The African Colony: Studies in the Reconstruction. Buchan John

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СКАЧАТЬ be another ridge just the same: cross the mountains fifty miles off, and the country will repeat itself as before. But this sameness in outline is combined with an infinite variety in detail, so that we readily take back our first complaint of monotony, and wonder at the intricate novelty of each vista.

      Here the veld is simply the broad green side of a hill, with blue points of mountain peeping over the crest, and a ragged brown road scarred across it. The road is as hard as adamant, a stiff red clay baked by the sun into porphyry, with fissures yawning here and there, so deep that often it is hard to see the gravel at the bottom. A cheerful country to drive in on a dark night in a light English cart, but less deadly to the lumbering waggons of the farmer. We choose the grass to ride on, which grows in coarse clumps with bare soil between. Here, too, are traps for the loose rider. A conical ant-heap with odd perforations, an ant-bear hole three feet down, or, most insidious of all, a meerkat’s hole hidden behind a tuft of herbage. A good pony can gallop and yet steer, provided the rider trusts it; but the best will make mistakes, and on occasion roll over like a rabbit. Most men begin with a dreary apprenticeship to spills; but it is curious how few are hurt, despite the hardness of the ground. One soon learns the art of falling clear and falling softly.

      The four o’clock December sun blazes down on us, raising hot odours from the grass. A grey African hare starts from its form, a meerkat slips away indignantly, a widow-bird, coy and ridiculous like a flirtatious widow, flops on ahead. The sleepy, long-horned Afrikander cattle raise listless eyes as we pass, and a few gaudy butterflies waver athwart us. Otherwise there is no sound or sight of life. Flowers of rich colours – chrysanthemums, gentians, geraniums – most of them variants of familiar European species, grow in clumps so lowly that one can only observe them by looking directly from above. It is this which makes the veld so colourless to a stranger. There are no gowans or buttercups or heather, to blazon it like a spring meadow or an August moorland. Five yards off, and nothing is visible but the green stalks of grass or a red boulder.

      At the summit of the ridge there is a breeze and a far prospect. The road still runs on up hill and down dale, through the distant mountains, and on to the great pastoral uplands of Rustenburg and the far north-west. On either side the same waving grass, now grey and now green as the wind breathes over it. Below is a glen with a gleam of water, and some yards of tender lawn on either bank. Farmhouses line the sides, each with its dam, its few acres of untidy crop land, and its bower of trees. Beyond rise line upon line of green ridges, with a glimpse of woods and dwellings set far apart, till in the far distance the bold spurs of the Magaliesberg stand out against the sky. A thin trail of smoke from some veld-fire hangs between us and the mountains, tempering the intense clearness of an African prospect. There is something extraordinarily delicate and remote about the vista; it might be a mirage, did not the map bear witness to its reality. It is not unlike a child’s conception of the landscape of Bunyan, a road running straight through a mystical green country, with the hilltops of the Delectable Mountains to cheer the pilgrim. And indeed the land is instinct with romance. The names of the gorges which break the mountain line – Olifants’ Poort, Crocodile Poort, Commando Nek – speak of war and adventure and the far tropics beyond these pastoral valleys. The little farms are all “Rests” and “Fountains,” the true nomenclature of a far-wandering, home-loving people. The slender rivulet below us is one of the topmost branches of the great Limpopo, rising in a marsh in the wood behind, forcing its way through the hills and the bush-veld to the north, and travelling thence through jungles and fever-swamps to the Portuguese sea-coast. The road is one of the old highways of exploration; it is not fifty years since a white man first saw the place. And yet it is as pastoral as Yarrow or Exmoor; it has the green simplicity of sheep-walks and the homeliness of a long-settled rustic land. In the afternoon peace there is no hint of the foreign or the garish; it is as remote as Holland itself from the unwholesome splendours of the East and South.

