Harper's New Monthly Magazine, No. VII, December 1850, Vol. II. Various

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      The varnish'd clock that click'd behind the door —

      The chest contriv'd a double debt to pay,

      A bed by night, a chest of drawers by day —

      The pictures plac'd for ornament and use,

      The twelve good rules, the royal game of goose —

      The hearth, except when winter chill'd the day,

      With aspen bows, and flowers, and fennel gay —

      While broken tea-cups, wisely kept for show,

      Rang'd o'er the chimney, glistened in a row.

      Vain, transitory splendors! could not all

      Reprieve the tottering mansion from its fall?

      Obscure it sinks; nor shall it more impart

      An hour's importance to the poor man's heart:

      Thither no more the peasant shall repair

      To sweet oblivion of his daily care;

      No more the farmer's news, the barber's tale,

      No more the woodman's ballad shall prevail;

      No more the smith his dusky brow shall clear,

      Relax his ponderous strength, and lean to hear;

      The host himself no longer shall be found

      Careful to see the mantling bliss go round;

      Nor the coy maid, half willing to be press'd,

      Shall kiss the cup to pass it to the rest.

      Yes! let the rich deride, the proud disdain,

      These simple blessings of the lowly train —

      To me more dear, congenial to my heart,

      One native charm, than all the gloss of art.

      Spontaneous joys, where nature has its play,

      The soul adopts, and owns their first-born sway —

      Lightly they frolic o'er the vacant mind,

      Unenvied, unmolested, unconfin'd;

      But the long pomp, the midnight masquerade,

      With all the freaks of wanton wealth array'd,

      In these, ere triflers half their wish obtain,

      The toiling pleasure sickens into pain —

      And, even while fashion's brightest arts decoy,

      The heart distrusting asks, if this be joy.

      Ye friends to truth, ye statesmen who survey

      The rich man's joys increase, the poor's decay —

      'Tis yours to judge how wide the limits stand

      Between a splendid and an happy land

      Proud swells the tide with loads of freighted ore,

      And shouting folly hails them from her shore;

      Hoards even beyond the miser's wish abound,

      And rich men flock from all the world around;

      Yet count our gains: this wealth is but a name

      That leaves our useful product still the same.

      Not so the loss. The man of wealth and pride

      Takes up a space that many poor supplied —

      Space for his lake, his park's extended bounds,

      Space for his horses, equipage, and hounds;

      The robe that wraps his limbs in silken sloth

      Has robbed the neighboring fields of half their growth;

      His seat where solitary sports are seen,

      Indignant spurns the cottage from the green;

      Around the world each needful product flies,

      For all the luxuries the world supplies;

      While thus the land adorn'd for pleasure – all

      In barren splendor feebly waits the fall.

      As some fair female unadorn'd and plain,

      Secure to please while youth confirms her reign

      Slights every borrow'd charm that dress supplies,

      Nor shares with art the triumph of her eyes —

      But when those charms are pass'd, for charms are frail,

      When time advances, and when lovers fail —

      She then shines forth, solicitous to bless,

      In all the glaring impotence of dress.

      Thus fares the land, by luxury betray'd:

      In nature's simplest charms at first array'd —

      But verging to decline, its splendors rise,

      Its vistas strike, its palaces surprise;

      While, scourg'd by famine, from the smiling land

      The mournful peasant leads his humble band —

      And while he sinks, without one arm to save,

      The country blooms – a garden and a grave.

      Where then, ah! where shall poverty reside,

      To 'scape the pressure of contiguous pride?

      If to some common's fenceless limits stray'd

      He drives his flock to pick the scanty blade,

      Those fenceless fields the sons of wealth divide,

      And even the bare-worn common is denied.

      If to the city sped – what waits him there?

      To see profusion that he must not share;

      To see ten thousand baneful arts combin'd

      To pamper luxury, and thin mankind;

      To see those joys the sons of pleasure know,

      Extorted from his fellow-creatures' woe:

      Here, while the courtier glitters in brocade,

      There the pale artist plies the sickly trade;

      Here, while the proud their long-drawn pomps display,

      There the black gibbet glooms beside the way.

      The dome where pleasure holds her midnight reign,

      Here, richly deck'd, admits the gorgeous train —

      Tumultuous grandeur crowds the blazing square,

      The rattling chariots clash, the torches glare.

      Sure scenes like these no troubles e'er annoy:

      Sure these denote one universal joy!

      Are these thy serious thoughts? – ah! turn thine eyes

      Where the poor houseless shivering female lies.

      She once, perhaps, in village plenty bless'd,

      Has wept at tales of innocence distress'd —

      Her modest looks the cottage might adorn,

      Sweet as the primrose peeps beneath the thorn;

      Now lost to all – her friends, her virtue fled,

      Near her betrayer's door she lays her head —

      And, pinch'd with cold, and shrinking from the shower,

      With heavy heart deplores that luckless hour

      When idly first, ambitious of the town,

      She left her wheel, and robes of country brown.

      Do thine, sweet Auburn! thine, the loveliest train,

      Do thy fair tribes participate her pain?

      Even now, perhaps, by cold and hunger led,

      At proud men's doors they ask a little bread.

      Ah, СКАЧАТЬ