Название: Putting the Questions Differently
Автор: Doris Lessing
Издательство: HarperCollins
Жанр: Современная зарубежная литература
isbn: 9780007515516
isbn:
Thorpe: The individual conscience, then, that you speak of in that essay is a moral conscience, and perhaps the conscience that you speak of in the novel referring to the ecstatic experience in childhood is a much deeper thing. But it seems to me that in your work the two are intimately related, that the sense in which we use the word “conscience” is perhaps a highly spiritual one rather than what I suppose many readers would take to be a matter of political viewpoint or leaning or even the orthodox moral conscience.
Lessing: You see, I think one shouldn’t get these two things confused because dealing with ordinary life, day-to-day life, in our relationships with groups or institutions, I do not think one needs to use anything very high-flown or mystical. It seems to me that the problem there is rather different. It’s a question of the conditioned conscience there, what had been conditioned into me by society, and what the individual conscience, as far as we can be aware of it, is saying. This problem of the conditioned conscience is one that isn’t lightly pushed aside; just watch any child being brought up. From the moment this unfortunate being draws breath it is being told “you are good,” “you are bad,” “what a good little baby you are” – all this goes on throughout every person’s life and it’s always a question of what is convenient for the parents or society because every child is some kind of wild animal that has to be tamed; otherwise, no one can deal with it. It has to be, but there has to be a point where any one of us says all my “you-are-good, you-are-bad” comes from society. Now that is the conditioned conscience which, I think, is our biggest prisoner. You see, when you are standing face to face with your group, which happens more and more in this rather unpleasant world of ours, then you have to decide what is speaking, is it “you are a good little boy, you are a bad little boy,” that you are brought up with, because the collective and institution always talks to the good little boy or the bad little boy or good little girl. That is the strength of institutions and politics and states and armies and the lot. They can go straight into your childhood conditioning – ”Oh, he’s such a good little boy, such a good little girl.” That is where they get us all the time. And now this other conscience, this sense of something much deeper is something you build on, particularly as a writer. It’s something that you allow – I cook a lot – to simmer quietly there so that you look at it from time to time and see what it’s getting up to. I am of course talking about the unconscious.
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