The Atlantic Monthly, Volume 03, No. 16, February, 1859. Various

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СКАЧАТЬ left a book to be published after her death, in 1592, "Dei Meriti delle Donne." There was her townswoman, Lucrezia Marinella, who followed ten years after, with her essay, "La Nobilità e la Eccelenza delle Donne, con Difetti e Mancamenti degli Domini,"—a comprehensive theme, truly! Then followed the all-accomplished Anna Maria Schurman, in 1645, with her "Dissertatio de Ingenii Muliebris ad Doctrinam et meliores Literas Aptitudine," with a few miscellaneous letters appended, in Greek and Hebrew. At last came boldly Jacquette Guillaume, in 1665, and threw down the gauntlet in her title-page, "Les Dames Illustres; où par bonnes et fortes Raisons il se prouve que le Sexe Feminin surpasse en toute Sorte de Genre le Sexe Masculin"; and with her came Margaret Boufflet and a host of others; and finally, in England, Mary Wollstonecraft, whose famous book, formidable in its day, would seem rather conservative now,—and in America, that pious and worthy dame, Mrs. H. Mather Crocker, Cotton Mather's grandchild, who, in 1818, published the first book on the "Rights of Woman" ever written on this side the Atlantic.

      Meanwhile there have never been wanting men, and strong men, to echo these appeals. From Cornelius Agrippa and his essay (1509) on the excellence of woman and her preëminence over man, down to the first youthful thesis of Agassiz, "Mens Feminae Viri Animo superior," there has been a succession of voices crying in the wilderness. In England, Anthony Gibson wrote a book, in 1599, called "A Woman's Woorth, defended against all the Men in the World, proouing them to be more Perfect, Excellent, and Absolute in all Vertuous Actions than any Man of what Qualitie soever, Interlarded with Poetry." Per contra, the learned Acidalius published a book in Latin and afterwards in French, to prove that women are not reasonable creatures. Modern theologians are at worst merely sub-acid, and do not always say so, if they think so. Meanwhile most persons have been content to leave the world to go on its old course, in this matter as in others, and have thus acquiesced in that stern judicial decree, with which Timon of Athens sums up all his curses upon womankind,—"If there sit twelve women at the table, let a dozen of them be—as they are."

      Ancient or modern, nothing in any of these discussions is so valuable as the fact of the discussion itself. There is no discussion where there is no wrong. Nothing so indicates wrong as this morbid self-inspection. The complaints are a perpetual protest, the defences a perpetual confession. It is too late to ignore the question, and once opened, it can be settled only on absolute and permanent principles. There is a wrong; but where? Does woman already know too much, or too little? Was she created for man's subject, or his equal? Shall she have the alphabet, or not?

      Ancient mythology, which undertook to explain everything, easily accounted for the social and political disabilities of woman. Goguet quotes the story from St. Augustine, who got it from Varro. Cecrops, building Athens, saw starting from the earth an olive-plant and a fountain, side by side. The Delphic oracle said, that this indicated a strife between Minerva and Neptune for the honor of giving a name to the city, and that the people must decide between them. Cecrops thereupon assembled the men, and the women also, who then had a right to vote; and the result was that Minerva carried the election by a glorious majority of one. Then Attica was overflowed and laid waste; of course the citizens attributed the calamity to Neptune, and resolved to punish the women. It was therefore determined that in future they should not vote, nor should any child bear the name of its mother.

