Glimpses of Britain. Reader. Отсутствует

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СКАЧАТЬ [Court] dress”. Reporters could not be excluded; nevertheless they were placed at the edge of proceedings. Ponsonby compensated for the reporters’ lack of court dress by having a red silk curtain screen off the members of the press.

      The wedding established an etiquette of journalistic invisibility. This semiofficial understanding between reporters and courtiers did not, however, prevent fractious encounters. At Balmoral in the early 1870s, there was often a carriage of journalists ever eager to follow Victoria. Protocol meant that they were nevertheless expected to stay out of sight. On one occasion, a carriage of reporters was following Victoria on a drive, only to be caught unawares when her carriage suddenly turned around. The reporters’ carriage was forced into a ditch in order to let her pass. She reportedly had a hearty laugh at their expense.

      The wariness of the royal household towards the media was far from unwarranted. Royal reportage was attacked for its intrusive practices and purple prose. Journalists veered between intrusion and idolatry. Satirical journals such as Punch frequently attacked the sycophantic coverage of Victoria. The deferential language of royal reporting was claimed to falsify the gloss of the monarchy in the same way that its true nature had formerly been hidden by the ceremonial court splendour. In 1846, Punch published a mock proclamation from Victoria to the press, demanding that “all Vain, Silly, and Sycophantic verbiage shall cease, and good, Straightforward, Simple English be used in all descriptions of all Progresses made by Ourself, Our Royal Consort and Our Dearly Beloved Children”.

      The court newsman was one means by which the monarchy pro-actively influenced its press coverage. Photographs of the royal family were subject to an even more subtle form of manipulation. The release of the first public royal photographs, in August 1860, was a huge success. The intimacy and realism of the camera emphasized Victoria’s ordinariness. Indeed, Victoria’s initial photographs were renowned for being less than flattering, while engagement pictures of the Prince of Wales and Princess Alexandra in 1862 were criticized for being too intimate. After the 1880s, though, many royal photographs were retouched in the same way that celebrity photographs are now digitally airbrushed. Blemishes and wrinkles were removed, waistlines narrowed and dark shadows lightened. Retouching was common, undertaken partly due to sitter’s vanity and partly to technical imperfections in the negative.

      A photograph taken by the Bassano Studio in 1882 demonstrates the extent to which Victoria’s photographs were altered. In the picture, her cheeks and jowls have received attention from the retoucher. The removal of flesh from under her chin is evident in that the area there has a lighter tone. The tiny queen has also been placed on a platform to accentuate her height. Reviews of Victoria’s later photographs complained that her subjects were unable to get a truthful portrait. In August 1887, Photographic News disparagingly noted that a new set of pictures, were, like all published portraits of the Queen, fabricated. It complained that the public had to be content with a “mixture of photography and monochrome intricacy”. Significantly, the Photographic News presumed that, because the photographs had been made available, they had inevitably been manipulated. The Crown might never die but Victoria’s photographs were concerned with showing a monarch whom age did not touch. It was not simply that Victoria seemed an unchanging figure in a disorienting world: judging by her photographs she was unchanging.

A dying Queen

      The media attention received by the royal family during the 19th century culminated in the death and funeral of Queen Victoria in January 1901. As the Queen lay dying at Osborne House on the Isle of Wight, hundreds of British and foreign journalists gathered at the gates to receive the latest bulletins on her condition. Crowds waited at telegraph stations all over the British Empire for news of the Great White Empress. The telegraph network helped to bring together nation and empire in one global community. There were nevertheless numerous incidents of disreputable journalistic behaviour during Victoria’s final illness. The episode that caused the most public outrage took place after the Queen’s death was announced to the press pack waiting at the Osborne gates. Immediately, they rushed to East Cowes telegraph office to relay the news to the waiting world, some running, some on bikes, and some on horseback. Many shouted “The Queen is Dead!” in their headlong charge. Such disrespect was widely condemned.

      Several newspapers also printed fake reports of the events around the Queen’s deathbed. The Press Association news agency put out a spurious interview with one of the physicians attending the Queen, while one illustrated newspaper published a sketch of a touching death-bed reconciliation between Victoria and her grandson, Kaiser Wilhelm II of Germany. Court officials were assiduous in tracking down those responsible for these fabrications. With access to all messages sent from Osborne, they were able to confirm which reports had been invented. At least two correspondents promptly found themselves recalled to their newspaper’s offices after the intervention of courtiers. All these incidents of journalistic sharp practice were widely commented upon, accentuating Victoria’s death as a media event.

      The growth of a mass media helped to maintain the royal family as an overarching yet intimate presence. Like a Russian doll, the icon of Victoria was made up of countless different smaller versions. Her status as national and imperial figurehead and her promotion as the Mother of her People, have to be understood in relation to the growth of different media. In terms of the media making of the monarchy, Victoria and Albert set precedents that continue to play an important role in defining the representation of the royal family today. Subsequently the media were assimilated into practices that they had first established. Thus, whereas Victoria and Albert’s royal tours were broadcast via the new illustrated press, the imperial tours of their children and grandchildren received comparably novel coverage from the new cinematograph. Important 20th century continuations of this relationship include the first Christmas Day radio broadcast by George V in 1932; the televising of the coronation of Elizabeth II in 1953; and the royal wedding of Prince Charles to Lady Diana Spencer, in 1981.

      1966 and all what?

      by Laura Clark

      Daily Mail, August 5, 2004

      The past seems to be something of a closed book to many young Britons. William the Conqueror, for example, may have changed the course of our history in 1066, but he remains largely a mystery man.

      In a survey, almost half of 16 to 24-year-olds could not identify him as the victor of the Battle of Hastings.

      Amazingly, more than one in five believed it was Alexander the Great and 13 per cent said it was Napoleon.

      The BBC poll, published today, also reveals that less than half of the young Britons knew Sir Francis Drake fought in the English fleet against the Spanish Armada. One in five believed the hero of England’s victory in 1588 was Christopher Columbus. And the same number thought it was either Horatio Hornblower or Gandalf – both fictional characters.

      The findings left education campaigners aghast at young people’s lack of knowledge about their nation’s past.

      Ignorance, however, was not entirely confined to the younger age groups. The survey of 1,000 Britons from 16-year-olds to pensioners uncovered glaring gaps in many people’s knowledge of key historical events that shaped our history.

      They may have given us our calendar, our roads, the first modern toilet and contributed to our language, but one in five Britons were unaware the Romans ever came here at all.

      One in ten 16 to 24-year-olds actually thought Britain was conquered by Germany.

      And despite this year’s widespread coverage of the 60th anniversary of the D-Day landings, a third of respondents failed to answer a basic question about the Second World War.

      Just 69 per cent knew the Battle of Britain took place during the 1939–45 conflict, with the figure dropping to 51 per cent among 16 to 24-year-olds.

      A fifth of that age СКАЧАТЬ