One Flew over the Cuckoo's Nest / Пролетая над гнездом кукушки. Книга для чтения на английском языке. Кен Кизи

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СКАЧАТЬ going on. But it’s not the way that Public Relation laughs, it’s free and loud and it comes out of his wide grinning mouth and spreads in rings bigger and bigger till it’s lapping against the walls all over the ward. Not like that fat Public Relation laugh. This sounds real. I realize all of a sudden it’s the first laugh I’ve heard in years.

      He stands looking at us, rocking back in his boots, and he laughs and laughs. He laces his fingers over his belly without taking his thumbs out of his pockets. I see how big and beat up his hands are. Everybody on the ward, patients, staff, and all, is stunned dumb by him and his laughing. There’s no move to stop him, no move to say anything. He laughs till he’s finished for a time, and he walks on into the day room. Even when he isn’t laughing, that laughing sound hovers around him, the way the sound hovers around a big bell just quit ringing – it’s in his eyes, in the way he smiles and swaggers, in the way he talks.

      “My name is McMurphy, buddies, R. P. McMurphy, and I’m a gambling fool.” He winks and sings a little piece of a song: “ ‘… and whenever I meet with a deck a cards I lays… my money… down,’ ” and laughs again.

      He walks to one of the card games, tips an Acute’s cards up with a thick, heavy finger, and squints at the hand and shakes his head.

      “Yessir, that’s what I came to this establishment for, to bring you birds fun an’ entertainment around the gamin’ table. Nobody left in that Pendleton Work Farm to make my days interesting any more, so I requested a transfer, ya see. Needed some new blood. Hooee, look at the way this bird holds his cards, showin’ to everybody in a block; man! I’ll trim you babies like little lambs.”

      Cheswick gathers his cards together. The redheaded man sticks his hand out for Cheswick to shake.

      “Hello, buddy; what’s that you’re playin’? Pinochle[3]? Jesus, no wonder you don’t care nothin’ about showing your hand. Don’t you have a straight deck around here? Well say, here we go, I brought along my own deck, just in case, has something in it other than face cards – and check the pictures, huh? Every one different. Fifty-two positions.”

      Cheswick is pop-eyed already, and what he sees on those cards don’t help his condition.

      “Easy now, don’t smudge ‘em; we got lots of time, lots of games ahead of us. I like to use my deck here because it takes at least a week for the other players to get to where they can even see the suit.…”

      He’s got on work-farm pants and shirt, sunned out till they’re the color of watered milk. His face and neck and arms are the color of oxblood leather from working long in the fields. He’s got a primer-black motorcycle cap stuck in his hair and a leather jacket over one arm, and he’s got on boots gray and dusty and heavy enough to kick a man half in two. He walks away from Cheswick and takes off the cap and goes to beating a dust storm out of his thigh. One of the black boys circles him with the thermometer, but he’s too quick for them; he slips in among the Acutes and starts moving around shaking hands before the black boy can take good aim. The way he talks, his wink, his loud talk, his swagger all remind me of a car salesman or a stock auctioneer – or one of those pitchmen you see on a sideshow stage, out in front of his flapping banners, standing there in a striped shirt with yellow buttons, drawing the faces off the sawdust like a magnet.

      “What happened, you see, was I got in a couple of hassles at the work farm, to tell the pure truth, and the court ruled that I’m a psychopath. And do you think I’m gonna argue with the court? Shoo, you can bet your bottom dollar I don’t. If it gets me outta those damned pea fields I’ll be whatever their little heart desires, be it psychopath or mad dog or werewolf, because I don’t care if I never see another weedin’ hoe to my dying day. Now they tell me a psychopath’s a guy fights too much and fucks too much, but they ain’t wholly right, do you think? I mean, whoever heard tell of a man gettin’ too much poozle? Hello, buddy, what do they call you? My name’s McMurphy and I’ll bet you two dollars here and now that you can’t tell me how many spots are in that pinochle hand you’re holding don’t look. Two dollars; what d’ya say? God damn, Sam! Can’t you wait half a minute to prod me with that damn thermometer of yours?”

      3

      The new man stands looking a minute, to get the setup of the day room.

      One side of the room younger patients, known as Acutes because the doctors figure them still sick enough to be fixed, practice arm wrestling and card tricks where you add and subtract and count down so many and it’s a certain card. Billy Bibbit tries to learn to roll a tailor-made cigarette, and Martini walks around, discovering things under the tables and chairs. The Acutes move around a lot. They tell jokes to each other and snicker in their fists (nobody ever dares let loose and laugh, the whole staff ’d be in with notebooks and a lot of questions) and they write letters with yellow, runty, chewed pencils.

      They spy on each other. Sometimes one man says something about himself that he didn’t aim to let slip, and one of his buddies at the table where he said it yawns and gets up and sidles over to the big log book by the Nurses’ Station and writes down the piece of information he heard – of therapeutic interest to the whole ward, is what the Big Nurse says the book is for, but I know she’s just waiting to get enough evidence to have some guy reconditioned at the Main Building, overhauled in the head to straighten out the trouble.

      The guy that wrote the piece of information in the log book, he gets a star by his name on the roll and gets to sleep late the next day.

      Across the room from the Acutes are the culls of the Combine’s product, the Chronics. Not in the hospital, these, to get fixed, but just to keep them from walking around the streets giving the product a bad name. Chronics are in for good, the staff concedes. Chronics are divided into Walkers like me, can still get around if you keep them fed, and Wheelers and Vegetables. What the Chronics are – or most of us – are machines with flaws inside that can’t be repaired, flaws born in, or flaws beat in over so many years of the guy running head-on into solid things that by the time the hospital found him he was bleeding rust in some vacant lot.

      But there are some of us Chronics that the staff made a couple of mistakes on years back, some of us who were Acutes when we came in, and got changed over. Ellis is a Chronic came in an Acute and got fouled up bad when they overloaded him in that filthy brain-murdering room that the black boys call the “Shock Shop.” Now he’s nailed against the wall in the same condition they lifted him off the table for the last time, in the same shape, arms out, palms cupped, with the same horror on his face. He’s nailed like that on the wall, like a stuffed trophy. They pull the nails when it’s time to eat or time to drive him in to bed when they want him to move so’s I can mop the puddle where he stands. At the old place he stood so long in one spot the piss ate the floor and beams away under him and he kept falling through to the ward below, giving them all kinds of census headaches down there when roll check came around.

      Ruckly is another Chronic came in a few years back as an Acute, but him they overloaded in a different way: they made a mistake in one of their head installations. He was being a holy nuisance all over the place, kicking the black boys and biting the student nurses on the legs, so they took him away to be fixed. They strapped him to that table, and the last anybody saw of him for a while was just before they shut the door on him; he winked, just before the door closed, and told the black boys as they backed away from him, “You’ll pay for this, you damn tarbabies.”

      And they brought him back to the ward two weeks later, bald and the front of his face an oily purple bruise and two little button-sized plugs stitched one above each eye. You can see by his eyes how they burned him out over there; his eyes are all smoked up and gray and deserted inside like blown fuses. All day now he won’t do a thing but hold an old photograph up in front of that burned-out face, turning it over and over in his cold fingers, СКАЧАТЬ