      Thus easily did mythology explain all troublesome inconsistencies. But it is much that it should even have recognized them, at so early an epoch, as needing explanation. When we ask for a less symbolical elucidation, it lies within our reach. At least, it is not hard to take the first steps into the mystery. There are, to be sure, some flowers of rhetoric in the way. The obstacle to the participation of woman in the alphabet, or in any other privilege, has been thought by some to be the fear of impairing her delicacy, or of destroying her domesticity, or of confounding the distinction between the sexes. We think otherwise. These have been plausible excuses; they have even been genuine, though minor, anxieties. But the whole thing, we take it, had always one simple, intelligible basis,—sheer contempt for the supposed intellectual inferiority of woman. She was not to be taught, because she was not worth teaching. The learned Acidalius, aforesaid, was in the majority. According to Aristotle and the Peripatetics, woman was animal occasionatum, as if a sort of monster and accidental production. Mediaeval councils, charitably asserting her claims to the rank of humanity, still pronounced her unfit for instruction. In the Hindoo dramas, she did not even speak the same language with her master, but used the dialect of slaves. When, in the sixteenth century, Françoise de Saintonges wished to establish girls' schools in France, she was hooted in the streets, and her father called together four doctors, learned in the law, to decide whether she was not possessed by demons, to think of educating women,—pour s'assurer qu'instraire des femmes n'était pas un oeuvre du démon.

      It was the same with political rights. The foundation of the Salic Law was not any sentimental anxiety to guard female delicacy and domesticity; it was, as stated by Froissart, a blunt, hearty contempt: "The kingdom of France being too noble to be ruled by a woman." And the same principle was reaffirmed for our own institutions, in rather softened language, by Theophilus Parsons, in his famous defence of the rights of Massachusetts men (the "Essex Result," in 1778): "Women, what age soever they are of, are not considered as having a sufficient acquired discretion [to exercise the franchise]."

      In harmony with this are the various maxims and bon mots of eminent men, in respect to women. Niebuhr thought he should not have educated a girl well,—he should have made her know too much. Lessing said, "The woman who thinks is like the man who puts on rouge, ridiculous." Voltaire said, "Ideas are like beards; women and young men have none." And witty Dr. Maginn carries to its extreme the atrocity: "We like to hear a few words of sense from a woman, as we do from a parrot, because they are so unexpected." Yet how can we wonder at these opinions, when the saints have been severer than the sages? since the pious Fénelon taught that true virgin delicacy was almost as incompatible with learning as with vice,—and Dr. Channing complained, in his "Essay on Exclusion and Denunciation," of "women forgetting the tenderness of their sex" and arguing on theology.

      Now this impression of feminine inferiority may be right or wrong, but it obviously does a good deal towards explaining the facts it takes for granted. If contempt does not originally cause failure, it perpetuates it. Systematically discourage any individual or class, from birth to death, and they learn, in nine cases out of ten, to acquiesce in their degradation, if not to claim it as a crown of glory. If the Abbé Choisi praised the Duchesse de Fontanges for being "beautiful as an angel and silly as a goose," it was natural that all the young ladies of the court should resolve to make up in folly what they wanted in charms. All generations of women having been bred under the shadow of intellectual contempt, they have of course done much to justify it. They have often used only for frivolous purposes even the poor opportunities allowed them. They have employed the alphabet, as Molière said, chiefly in spelling the verb Amo. Their use of science has been like that of Mlle. de Launay, who computed the decline in her lover's affection by his abbreviation of their evening walk in the public square, preferring to cross it rather than take the circuit,—"From which I inferred," she says, "that his passion had diminished in the ratio between the diagonal of a rectangular parallelogram and the sum of two adjacent sides." And their conception, even of Art, has been too often on the scale of Properzia de Rossi, who carved sixty-five heads on a walnut, the smallest of all recorded symbols of woman's sphere.

      All this might perhaps be overcome, if the social prejudice which discourages woman would only reward proportionately those who surmount the discouragement. The more obstacles the more glory, if society would only pay in proportion to the labor; but it does not. Women, being denied not merely the antecedent training which prepares for great deeds, but the subsequent praise and compensation which follow them, have been weakened in both directions. The career of eminent men ordinarily begins with colleges and the memories of Miltiades, and ends with fortune and fame; woman begins under discouragement, and ends beneath the same. Single, she works with half-preparation and half-pay; married, she puts name and wages into the keeping of her husband, shrinks into John Smith's "lady" during life, and John Smith's "relict" on her tombstone; and still the world wonders that her deeds, like her opportunities, are inferior.

      Evidently, СКАЧАТЬ