RISINGTIDEFALLINGSTAR. Philip Hoare
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Название: RISINGTIDEFALLINGSTAR

Автор: Philip Hoare

Издательство: HarperCollins

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Серия:

isbn: 9780008133696

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       Copyright

      First published in Great Britain in 2017 by

      Fourth Estate

      An imprint of HarperCollinsPublishers

      1 London Bridge Street

      London SE1 9GF

       www.4thestate.co.uk

      Copyright © Philip Hoare 2017

      Cover design and illustration by Joe Lyward

      Philip Hoare asserts the moral right to be identified as the author of the work.

      A catalogue record for this book is available from the British Library

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      Source ISBN: 9780008133702

      Ebook Edition © 2017 ISBN: 9780008133696

      Version: 2018-05-24

       Dedication

       For Pat

      Contents

       Cover

       Title Page

       SOMETHINGAMAZING

       THEPEOPLEOFTHESEA

       ZEROANDEVERYTHINGTOGETHER

       UNDERAGREENSEA

       THEHANDSOMESAILOR

       STELLAMARIS

       THESEATHATRAGEDNOMORE

       Also by Philip Hoare

       About the Publisher

      Chapter initial illustrations by Joe Lyward

       Epigraph

      ‘The sea, everywhere the sea, and no one looking at it’

      DANY LAFERRIÈRE

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       THERISINGSEA

      Not long ago but long enough, I looked into the old cupboard in my bedroom and at the back, among the piles of floppy discs and peeling spines of my children’s encyclopaedias, I found a notebook. It was in an old-fashioned imperial format, half-bound with blue cloth and shiny paper, its fore-edge delicately spattered like a blackbird’s egg. It came from the cable factory where my father had worked all his life. Inside, on feint-lined pages intended for notes on amps and electrical resistance, were writings and drawings I’d done when I was about fifteen years old.

      On each left-hand page was a picture, in bright poster paint: a futuristic city, art deco designs, lithe figures out of some space opera or Russian ballet; fantastical images I’d collected in my teenage head. Halfway through the book I’d painted something I’d really seen: a leaping killer whale, slick with clear nail varnish to mimic its black-and-white skin, as if it had jumped out of the sea, rather than a concrete pool in a suburban safari park.

      On the right-hand pages I’d composed lyrics and prose, the things I couldn’t say out loud. Looking at this parade of longings forty years later, I realised that the fifteen-year-old me had mapped out his life along those pale blue lines. As if I’d already lived in reverse. Everything that came after had been entered in that blue notebook, balanced on my knees while I watched television in our front room, waiting for whatever might come next.

      The wind howled at my window like a wild animal, a snarling beast demanding to be fed. The house held fast against horizontal rain that threatened to find every crack in the walls. The air was full of water, driven directly from the shore. Between the falling trees and the pounding waves, it seemed that the sea – for all that it was a mile away or more – was reaching out for me in the darkness. The newspapers and the television and the websites warned us not to walk near it, as if our mere approach might be dangerous, as if its tentacles might reach out and drag us in.

      Growling and yowling, ranting and rocking, falling back to catch their breath before their next assault, the storms kept on coming, and there was nothing we could do. The world had become turbulent СКАЧАТЬ