Название: Мультисенсорный музей: междисциплинарный взгляд на осязание, звук, запах, память и пространство
Автор: Нина Левент
Издательство: ВЕБКНИГА
Жанр: Изобразительное искусство, фотография
Серия: Современная критическая мысль
isbn: 978-5-6045382-3-4
isbn:
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Sensorium: Embodied Experience, Technology, and Contemporary Art / Jones C.A. (Ed.) (2006) Cambridge, MA: The MIT Press. Schwartzman M. (2011) See Yourself Sensing. Redefining Human Perception. London: Black Dog Publishing.
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Aural Cultures / Drobnick J. (Ed.) (2004) Toronto: YYZ Books. The Smell Culture Reader / Drobnick J. (Ed.) (2006) Oxford: Berg.|Voegelin S. (2010) Listening to Noise and Silence: Towards a Philosophy of Sound Art. Continuum. Serres M. (2009) The Five Senses: A Philosophy of Mingled Bodies. London; New York: Bloomsbury Academic Press. Sound. Whitechapel: Documents of Contemporary Art / Kelly C. (Ed.) (2011) MIT Press. Art and the Senses / Bacci F., Melcher D. (Eds.) (2011) Oxford: Oxford University Press.
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Falk J.H. (2009) Identity and the Museum Visitor Experience. Walnut Creek, CA: Left Coast Press.
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Mark J. (2007) The Museum Book: A Guide to Strange and Wonderful Collections. Candlewick.
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Reich C., Lindgren-Streicher A., Beyer M., Levent N., Pursley J., Mesiti L.A. Speaking Out on Art and Museums: Study on the Needs and Preferences of Adults who Are Blind or Have Low Vision. Report. Artbeyondsight.org (https://www.informalscience.org/sites/ default/files/2013-07-03_Speaking_Out_110718.pdf). P. 95.
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Pallasmaa J. (1996) The Eyes of the Skin. London: Academy Press.
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Candlin F. Museums, modernity, and the class politics of touching objects // Touch in Museums: Policy and Practice in Object Handling / Chatterjee H.J. (Ed.) (2008) Oxford, UK: Berg: 9–20.
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Hagen M. C., Franzen O., McGlone F., Essick G., Dancer C., Pardo J. V. (2002) Tactile motion activates the human middle temporal / V5 (MфT/V5) complex // European Journal of Neuroscience, № 16: 957–964. Summers I. R., Francis S. T., Bowtell R. W., McGlone F. P., Clemence M. (2009) A functional magnetic resonance imaging investigation of cortical activation from moving vibrotactile stimuli on the fingertip // Journal of the Acoustical Society of America, № 125: 1033–1039.
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Stilla R., Sathian K. (2008) Selective visuo-haptic processing of shape and texture // Human Brain Mapping, № 29: 1123–1138; Sathian K., Lacey S., Stilla R., Gibson G. O., Deshpande G., Hu X., Laconte S., Glielmi C. (2011) Dual pathways for haptic and visual perception of spatial and texture information // NeuroImage, № 57: 462–475.
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Amedi A., Jacobson G., Hendler T., Malach R., Zohary E. (2002) Convergence of visual and tactile shape processing in the human lateral occipital complex // Cerebral Cortex, № 12: 1202–1212; Amedi A., Malach R., Hendler T., Peled S., Zohary E. (2001) Visuo-haptic object-related activation in the ventral visual pathway // Nature Neuroscience, № 4: 324–330; Zhang M., Weisser V. D., Stilla R., Prather S. C., Sathian K. (2004) Multisensory cortical processing of object shape and its relation to mental imagery // Cognitive, Affective, & Behavioral Neuroscience, № 4: 251–259; Stilla R., Sathian K. (2008).
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Pascual-Leone A., Hamilton R. H. (2001) The metamodal organization of the brain // Progress in Brain Research, № 134: 427–445. Lacey S., Tal N., Amedi A., Sathian K. (2009а) A putative model of multisensory object representation // Brain Topography, № 21: 269–274. James T. W., VanDerKlok R. M., Stevenson R. A., James K.H. (2011) Multisensory perception of action in posterior temporal and parietal cortices // Neuropsychologia, № 49: 108–114.
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Подробнее см.: Peissig J.J., Tarr M.J. (2007) Visual object recognition: Do we know more now than we did 20 years ago? // Annual Review of Psychology, № 58: 75–96; Lacey S., Sathian K. (2011) Multisensory object representation: insights from studies of vision and touch // Progress in Brain Research, № 191: 165–176.
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Peissig J.J., Tarr M.J. 2007. Lawson R. (2009) A comparison of the effects of depth rotation on visual and haptic three-dimensional object recognition // Journal of Experimental Psychology: Human Perception and Performance, № 35: 911–930.
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Использующего информацию в рамках одной сенсорной системы (прим. науч. ред.).
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В которое вовлечены разные органы чувств (прим. науч. ред.).
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Lacey S., Peters A., Sathian K. (2007а) Cross-modal object representation is viewpoint-independent // PLoS ONE, № 2: 890.
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Lawson R., 2009.
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Прим. науч. ред.: Обучение перцептивным способностям (способностям восприятия), которое позволяет приобрести изменения реакций на сенсорные стимулы в ходе повторных воздействий этих стимулов. По сути, речь идет о развитии навыков восприятия (осязание, обоняние и т. д.) См. про исследование: Lacey S., Campbell C. and Sathian K. (2007b). Vision and touch: Multiple or multisensory representations of objects? Perception, 36, 1513–21.
36
Kosslyn S.M. (1980) Image and Mind. Cambridge: Harvard University Press; Kosslyn S.M. (1994) Image and Brain: The Resolution of the Imagery Debate. Cambridge: MIT Press.
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Röder B., Rösler F. (1998) Visual input does not facilitate the scanning of spatial images // Journal of Mental Imagery, № 22: 165–181.
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