      No landscape is so masterful as the veld. Broken up into valleys, reclaimed in parts by man, showing fifty varieties of scene, it yet preserves one essential character. For, homely as it is, it is likewise untamable. There are no fierce encroachments about it. A deserted garden does not return to the veld for many years, if ever. It is not, like the jungle, the natural enemy of man, waiting for a chance to enter and obliterate his handiwork, and repelled only by sleepless watching. Rather it is the quiet spectator of human efforts, ready to meet them half-way, and yet from its vastness always the dominant feature in any landscape. Its normal air is sad, grey, and Quakerish, never flamboyant under the brightest sun, and yet both strenuous and restful. The few red monstrosities man has built on its edge serve only to set off this essential dignity. For one thing, it is not created according to the scale of man. It will give him a home, but he will never alter its aspect. Let him plough and reap it for a thousand years, and he may beautify and fructify but never change it. The face of England has altered materially in two centuries, because England is on a human scale, – a parterre land, without intrinsic wildness. But cultivation on the veld will always be superimposed: it will remain, like Egypt, ageless and immutable – one of the primeval types of the created world.

      But, though dominant, it is also adaptable. It can, for the moment, assume against its unchangeable background a chameleon-like variety. Sky and weather combine to make it imitative at times. Now, under a pale Italian sky, it is the Campagna – hot, airless, profoundly melancholy. Again, when the mist drives over it, and wet scarps of hill stand out among clouds, it is Dartmoor or Liddesdale; or on a radiant evening, when the mountains are one bank of hazy purple, it has borrowed from Skye and the far West Highlands. On a clear steely morning it has the air of its namesake, the Norwegian fjelds, – in one way the closest of its parallels. But each phase passes, the tantalising memory goes, and we are back again upon the aboriginal veld, so individual that we wonder whence arose the illusion.

      A modern is badly trained for appreciating certain kinds of scenery. Generations of poets and essayists have so stamped the “pathetic fallacy” upon his soul that wherever he goes, unless in the presence of a Niagara or a Mount Everest, he runs wild, looking for a human interest or a historical memory. This is well enough in the old settled lands, but on the veld it is curiously inept. The man who, in Emerson’s phrase, seeks “to impress his English whim upon the immutable past,” will find little reward for his gymnastics. Not that there is no history of a kind – of Bantu wars, and great tribal immigrations, of wandering gold-seekers and Portuguese adventurers, of the voortrekker and the heroic battles in the wilds. But the veld is so little subject to human life that had Thermopylæ been fought in yonder nek, or had Saint Francis wandered on this hillside, it would have mastered and obliterated the memories. It has its history; but it is the history of cosmic forces, of the cycle of seasons, of storms and suns and floods, the joys and sorrows of the natural world.

      “Lo, for there among the flowers and grasses

      Only the mightier movement sounds and passes;

      Only winds and rivers,

      Life and death.”

      Men dreamed of it and its wealth long ago in Portugal and Holland. They have quarrelled about it in London and Cape Town, fought for it, parcelled it out in maps, bought it and sold it. It has been subject for long to the lusts and hopes of man. It has been larded with epithets; town-bred folk have made theories about it; armies have rumbled across it; the flood of high politics has swept it. But the veld has no memory of it. Men go and come, kingdoms fall and rise, but it remains austere, secluded, impenetrable, “the still unravished bride of quietness.”

      As one lives with it the thought arises, May not some future civilisation grow up here in keeping with the grave country? The basis of every civilisation is wealth – wealth to provide the background of leisure, which in turn is the basis of culture in a commercial world. Our colonial settlements have hitherto been fortuitous. They have fought a hard fight for a livelihood, and in the process missed the finer formative influences of the land. When, then, civilisation came it was naturally a borrowed one – English with an accent. But here, as in the old Greek colonies, we begin de novo, and at a certain high plane of life. The Dutch, our forerunners, acquired the stamp of the soil, but they lived on the barest scale of existence, and were without the aptitude or the СКАЧАТЬ