Angel Island. Inez Haynes Gillmore

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СКАЧАТЬ magic. His companions dropped everything; they swarmed about him.

      Honey held on his palm what, in the brilliant sunlight looked like a globe of blue fire, a fire that emitted rainbows instead of sparks.

      He passed it from hand to hand. It seemed a miracle that the fingers which touched it did not burst into flame. For a moment the five men might have been five children.

      “Well,” said Pete Murphy, “according to all fiction precedent, the rest of us ought to get together immediately, if not a little sooner, and murder you, Honey.”

      “Go as far as you like,” said Honey, dropping the stone into the pocket of his flannel shirt. “Only if anybody really gets peeved about this junk of carbon, I’ll give it to him.”

      For a while life flowed wonderful. The men labored with a joy-in-work at which they themselves marveled. Their out-of-doors existence showed its effects in a condition of glowing health. Honey Smith changed first to a brilliant red, then to a uniform coffee brown, and last to a shining bronze which was the mixture of both these colors. Pete Murphy grew one crop of freckles, then another and still another until Honey offered to “excavate” his features. Ralph Addington developed a rich, subcutaneous, golden-umber glow which made him seem, in connection with an occasional unconventionality of costume, more than ever like the schoolgirl’s idea of an artist. Billy Fairfax’s blond hair bleached to flaxen. His complexion deepened in tone to a permanent pink. This, in contrast with the deep clear blue of his eyes, gave him a kind of out-of-doors comeliness. But Frank Merrill was the surprise of them all. He not only grew handsomer, he grew younger; a magnificent, towering, copper-colored monolith of a man, whose gray eyes were as clear as mountain springs, whose white teeth turned his smile to a flash of light. Constantly they patrolled the beach, pairs of them, studying the ocean for sight of a distant sail, selecting at intervals a new spot on which at night to start fires, or by day to erect signals. They bubbled with spirits. They laughed and talked without cessation. The condition which Ralph Addington had deplored, the absence of women, made first for social relaxation, for psychological rest.

      “Lord, I never noticed before—until I got this chance to get off and think of it—what a damned bother women are,” Honey Smith said one day. “Of all the sexes that roam the earth, as George Ade says, I like them least. What a mess they make of your time and your work, always requiring so much attention, always having to be waited on, always dropping things, always so much foolish fuss and ceremony, always asking such footless questions and never hearing you when you answer them. Never really knowing anything or saying anything. They’re a different kind of critter, that’s all there is to it; they’re amateurs at life. They’re a failure as a sex and an outworn convention anyway. Myself, I’m for sending them to the scrap-heap. Votes for men!”

      And with this, according to the divagations of their temperaments and characters, the others strenuously concurred.

      Their days, crowded to the brim with work, passed so swiftly that they scarcely noticed their flight. Their nights, filled with a sleep that was twin brother to Death, seemed not to exist at all.

      Their evenings were lively with the most brilliant kind of man-talk. To it, Frank Merrill brought his encyclopedic book knowledge, his insatiable curiosity about life; Ralph Addington all the garnered richness of his acute observation; Billy Fairfax his acquaintance with the elect of the society or of the art world, his quiet, deferential attitude of listener. But the events of these conversational orgies were Honey Smith’s adventures and Pete Murphy’s romances. Honey’s narrative was crisp, clear, quick, straight from the shoulder, colloquial, slangy. He dealt often in the first person and the present tense. He told a plain tale from its simple beginning to its simple end. But Pete—. His language had all Honey’s simplicity lined terseness and, in addition, he had the literary touch, both the dramatist’s instinct and the fictionist’s insight. His stories always ran up to a psychological climax; but this was always disguised by the best narratory tricks. He was one of those men of whom people always say, “if he could only write as he talks.” In point of fact, he wrote much better than he talked—but he talked better than any one else. The unanalytic never allowed in him for the spell of the spoken word, nor for the fiery quality of his spirit.

      As time went on, their talks grew more and ore confidential. Women’s faces began to gleam here and there in narrative. They began to indulge in long discussions of the despised sex; at times they ran into fierce controversy. Occasionally Honey Smith re-told a story which, from the introduction of a shadowy girl-figure, became mysteriously more interesting and compelling. Once or twice they nearly went over the border-line of legitimate confidence, so intimate had their talk become—muffled as it was by the velvety, star-sown dark and interrupted only by the unheeded thunders of the surf. They were always pulling themselves up to debate openly whether they should go farther, always, on consideration, turning narrative into a channel much less confidential and much less, interesting, or as openly plugging straight ahead, carefully disguising names and places.

      After a week or two, the first fine careless rapture of their escape from death disappeared. The lure of loot evaporated. They did not stop their work on “the ship-duffle,” but it became aimless and undirected. Their trips into the island seemed a little purposeless. Frank Merrill had to scourge them to patrol the beach, to keep their signal sheets flying, their signal fires burning. The effect upon their mental condition of this loss of animus was immediate. They became perceptibly more serious. Their first camp—it consisted only of five haphazard piles of bedding—satisfied superficially the shiftless habits of their womanless group; subconsciously, however, they all fell under the depression of its discomfort and disorder. They bathed in the ocean regularly but they did not shave. Their clothes grew ragged and torn, and although there were scores of trunks packed with wearing apparel, they did not bother to change them. Subconsciously they all responded to these irregularities by a sudden change in spirit.

      In the place of the gay talk-fests that filled their evenings, they began to hold long pessimistic discussions about their future on the island in case rescue were indefinitely delayed. Taciturn periods fell upon them. Frank Merrill showed only a slight seriousness. Billy Fairfax, however, wore a look permanently sobered. Pete Murphy became subject at regular intervals to wild rhapsodical seizures when he raved, almost in impromptu verse, about the beauty of sea and sky. These were followed by periods of an intense, bitter, black, Celtic melancholy. Ralph Addington degenerated into what Honey described as “the human sourball.” He spoke as seldom as possible and then only to snarl. He showed a tendency to disobey the few orders that Frank Merrill, who still held his position of leader, laid upon them. Once or twice he grazed a quarrel with Merrill. Honey Smith developed an abnormality equal to Ralph Addington’s, but in the opposite direction. His spirits never flagged; he brimmed with joy-in-life, vitality, and optimism. It was as if he had some secret mental solace.

      “Damn you and your sunny-side-up dope!” Ralph Addington growled at him again and again. “Shut up, will you!”

      One day Frank Merrill proposed a hike across the island. Billy Fairfax who, at the head, had set a brisk pace for the file, suddenly dropped back to the rear and accosted Honey Smith who had lagged behind. Honey was skipping stones over the lake from a pocketful of flat pebbles.

      “Say, Honey,” Billy began. The other four men were far ahead, but Billy kept his voice low. Do you remember that dream you had about the big bird—the time we joshed you so?

      “Sure do I,” Honey said cheerfully. “Only remember one thing, Billy. That wasn’t a dream any more than this is.”

      “All right,” Billy exclaimed. “You don’t have to show me. A funny thing happened to me last night. I’m not telling the others. They won’t believe it and—well, my nerves are all on end. I know I’d get mad if they began to jolly. I was sleeping like the dickens—a sure-for-certain Rip Van Winkle—when all of a sudden—Did СКАЧАТЬ