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      The First Mechanic and his squadron were then moved ashore to the Western Front – Ypres and the Somme – where one of his most vivid memories is of nearly drowning in a huge, festering shellhole filled with human remains, rats and mud.

      “It was night. I couldn’t see and the sides were crumbling. I thought I’d drown, but I put my foot the right way and managed to drag myself out. But I couldn’t move until dawn because there might be booby-traps.”

      In his darker moments, he can still see his pilots turn to “jelly” in the wreckage of their burning planes just yards in front of his position.

      Nine decades on, the memory still brings back the tears. He prefers to dwell on the few happier moments of the war. “There was great camaraderie. You knew you could bank on the other bloke.”

      And he is as modest as the next man. “It was those poor devils in the trenches, marching 20 miles with all their kit on a bowl of soup, it was them who won the war.”

      One of those “poor devils” was Private Jack Oborne of the 52nd Devonshire Light Infantry, although, like all the rest, he sees himself as lucky. Certainly, if it wasn’t for the pocket watch which his father gave him in 1917, he wouldn’t be at the Cenotaph this morning.

      He had already taken one bullet in the leg at Passchendaele – otherwise known as the Third Battle of Ypres – when a German bullet hit him in the chest. It hit the watch instead of Mr Oborne.

      “He has never talked about it much,” says his son, David Oborne, 77. “If you’ve seen a shell throw up bodies blown up by a previous shell, you just try to block it out. I’ve tried to get things out of him but I can’t.”

      All of these men – two of whom span three centuries – are still haunted by the events of 90 years ago. We may not share their ghosts. But we should never ignore their memories.

      Why I’ll keep on riding to the rescue of Blenheim

      By John Spencer Churchill,

      11th Duke of Marlborough

      The Mail on Sunday, August 8, 2004

      Running a stately home today is very much a business – that’s the way it has to be. It has to be well thought-out, well organised and well run. It’s something we have developed over a period of time and will continue to do so.

      The first paying visitors were admitted to the house in 1950. In those days, we opened only four days a week. Then I managed to persuade my father to open for five days a week. When I took over in 1972 I realised we had to be open seven days a week.

      Recently we increased the number of days that we’re open by extending the season – this improves the bottom line. We have to open more days because the expenses are going up all the time. This year, for example, we’re staying open until December 12 – and will re-open next year in February.

      It worries me slightly that we’re opening this long because the only way you can keep a house in good tip-top order is to close it down for a certain number of weeks so you can give it a proper spring clean. Maintenance is crucial because the future of the house is all-important.

      Now it is in quite good order, something I can say with pride and satisfaction. But there is a lot of stone work that needs replacing and we also have to replace the six statues that used to be on the roof. We haven’t been able to do a lot of restoration over the past four years because all the monies have been drawn to rewiring, costing hundreds of thousands of pounds. If John Churchill were to return here today I think he would be delighted to see that the place is still in reasonably good nick. The other thing is that one has constantly got to think of other means of attracting outside events. It’s no use sitting back and thinking you can carry on the business in the same way that it was done 25 years ago. There’s a lot of outside competition now.

      The one thing that has really hit the stately homes business quite badly is Sunday opening. There has been a huge change to the way of life in this country on Sundays. Fifteen to 20 years ago there was very little that people could do on Sundays except visit a stately home. The shops were shut, no race meetings took place. That’s all changed.

      So we have to keep innovating. This year we have restored the Secret Garden, a treasure that has remained hidden for more than 30 years.

      The garden was conceived by my father, the 10th Duke, and work began in 1960 on creating a romantic and secluded haven which broke away from the formal nature of traditional Victorian gardens.

      My father was a keen gardener and planted unusual species of trees, shrubs and flowers to create a Four Seasons garden comprising winding paths, soothing water features, bridges, fountains, ponds and streams.

      Over the past 30 years, the garden has grown wild and remained inaccessible to all but the most intrepid of explorers. However, a team of dedicated gardeners set about restoring it to its former glory.

      We are constantly having to come up with things to make people aware that there is more to Blenheim than just the house.

      At our music festival this year, for example, we had Barry Manilow performing on the final night. I’m a great Barry Manilow fan – he’s performed here before and I know him quite well.

      You have to cater to all sections of the community, especially children, because they quite often tell the parents what they’ll be doing at weekends.

      If anybody is interested in history or heritage then automatically they’ll want to come to Blenheim. Here, you will find not just the history of our family but to some extent an insight into the history of Britain since the 1700s.

      Our special exhibition on the Battle of Blenheim explains just how important that victory was. If the French had won they would have dominated the world – the Americans might well have ended up speaking French.

      Whenever I’ve been away from home, it is still a great thrill to return. I love seeing the house again as I come down the drive but I also have a nagging anxiety: “What new problem is there now to fix?”

My Favourite Room

      It has to be that incredible room the Long Library – it’s 180ft long and was designed by Vanbrugh as a picture gallery. The room’s proportions are amazing.

      From here you look out over the Water Terrace Gardens laid by my grandfather down towards the lake. It’s a very big room. It needs quite a lot of people in there, say 300, to make you realise just how big.

      My Favourite Painting

      I would choose that 1905 painting of my grandfather and grandmother by John Singer Sargent. The painting hangs in the Red Drawing Room and shows my father standing between his father Charles, the 9th Duke, and his mother Consuelo with the Blenheim spaniels. It’s quite magnificent – a wonderful composition.

My Favourite View

      That first glimpse of the house as you come down the drive from Woodstock has been described as “the finest view in England”. You have the towers of the palace to the left, to the right is the Column of Victory with its statue of the 1st Duke of Marlborough and in front is the great lake with Vanbrugh’s Grand Bridge. When George III saw this view he exclaimed: “We have nothing to equal this!”

My Favourite Ancestor

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