Название: Putting the Questions Differently
Автор: Doris Lessing
Издательство: HarperCollins
Жанр: Современная зарубежная литература
isbn: 9780007515516
isbn:
I’m really well aware that this is going to sound nutty: this particular thing can be, not always, out of time. It’s on a different time length, wavelength. It can take different forms: it can be in black-and-white, it can be in technicolor, it can be in a series of stills, like shots from a movie, frozen shots, it can be like a movie running – a lot of different things. I saw in Scientific American, just before I left, an article on research done on children. I’ve completely forgotten – is it eidetic children? – that is, children who, if you project an image, maintain this image. They’ve done a lot of research on that, you see.
Terkel: It’s funny that you mention that because the other night on TV Jacob Bronowski said that William Blake had this particular attribute that you just described.
Lessing: He also had a lot of others, quite clearly.
Terkel: But this matter of image, “Blake could see,” this is Bronowski talking, “Blake could see clearly, wholly, in absolutely all dimensions” that which you just talked about.
Lessing: It’s the “eidetic” – the capacity to hold an image in front of your eyes as if it were a photograph. That’s not what I was talking about when I spoke of seeing the pictures moving or the stills; that’s something else.
Why I was talking about that was to describe how the scientist dealt with it: the test as to whether the child was telling the truth or not was the amount of detail he could come up with from this picture. You see, now if he was able to remember the exact number of buttons on a coat or the hairs on the pussycat’s tail, he was telling the truth, and, if not, he didn’t have this capacity. This is a scientific mind working, you see. If I meet you on the street tomorrow morning, we have a chat, and we go away; and if you were in an observant mood and I was, you couldn’t say what I’d been wearing and I couldn’t say what you’d been wearing. If someone had said, “How’s he looking?” I would say, “I don’t know; he looked much as usual.” But we’d have absolutely no doubt at all that we’d met each other, even if we couldn’t remember a single detail. Right? We’d go to the stake that we’d met each other, even though we could say no more than that. The scientists are not yet able to measure what happens when you and I meet on the street, or what meets on the street. What meets, when we meet on the street?
Terkel: Is it two bodies, two pairs of eyes, two pairs of legs, or is it something in addition to that?
Lessing: Right, something in addition to that, which everybody responds to, but which we can’t yet measure. What is it?
Terkel: You’re saying the questions are wrong questions. And the questions are asked wrong because there’s a cynicism or skepticism involved, talking about the child who sees this in his mind, so they’re really not so much curious about what the child saw but questioning the veracity of the child.
Lessing: I think they have an unconscious, or perhaps not so unconscious, bias to prove that these things don’t exist. This is their problem. I met a girl in New York who said she read this book [The Four-Gated City] and she had a great burden taken off her because she was like Lynda. She suddenly realized she’d never been ill. Now this made me so happy.
Terkel: The passage you read at the very beginning dealt with that specific point that she’d been told she was crazy but she wasn’t really.
Lessing: There are hundreds of thousands of people who have been tortured by doctors and psychiatrists in a way which they regard as so barbarous. The whole range of treatments used in mental hospitals are savage and cruel and terrible and destroy people.
Terkel: It’s as though we’re in Neanderthal times at this moment in treatment.
Lessing: Yes. Why is it that we have allowed to come about the state of affairs where a human being sits behind a desk and says, “Such-and-such is wrong with you,” and we believe him? Why do we allow this kind of thing to be done to us? Now that’s a much more interesting question, because the history of medicine is not one that encourages us to believe that they are likely to be right. Putting it at its mildest, they are extremely conservative and inflexible and unimaginative and continually damning new ideas; but in spite of the fact that psychiatry is a new and very feared thing, we will take their word, we allow them to slap a label on this – why do we?
Terkel: Do you know R. D. Laing?
Lessing: Yes, I do, and his work. I think he hasn’t gone far enough. I admire him because he has battled with the English medical establishment and changed the plan so as to make it possible to ask questions in a way it simply wasn’t possible before.
Terkel: You mention the psychiatrist who is detached, who has this patient on the couch, whereas Laing is saying he must also adhere to his own vulnerability. I think he uses the phrase “fellow passengers.”
Lessing: I once saw on television Laing and some other doctors of his school who have had a great influence, contrasted with the old-fashioned kind, and what came out was the marvelous compassion of one and the cold violence of the other.
Terkel: So it brings us back again to …
Lessing: Oh, I wanted to say something very interesting. In The Four-Gated City I imagined that there were doctors tucked away in health services, psychiatrists working on these capacities; I hadn’t finished that section before I started hearing of doctors who, in fact, keeping their mouths shut, are working away in your country and in Britain and in the Soviet Union; using the whole facade of what they have to work with, they are researching extrasensory perception and schizophrenia. So it’s happening! These doctors, who at the moment have to keep quiet because they’d lose their jobs, are going to make a very great difference.
Terkel: The Four-Gated City has an appendix which I would describe as apocalyptic. An event occurs, the exact nature you don’t describe – perhaps a plague – I assume it’s many things. You’re implying that unless the imagination is used we face disaster. Is that it?
Lessing: Well, I’m a bit gloomy about the future. I don’t see a big shooting war because they say they’ve too much to lose, but some kind of accident is inevitable, because it’s happening now, some smaller thing going wrong all the time. I think parts of the world will be damaged so badly that they can’t be lived in for a while, and there will be a very great deal of various poisons in the atmosphere, and we don’t know the effect this will have on the human organism. We can imagine it. Like everything else, it will have good effects and bad effects. Everything always goes in double harness: there’s no such thing as a totally bad thing or a totally good thing; they always go together.
Terkel: Do you see any way in which this could be prevented? I’m not asking you for a panacea now, or a nostrum. You just see it as inevitable?
Lessing: You can’t pick up a newspaper without reading warnings from СКАЧАТЬ