The Greatest Sci-Fi Books of Erle Cox. Erle Cox
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Название: The Greatest Sci-Fi Books of Erle Cox

Автор: Erle Cox

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4064066389307

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СКАЧАТЬ the larger ends of innumerable metal funnels or horns. "I'm afraid Edison wasn't the first man to make a phonograph," he muttered, "and if I'm not mistaken the originators of this exhibition have improved on it somewhat. Ye Gods! but they took a rise out of me with it. We'll just experiment a little." He walked back to the curtained entrance, and, standing on the threshold, smiled to think how his rushing blindly into that curtain in the dark had completed his panic.

      The ante-chamber looked as beautiful and free from guile as when he first saw it from the corridor. With his eyes on the lights above, he took two steps on the polished pavement. As he did so the globes flashed upward into the ceiling, and he found himself in darkness, and with the darkness came a horrible howl from behind him. Even though he was prepared for it the sound sent a shiver through his body. Without waiting to hear more, he darted back into the gallery, and the comforting light blazed up again. "By Jove! I guess when I leave this place I'll cross to the corridor with a record sprint. I should say that the D.T.'s are a maiden's sigh compared with a spell in that infernal place." He turned and walked back to the "temple." First, he went right round it, but, save for the doorway in the portico, he saw no sign of an entrance. The only new light he gained on the subject was that it was built of metal, and was evidently of enormous strength. Obviously he must seek from the portico for admittance. Then there was the chair he had noticed standing so conspicuously before the steps. It was heavily built, with arms and a low back, but was perfectly plain. It had no legs, and was really more like a box furnished as a seat. Beyond the fact that it was made of metal and immovably fixed in the paved floor, there was nothing that looked either interesting or dangerous about it. It was for that very reason that Dundas declined the very obvious invitation to sit in it. Instead, he looked it over critically, and shook his head. "Not much, my friends. I don't think I'll take a chair just now. It may be quite harmless, but I have my doubts." He returned to the portico, and seated himself beside the laughing statue on the first step.

      "By Jove, Flossie, or is it Gertie? No, I think it must be Flossie. Pardon my familiarity, but you and your friends are just a little– well–you know. I'm not a stern moralist like MacArthur or Pook, for instance, but I'm sure Mrs. Grundy would not approve of you. She'd write letters to the papers about you. You are so lovely that she would call high heaven to witness that you have a demoralising tendency. I suppose the three of you know what's inside this remarkable edifice and how to open the doors. I shouldn't be surprised if you had the secret hidden about you somewhere." He paused and looked the three figures over inquisitively. Then he went on. "Though I'm bound to admit I may be doing you all an injustice, for if you have the secret in your possession you must have swallowed it. May the devil admire me if you have any other means of concealing it." He stood up and paced to and fro before the "temple," reflecting on his next move. The idea of another weary search for the entrance to the last secret of the galleries was not one to consider with any relish. A thought of the book he had left in the library came to his mind, and he decided to examine it with a view to finding some solution to his last problem.

      The journey to and from the library did not occupy much time. Alan crossed the ante-chamber, after carefully measuring the distance and direction with his eye, with one wild dash. His flight took only a few seconds, but brief as it was it was sufficient to fill the darkness with unholy noises.

      Returned to the sixth gallery, Dundas seated himself on the steps of the portico, and searched the volume he had brought with him for light on the subject in hand. In the end he slammed the book shut with an exclamation of disgust on finding that the last definite information was that which opened the way to the antechamber. Remained only the chair. He examined it closely. It appeared to be solid and immovable and free from any signs of hidden trouble. The gorgeous pavement in mosaic that it was resting on gave no indication of pitfalls. Alan pressed it here and there with negative results. "Well," he said to himself at length, "a chair is intended to be sat on, and I don't suppose this is any exception. But–I suppose if I do sit on it the darned thing will play some dirty trick on me." He looked round at the silent figures on the portico. The three seemed to be convulsed with suppressed mirth. He shook an admonitory finger at them. "You girls ought to be blushing for yourselves instead of laughing at me. Upon my word, you huzzies, I feel embarrassed every time I look at you. I'll risk it, anyhow."

