The Roman Traitor: A True Tale of the Republic. Henry William Herbert

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      CHAPTER III.

       THE LOVERS.

       Table of Contents

      Fair lovers, ye are fortunately met.

      Midsummer Night's Dream.

      On the same night, and almost at the same hour of the night, wherein that dreadful conclave was assembled at the house of Læca, a small domestic group, consisting indeed only of three individuals, was gathered in the tablinum, or saloon, of an elegant though modest villa, situate in the outskirts of the city, fronting the street that led over the Mulvian bridge to the Æmilian way, and having a large garden communicating in the rear with the plebeian cemetery on the Esquiline.

      It was a gay and beautiful apartment, of small dimensions, but replete with all those graceful objects, those manifold appliances of refined taste and pleasure, for which the Romans, austere and poor no longer, had, since their late acquaintance with Athenian polish and Oriental luxury, acquired a predilection—ominous, as their sterner patriots fancied, of personal degeneracy and national decay.

      Divided from the hall of reception by thick soft curtains, woven from the choice wool of Calabria, and glowing with the richest hues of the Tyrian crimson; and curtained with hangings of the same costly fabric around the windows, both of which with the doorway opened upon a peristyle; that little chamber wore an air of comfort, that charmed the eye more even than its decorations. Yet these were of no common order; for the floor was tesselated in rare patterns of mosaic work, showing its exquisite devices and bright colors, where they were not concealed by a footstool of embroidered tapestry. The walls were portioned out into compartments, each framed by a broad border of gilded scroll-work on a crimson ground, and containing an elaborately finished fresco painting; which, could they have been seen by any critical eye of modern days, would have set at rest for ever the question as to the state of this art among the ancients. The subject was a favorite one with all artists of all ages—from the world-famous Iliad: the story of the goddess-born Achilles. Here tutored by the wise Centaur, Chiron, in horsemanship and archery, and all that makes a hero; here tearing off the virgin mitre, to don the glittering casque proffered, with sword and buckler, among effeminate wares, by the disguised Ulysses; there wandering in the despondent gloom of injured pride along the stormy sea, meet listener to his haughty sorrows, while in the distance, turning her tearful eyes back to her lord, Briseis went unwilling at the behest of the unwilling heralds. Again he was presented, mourning with frantic grief over the corpse of his beloved Patroclus—grief that called up his Nereid mother from the blue depths of her native element; and, in the last, chasing with unexampled speed the flying Hector, who, stunned and destined by the Gods to ruin, dared not await his onset, while Priam veiled his face upon the ramparts, and Hecuba already tore her hair, presaging the destruction of Troy's invincible unshaken column.2

      A small wood fire blazed cheerfully upon the hearth, round which were clustered, in uncouth attitudes of old Etruscan sculpture, the grim and grotesque figures of the household Gods. Two lamps of bronze, each with four burners, placed on tall candelabra exquisitely carved in the same metal, diffused a soft calm radiance through the room, accompanied by an aromatic odor from the perfumed vegetable oil which fed their light. Upon a circular table of dark-grained citrean wood, inlaid with ivory and silver, were several rolls of parchment and papyrus, the books of the day, some of them splendidly emblazoned and illuminated; a lyre of tortoiseshell, and near to it the slender plectrum by which its cords were wakened to melody. Two or three little flasks of agate and of onyx containing some choice perfumes, a Tuscan vase full of fresh-gathered flowers, and several articles yet more decidedly feminine, were scattered on the board; needles, and thread of various hues, and twine of gold and silver, and some embroidery, half finished, and as it would seem but that instant laid aside. Such was the aspect of the saloon wherein three persons were sitting on that night; who, though they were unconscious, nay, even unsuspicious of the existence of conspiracy and treason, were destined, ere many days should elapse, to be involved in its desperate mazes; to act conspicuous parts and undergo strange perils, in the dread drama of the times.

      They were of different years and sex—one, a magnificent and stately matron, such as Rome's matrons were when Rome was at the proudest, already well advanced in years, yet still possessing not merely the remains of former charms, but much of real beauty, and that too of the noblest and most exalted order. Her hair, which had been black in her youth as the raven's wing, was still, though mixed with many a line of silver, luxuriant and profuse as ever. Simply and closely braided over her broad and intellectual temples, and gathered into a thick knot behind, it displayed admirably the contour of her head, and suited the severe and classic style of her strictly Roman features. The straight-cut eye-brows, the clear and piercing eye, the aquiline nose, and the firm thin lips, spoke worlds of character and decision; yet that which might have otherwise seemed stern and even harsh, was softened by a smile of singular sweetness, and by a lighting up of the whole countenance, which at times imparted to those high features an expression of benevolence, gentle and feminine in the extreme.

      Her stature was well suited to the style of her lineaments; majestically tall and stately, and though attenuated something by the near approach of old age, preserving still the soft and flowing outlines of a form, which had in youth been noted for roundness and voluptuous symmetry.

      She wore the plain white robes, bordered and zoned with crimson, of a patrician lady, but save one massive signet on the third finger of her right hand she had no gem or ornament whatever; and as she sat a little way aloof from her younger companions, drawing the slender threads with many a graceful motion from the revolving distaff into the basket by her side, she might have passed for her, whose proud prayer, that she might be known not as the daughter of the Scipios but as the mother of the Gracchi, was but too fatally fulfilled in the death-earned celebrity of those her boasted jewels.

      The other lady was smaller, slighter, fairer, and altogether so different in mien, complexion, stature, and expression, that it was difficult even for those who knew them well to believe that they were a mother and her only child. For even in her flush of beauty, the elder lady, while in the full splendor of Italian womanhood, must ever have been calculated to inspire admiration, not all unmixed with awe, rather than tenderness or love. The daughter, on the other hand, was one whose every gesture, smile, word, glance, bespoke that passion latent in itself, which it awakened in the bosom of all beholders.

      Slightly above the middle stature, and with a waist of scarce a span's circumference, her form was exquisitely full and rounded; the sweeping outlines of her snow-white and dimpled arms, bare to the shoulders, and set off by many strings of pearl, which were themselves scarcely whiter than the skin on which they rested; the swan-like curvature of the dazzling neck; the wavy and voluptuous development of her bust, shrouded but not concealed by the plaits of her white linen stola, fastened on either shoulder by a clasp of golden fillagree, and gathered just above her hips by a gilt zone of the Grecian fashion; the small and shapely foot, which peered out with its jewelled sandal under her gold-fringed draperies; combined to present to the eye a very incarnation of that ideal loveliness, which haunts enamored poets in their dreams, the girl just bursting out of girlhood, the glowing Hebe of the soft and sunny south. But if her form was lovely, how shall the pen of mortal describe the wild romantic beauty of her soul-speaking features. The rich redundancy of her dark auburn hair, black where the shadows rested on it as the sable locks of night, but glittering out wherever a wandering ray glanced on its glossy surface like the bright tresses of Aurora. The broad and marble СКАЧАТЬ