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СКАЧАТЬ "faith," namely faith in God′s existence, in my own exquisite being in God, and last but not least faith in the ′you′s′ uniqueness in God. Egoism′s abandonment necessitates unique recognition of everybody′s individual and exquisite being in God. Consequently, love needs ascendance to God by definition. Simultaneously, God′s gracious love descends to "the other," to the "passive," the "feminine," to Created nature[138]. Human (carnal) love receives outmost "beauty" (italics, KB) when experienced as the gracious descending of the Divine upon nature that in turn ascends out of love. This is said to be true with regard to personal and to social aspects[139].

      All social spheres work by the same principles as individual love: two wholly different yet equally dignified beings positively complement and by no means negatively delimit each other. In erotic love the ′other,′ the non-I, qualifies as everything. In social life, the collective corpus, the singular elements of which are reigned by solidarity, analogously denotes the ′other,′ and this non-I should become a complementing animated being. Active compositions between the personal I and the social corpus signify an "enlivened syzygialrelationship (zhivym sizicheskim otnosheniem)."[140] As may be concluded, man′s body, the social corpus, and the corpus of the world have ideal-real character; each represents a mystical corpus. Here finally is the central argument: the corpus, be it a natural or a social corpus does not bear independent existence, it does not exist until it is spiritualised. The social and the human corpus are identical in substance, for both belong into the sphere of nature, which seeks complementary union, seeks syzygy, complementary union with light and / or spirit.[141] Solov’ëv held that nature is to be redeemed and that "the transfiguration of Christ anticipated the transfiguration of all material being."[142] In physical life too, the surrender of the self affords to regain it in enriched form.[143] This is what is said about love in Matthew 16; 24, 25, Lucas 9; 23, 24, and Marcus 8; 34, 35. All texts are on this essential truth of regaining the self by sacrifice, excluding, of course, the carnal aspect of love. In Solov’ëv spiritualised carnal love is a form of syzygy (literally from the Greek syzigia, appearances in pairs) when segregation between creature and spirit is overcome.[144]

      Consequently, man′s body, the social corpus, and the corpus of the world have ideal-real character representing each a "mystical corpus."[145] There are three items determining love′s highest form: androgyny, spiritualised human corporeality, and Godmanhood. The erotic pathos of love always seeks after corporeality (sviataia telesnost′). Yet, dignified corporeality, beautiful and eternalised by Spirit corporeality does not sprout by itself, but needs spiritual deeds by the Godman. Solov’ëv commiserates with Plato to philosophically have been on a limb with "empty hands," for his understanding of eroticism failed acknowledge this point. [146]

      In the Justification of the Good, 1894–1899, is just one, yet meaningful reference to the cited above argument: as he regrets, Christianity has merely endorsed "cherubic" existence beyond marriage. Christianity has, as Solov’ëv regrets, merely deified marriage as an institution, worthy of man′s multiplication (cf. Lucas 34–36, First Corinthean, 7). However, there is a third, the "highest," namely "God′s way" to look at spiritualised carnal love. In this context, he hints at the two writings just discussed, namely Plato′s Life Drama and The Meaning of Love.[147] After a sharp critique by Russian Orthodoxy,[148] he seemingly had decided not to broach the ideal content of corporeal love. In the Justification of the Good this form of love holds the place of negative, offending senses: "shame (styd)" epitomises the difference between human and the animals′ being. Even in the case of humanity′s multiplication, "shame" plays a role; many pages are concerned with this problem.[149] Solov’ëv situates the feelings of "shame (styd)," "pity (zhalost′)," and "reverence (blagogoveniie)" (respectively matching the moral principles of "asceticism," "altruism" or "solidarity," and "piety"), at one and the same axiomatic level. These three attributes conform to the conscience′s requirements. They constitute the three-unitarian foundation of "moral perfection."[150]

      Yet, in his encyclopaedic entry on Liubov′, 1896 – composed while Solov′ev was working on the Justification of the Good – he again specified carnal love to simultaneously manifest the "strongest form of individual self-affirmation" [corresponding to ascending love] and of "self-negation" [corresponding to descending love]. As such an ambiguous event, carnal love is the "highest symbol" [vysshijsimvol] of "the ideal relationship between personal and social principles."[151] Though spiritualised carnal love does not serve humanity′s but the individual′s perfection, it nevertheless represents one of cornerstones of ideal society′s development. For Solov′ev society".is the supplemented or expanded individual, while the individual is the condensed or concentrated society."[152] As may be concluded, only perfected individuals – individuals experienced in spiritualising syzygy in order to experience holy androgynous being – may form ideal society, Already in Filosofskie nachala tsel′nogo znaniia, 1877, he had introduced a tripartite scheme of society: 1.) the "material society [materialnoe obsh-chestvo]" is located at the fundament, the "political society [politicheskoe obshchestvo]" occupies the midst, and the "spiritual [dukhovnoe]" or "holy society, the Church [sviashchennoe obshchestvo, Tserkov′]" tops both. As may be concluded, the third type of society appears to be the syzygial unification of the other two.[153] The "Universal Church" signifies unification of masculine and feminine elements, which correspond to Christ and nature respectively[154]

      No scholar has yet presented a survey on his image of existence in pairs (syzygy) as something spread throughout his entire works. Solov′ v claims this Greek expression to best express his idea of "composition СКАЧАТЬ