Название: Proserpina, Volume 2
Автор: Ruskin John
Издательство: Public Domain
Жанр: Биология
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Pulling out two or three separate plants, I find each to consist mainly of a jointed stalk of a kind I have not yet described,—roughly, some two feet long altogether; (accurately, one 1 ft. 10½ in.; another, 1 ft. 10 in.; another, 1 ft. 9 in.—but all these measures taken without straightening, and therefore about an inch short of the truth), and divided into seven or eight lengths by clumsy joints where the mangled leafage is knotted on it; but broken a little out of the way at each joint, like a rheumatic elbow that won't come straight, or bend farther; and—which is the most curious point of all in it—it is thickest in the middle, like a viper, and gets quite thin to the root and thin towards the flower; also the lengths between the joints are longest in the middle: here I give them in inches, from the root upwards, in a stalk taken at random.
But the thickness of the joints and length of terminal flower stalk bring the total to two feet and about an inch over. I dare not pull it straight, or should break it, but it overlaps my two-foot rule considerably, and there are two inches besides of root, which are merely underground stem, very thin and wretched, as the rest of it is merely root above ground, very thick and bloated. (I begin actually to be a little awed at it, as I should be by a green snake—only the snake would be prettier.) The flowers also, I perceive, have not their two horns regularly set in, but the five spiky calyx-ends stick out between the petals—sometimes three, sometimes four, it may be all five up and down—and produce variously fanged or forked effects, feebly ophidian or diabolic. On the whole, a plant entirely mismanaging itself,—reprehensible and awkward, with taints of worse than awkwardness; and clearly, no true 'species,' but only a link.2 And it really is, as you will find presently, a link in two directions; it is half violet, half pansy, a 'cur' among the Dogs, and a thoughtless thing among the thoughtful. And being so, it is also a link between the entire violet tribe and the Runners—pease, strawberries, and the like, whose glory is in their speed; but a violet has no business whatever to run anywhere, being appointed to stay where it was born, in extremely contented (if not secluded) places. "Half-hidden from the eye?"—no; but desiring attention, or extension, or corpulence, or connection with anybody else's family, still less.
FIG. II.
26. And if, at the time you read this, you can run out and gather a true violet, and its leaf, you will find that the flower grows from the very ground, out of a cluster of heart-shaped leaves, becoming here a little rounder, there a little sharper, but on the whole heart-shaped, and that is the proper and essential form of the violet leaf. You will find also that the flower has five petals; and being held down by the bent stalk, two of them bend back and up, as if resisting it; two expand at the sides; and one, the principal, grows downwards, with its attached spur behind. So that the front view of the flower must be some modification of this typical arrangement, Fig. M, (for middle form). Now the statement above quoted from Figuier, § 16, means, if he had been able to express himself, that the two lateral petals in the violet are directed downwards, Fig. II. A, and in the pansy upwards, Fig. II. C. And that, in the main, is true, and to be fixed well and clearly in your mind. But in the real orders, one flower passes into the other through all kinds of intermediate positions of petal, and the plurality of species are of the middle type. Fig. II. B.3
27. Next, if you will gather a real pansy leaf, you will find it—not heart-shape in the least, but sharp oval or spear-shape, with two deep cloven lateral flakes at its springing from the stalk, which, in ordinary aspect, give the plant the haggled and draggled look I have been vilifying it for. These, and such as these, "leaflets at the base of other leaves" (Balfour's Glossary), are called by botanists 'stipules.' I have not allowed the word yet, and am doubtful of allowing it, because it entirely confuses the student's sense of the Latin 'stipula' (see above, vol. i., chap. viii., § 27) doubly and trebly important in its connection with 'stipulor,' not noticed in that paragraph, but readable in your large Johnson; we shall have more to say of it when we come to 'straw' itself.
28. In the meantime, one may think of these things as stipulations for leaves, not fulfilled, or 'stumps' or 'sumphs' of leaves! But I think I can do better for them. We have already got the idea of crested leaves, (see vol. i., plate); now, on each side of a knight's crest, from earliest Etruscan times down to those of the Scalas, the fashion of armour held, among the nations who wished to make themselves terrible in aspect, of putting cut plates or 'bracts' of metal, like dragons' wings, on each side of the crest. I believe the custom never became Norman or English; it is essentially Greek, Etruscan, or Italian,—the Norman and Dane always wearing a practical cone (see the coins of Canute), and the Frank or English knights the severely plain beavered helmet; the Black Prince's at Canterbury, and Henry V.'s at Westminster, are kept hitherto by the great fates for us to see. But the Southern knights constantly wore these lateral dragon's wings; and if I can find their special name, it may perhaps be substituted with advantage for 'stipule'; but I have not wit enough by me just now to invent a term.
29. Whatever we call them, the things themselves are, throughout all the species of violets, developed in the running and weedy varieties, and much subdued in the beautiful ones; and generally the pansies have them, large, with spear-shaped central leaves; and the violets small, with heart-shaped leaves, for more effective decoration of the ground. I now note the characters of each species in their above given order.
30. I. VIOLA REGINA. Queen Violet. Sweet Violet. 'Viola Odorata,' L., Flora Danica, and Sowerby. The latter draws it with golden centre and white base of lower petal; the Flora Danica, all purple. It is sometimes altogether white. It is seen most perfectly for setting off its colour, in group with primrose,—and most luxuriantly, so far as I know, in hollows of the Savoy limestones, associated with the pervenche, which embroiders and illumines them all over. I believe it is the earliest of its race, sometimes called 'Martia,' March violet. In Greece and South Italy even a flower of the winter.
"The Spring is come, the violet's gone,
The first-born child of the early sun.
With us, she is but a winter's flower;
The snow on the hills cannot blast her bower,
And she lifts up her dewy eye of blue
To the youngest sky of the selfsame hue.
And when the Spring comes, with her host
Of flowers, that flower beloved the most
Shrinks from the crowd that may confuse
Her heavenly odour, and virgin hues.
Pluck the others, but still remember
Their herald out of dim December,—
The morning star of all the flowers,
The pledge of daylight's lengthened hours,
Nor, midst the roses, e'er forget
The virgin, virgin violet."4
3. It is the queen, not only of the violet tribe, but of all low-growing flowers, in sweetness of scent—variously applicable and serviceable in domestic economy:—the scent of the lily of the valley seems less capable of preservation or use.
But, respecting these perpetual beneficences and benignities of the sacred, as opposed to the malignant, herbs, whose poisonous power is for the most part restrained in them, during their life, to their juices or dust, and not allowed sensibly to pollute the air, I should like the scholar to re-read pp. 251, 252 of vol. i., and then to consider with himself what a grotesquely warped and gnarled thing the modern scientific mind is, which fiercely busies itself in venomous chemistries that blast every leaf from the forests ten miles round; and yet cannot tell us, nor even think of telling us, nor does СКАЧАТЬ
2
See 'Deucalion,' vol. ii., chap, i., p. 12, § 18.
3
I am ashamed to give so rude outlines; but every moment now is valuable to me: careful outline of a dog-violet is given in Plate X.
4
A careless bit of Byron's, (the last song but one in the 'Deformed Transformed'); but Byron's most careless work is better, by its innate energy, than other people's most laboured. I suppress, in some doubts about my 'digamma,' notes on the Greek violet and the Ion of Euripides;—which the reader will perhaps be good enough to fancy a serious loss to him, and supply for himself.