electricity failed. Altaf and Amit were sitting by the light of the kerosene lamp on the floor of their small apartment. Mrs Khandekar’s apartment had a table, but they often preferred to sit on the floor to eat. Before them, lay plates of rice, fish and dal, cooked by Amit on the kerosene stove. Altaf and Amit were steadily rolling up the food into balls with the fingers of one hand, and eating them in one gulp. Their dark fingers glistened in the warm light with grains of rice.

      ‘What hall?’ Amit said, after a pause.

      ‘It will be for singers, for writers, for scholars like the professor, and for musicians. It can be a place for everyone to meet, and for people to share their knowledge of the Bengali traditions. It will be wonderful, Amit. There are so many people who are interested.’

      Amit stopped. ‘They won’t permit it,’ he said. ‘The government.’

      ‘They won’t have any choice,’ Altaf said.

      ‘They tried to make everyone write in their script,’ Amit said. ‘They’ll try again. They don’t like us singing our own songs. They’ll respond if Bengalis start gathering to sing their songs and read their poetry and show their paintings.’

      ‘They needn’t know anything about it,’ Altaf said, with bravado.

      ‘Oh, yes?’ Amit said, quite mildly. ‘Do you think there’s nobody at the university in the pay of the police? They probably already know about the whole plan.’

      ‘Well,’ Altaf said, ‘if they already know, we might as well continue with it.’

      ‘Oh, yes,’ Amit said. ‘We might as well continue.’

      This conversation took place just when memories of previous suppressions were fading, and people like Altaf and Amit were making their plans.

      Nadira, who was my Nadira-aunty, had been taking music lessons from them for a year, ever since they had met her at Mrs Khandekar’s house. There was even talk of Nadira going on the radio and singing with them, on a Saturday afternoon. They sang classic songs, and read Bengali poetry together, and loaned each other novels in Bengali. There were classics, and new novels: everyone adored Sangshaptak when it came out, and soon Shahidullah Kaiser was a regular presence at the little group. After a few weeks, Nadira had introduced the two musicians to her sisters and even to her smallest brother, the eight-year-old Pultoo; after a few weeks more, her father – my nana – came in and greeted them. There was always a great respect for culture in my family, and from the beginning, Nana and Nani treated Nadira’s music teachers not as servants and lowly tutors, although of course they were paid to come, but as honoured guests.

      In time, friends of Nadira asked if Altaf and Amit could come to teach them music, too. There was soon almost more teaching than they could cope with, and they grew to know the numbered streets of Dhanmondi very well, and wondered how they could ever have got so lost that first morning, when they had tried to find their way to Mr Khandekar’s house. There was even talk, at one point, of them being introduced to the household of Sheikh Mujib himself: Sheikh Hasina, his daughter, was said to have enquired about them of a friend. Nothing came of that, though they did see Sheikh Mujib and his daughter occasionally at the sort of gatherings in Dhanmondi where they sometimes played to an audience. They did have half a dozen regular visits to pay, and that was more or less the limit of what they could achieve.

      The respectable and quiet streets of Dhanmondi had become fervently enthusiastic about the culture of the Bengalis. Behind the walls of many houses, conversations continued late into the night. Conversations about writers, artists, musicians, poets. Once the gates were shut against the outside world, against neighbours who could not be trusted, against the policemen in the streets and the laws of an alien people, households in Dhanmondi relaxed, and started to talk, and to listen to girls like Nadira-aunty singing a song as Altaf played the harmonium and sang too, and Amit’s palms and fingers pattered like rain on the tabla next to them.

      The flower says,

      ‘Blessed СКАЧАТЬ