      This last to the chair. He seated himself gingerly, his whole body on springs ready to fling himself clear in the event of trouble. He was agreeably surprised, if somewhat disappointed, that nothing unusual resulted. However, he wanted to think, and the chair was more comfortable than the steps, so he remained where he was. For ten minutes he sat with his chin resting on his hand deep in thought. Suddenly he started and looked round. Then he lapsed again into reverie, only to sit erect again with nervous expectation. He felt that some almost imperceptible change was taking place. Not a whisper of sound broke the intense silence of the vault-like gallery. And yet–it was uncanny. There was some subtle alteration. What it was he could not at first determine. For a moment he felt inclined to spring from the chair. The thought gave place to a resolution to stick to his seat at all hazards. Sounds might come, but now that he understood their origin they might be unpleasant, but at any rate they were harmless. Leaning back with every sense on the alert, he waited developments. It was the strange quality of the silence that surrounded him that puzzled him. There was something tense and strained that woke a memory. Then it flashed across his mind. Years ago he had stood, one of a horror-stricken crowd at a great fire, and saw human beings leap to death from the flames, and back to his brain came the memory of the hush that fell on the throng. A hush of expectation. The same feeling came upon him now. The strained silence was the silence of a waiting multitude listening for the coming of some great event. The air was pregnant with mystery and expectancy. Alan closed his eyes and gripped his chair with whitening knuckles. He felt that he was in the midst of a great silent concourse of humanity.

      There came a rustle and a suppressed whispering wave. It was unreal, and yet terribly real. Suddenly he sat erect, quivering in spite of himself. It took every scrap of resolution he possessed to restrain his movements. From a great distance came the sound of voices chanting. The sound was so faint that at first he could only catch it in fragments. Gradually it grew in strength–nearer and nearer–a triumphal song from some great processional choir. He listened, lost in awe and wonder. Never had he heard anything more entrancingly beautiful as the magnificent torrent of sound that rose and swelled through the gallery. It filled the great building, as it filled his whole soul, to overflowing. Every earthly memory seemed swept from his mind. He sat motionless, intoxicated with the glory that thrilled him through and through. How long it lasted he could not tell. In regular cadence the mighty sound rose and then died away to silence as it had come. Something told Dundas there was more to follow. He realised now, without the slightest apprehension, that the lights of the gallery had slowly faded with the sound, leaving only a dim subdued glow. Then it came. One single perfect voice that broke the throbbing stillness in a wonder of glorious harmony. It told of life and love, and of death and war. It told of love splendid and passionate, of deeds that fired the blood to frenzy, and through it all was a note of terrible overwhelming sadness. The glow had faded completely. Dundas sat in utter darkness. The tears he had tried at first to restrain came to his eyes unchecked. It seemed as if the hands of the invisible singer had swept the chords of his very heart.

      At last the glorious melody faded, and while the air still quivered with the dying notes, a soft light broke from within the portico. Dundas watched it unmoved. He was still too deeply under the spell of the music to heed. The light increased. It came from above and behind the figures, flinging their shadows in a dark splash across the pavement to his feet. Suddenly he pulled himself together with an exclamation. He noticed that the shadowed arms of two of the figures converged, and the hands met at a point in the pavement immediately in front of him. In, a moment he was on his knees. Quickly pulling out his pocket knife, he tried the spot where the shadows converged. It was the centre of one of the mosaic designs. Instead of being diamond hard the place was as soft as putty. As he worked eagerly the shadow faded, and as imperceptibly as they had died away the lights of the gallery blazed up again.

      It was not until long afterwards that Dundas learned that the mechanism within the chair was so delicately balanced that the warmth СКАЧАТЬ