The Eleven Comedies, Volume 1. Аристофан

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СКАЧАТЬ hoplite enrolled for military service shall not get transferred to another service through favour, but shall stick to that given him at the outset.

      AGORACRITUS. This will strike the buckler of Cleonymus full in the centre.

      DEMOS. None shall ascend the rostrum, unless their chins are bearded.

      AGORACRITUS. What then will become of Clisthenes and of Strato?145

      DEMOS. I wish only to refer to those youths, who loll about the perfume shops, babbling at random, "What a clever fellow is Pheax!146 How cleverly he escaped death! how concise and convincing is his style! what phrases! how clear and to the point! how well he knows how to quell an interruption!"

      AGORACRITUS. I thought you were the lover of those pathic minions.

      DEMOS. The gods forefend it! and I will force all such fellows to go a-hunting instead of proposing decrees.

      AGORACRITUS. In that case, accept this folding-stool, and to carry it this well-grown, big-testicled slave lad. Besides, you may put him to any other purpose you please.

      DEMOS. Oh! I am happy indeed to find myself as I was of old!

      AGORACRITUS. Aye, you deem yourself happy, when I shall have handed you the truces of thirty years. Truces! step forward!147

      DEMOS. Great gods! how charming they are! Can I do with them as I wish? where did you discover them, pray?

      AGORACRITUS. 'Twas that Paphlagonian who kept them locked up in his house, so that you might not enjoy them. As for myself, I give them to you; take them with you into the country.

      DEMOS. And what punishment will you inflict upon this Paphlagonian, the cause of all my troubles?

      AGORACRITUS. 'Twill not be over-terrible. I condemn him to follow my old trade; posted near the gates, he must sell sausages of asses' and dogs'-meat; perpetually drunk, he will exchange foul language with prostitutes and will drink nothing but the dirty water from the baths.

      DEMOS. Well conceived! he is indeed fit to wrangle with harlots and bathmen; as for you, in return for so many blessings, I invite you to take the place at the Prytaneum which this rogue once occupied. Put on this frog-green mantle and follow me. As for the other, let 'em take him away; let him go sell his sausages in full view of the foreigners, whom he used formerly so wantonly to insult.

* * * * *FINIS OF "THE KNIGHTS"* * * * *

      THE ACHARNIANS

      INTRODUCTION

      This is the first of the series of three Comedies—'The Acharnians,' 'Peace' and 'Lysistrata'—produced at intervals of years, the sixth, tenth and twenty-first of the Peloponnesian War, and impressing on the Athenian people the miseries and disasters due to it and to the scoundrels who by their selfish and reckless policy had provoked it, the consequent ruin of industry and, above all, agriculture, and the urgency of asking Peace. In date it is the earliest play brought out by the author in his own name and his first work of serious importance. It was acted at the Lenaean Festival, in January, 426 B.C., and gained the first prize, Cratinus being second.

      Its diatribes against the War and fierce criticism of the general policy of the War party so enraged Cleon that, as already mentioned, he endeavoured to ruin the author, who in 'The Knights' retorted by a direct and savage personal attack on the leader of the democracy. The plot is of the simplest. Dicaeopolis, an Athenian citizen, but a native of Acharnae, one of the agricultural demes and one which had especially suffered in the Lacedaemonian invasions, sick and tired of the ill-success and miseries of the War, makes up his mind, if he fails to induce the people to adopt his policy of "peace at any price," to conclude a private and particular peace of his own to cover himself, his family, and his estate. The Athenians, momentarily elated by victory and over-persuaded by the demagogues of the day—Cleon and his henchmen, refuse to hear of such a thing as coming to terms. Accordingly Dicaeopolis dispatches an envoy to Sparta on his own account, who comes back presently with a selection of specimen treaties in his pocket. The old man tastes and tries, special terms are arranged, and the play concludes with a riotous and uproarious rustic feast in honour of the blessings of Peace and Plenty. Incidentally excellent fun is poked at Euripides and his dramatic methods, which supply matter for so much witty badinage in several others of our author's pieces.

      Other specially comic incidents are: the scene where the two young daughters of the famished Megarian are sold in the market at Athens as sucking-pigs—a scene in which the convenient similarity of the Greek words signifying a pig and the 'pudendum muliebre' respectively is utilized in a whole string of ingenious and suggestive 'double entendres' and ludicrous jokes; another where the Informer, or Market-Spy, is packed up in a crate as crockery and carried off home by the Boeotian buyer.

      The drama takes its title from the Chorus, composed of old men of Acharnae.

* * * * *

      THE ACHARNIANS

DRAMATIS PERSONAE

      DICAEOPOLIS.

      HERALD.

      AMPHITHEUS.

      AMBASSADORS.

      PSEUDARTABAS.

      THEORUS.

      WIFE OF DICAEOPOLIS.

      DAUGHTER OF DICAEOPOLIS.

      EURIPIDES.

      CEPHISOPHON, servant of Euripides.

      LAMACHUS.

      ATTENDANT OF LAMACHUS.

      A MEGARIAN.

      MAIDENS, daughters of the Megarian.

      A BOEOTIAN.

      NICARCHUS.

      A HUSBANDMAN.

      A BRIDESMAID.

      AN INFORMER.

      MESSENGERS.

      CHORUS OF ACHARNIAN ELDERS.

      SCENE: The Athenian Ecclesia on the Pnyx; afterwards Dicaeopolis' house in the country.

* * * * *THE ACHARNIANS

      DICAEOPOLIS148 (alone). What cares have not gnawed at my heart and how few have been the pleasures in my life! Four, to be exact, while my troubles have been as countless as the grains of sand on the shore! Let me see of what value to me have been these few pleasures? Ah! I remember that I was delighted in soul when Cleon had to disgorge those five talents;149 I was in ecstasy and I love the Knights for this deed; 'it is an honour to Greece.'150 But the day when I was impatiently awaiting a piece by Aeschylus,151 what tragic despair it caused me when the herald called, "Theognis,152 introduce your Chorus!" Just imagine how this blow struck straight at my heart! On the other hand, what joy Dexitheus caused me at the musical competition, when he played a Boeotian melody on the lyre! But this year by contrast! Oh! what deadly torture to hear ChaerisСКАЧАТЬ