Название: A History of Inventions, Discoveries, and Origins
Автор: Johann Beckmann
Издательство: Bookwire
Жанр: Документальная литература
isbn: 4064066382865
isbn:
FOOTNOTES
248 La Historia General de las Indias. Sevilla, 1535, fol. lib. xvii. c. 13. [An earlier notice of the pine-apple had been given by Andræa Navagero in his letter to Rannusio, dated from Seville, May 12, 1526. He says, “I have also seen a most beautiful fruit, the name of which I do not recollect: I have eaten of it, for it was imported fresh. It has the taste of the quince, together with that of the peach, with some resemblance also of the melon: it is fragrant, and is truly of most delicious flavour.”—Lettere di xiii Huomini Illustri.]
249 Les Singularitez de la France Antarctique, autrement nommée Amerique. Par André Thevet. Anvers, 1558.
250 Voyage faict en la terre du Brésil, autrement dite Amerique. Par J. de Lery. Genève, 1580, 8vo, p. 188.
251 Rerum Med. novæ Hispaniæ Thesaurus. Rome, 1651. fol.
252 The accounts given by Acosta and Linschotten may be seen in Bauhini Histor. Plantarum, iii. p. 95. Kircher in his China Illustrata says, “That fruit which the Americans and people of the East Indies, among whom it is common, call the ananas, and which grows also in great abundance in the provinces of Quantung, Chiamsi, and Fokien, is supposed to have been brought from Peru to China.”
253 See Leibnitz, Nouveaux Essais sur l’Entendement Humain (Œuv. Phil.), p. 256, Amst. 1765, 4to.
254 Lersner, Chronik, ii. p. 824.
255 Miller’s Gardener’s Dictionary, i. p. 132. Lueder, Wartung der Küchengewächse. Lubeck, 1780, 8vo, p. 248.
256 Miller, ii. p. 824. Lueder, p. 39. That putrid bark forms an excellent manure, had been before remarked by Lauremberg, in Horticultura, p. 52.
257 Nova Plantarum Americanarum Genera. Parisiis 1708, 4to, p. 46.
258 [The plants producing the pine-apple have been separated by Prof. Lindley under the name Ananassa from the allied genus Bromelia, after which the Natural Order Bromeliaceæ takes its name.]
259 Halleri Bibl. Botan. i. p. 640.
SYMPATHETIC INK.
If we give this name to any fluid, which when written with, will remain invisible till after a certain operation, such liquids were known in very early periods. Among the methods, with which Ovid teaches young women to deceive their guardians, when they write to their lovers260, he mentions that of writing with new milk, and of making the writing legible by coal-dust or soot. Ausonius proposes the same means to Paulinus261; but his commentators seem not to have fully understood his meaning; for favilla is not to be explained by favilla non modice calida, as Vinetus has explained it, but by fuligo. That word is often employed by the poets in the same sense. As a proof of it, Columella, speaking of the method, not altogether ineffectual, and even still used, of preserving plants from insects by soot, calls it nigra favilla; and afterwards, when mentioning the same method, free from poetical fetters, he says fuliginem quæ supra focos tectis inhæret262. It may be easily perceived, that instead of milk any other colourless and glutinous juice might be employed, as it would equally hold fast the black powder strewed over it. Pliny, therefore, recommends the milky sap of certain plants for the like purpose263.
There are several metallic solutions perfectly colourless, or, at least, without any strong tint, which being used for writing, the letters will not appear until the paper be washed over with another colourless solution, or exposed to the vapour of it; but among all these there is none which excites more astonishment, than that which consists of a solution of lead in acetic acid, and which by sulphuretted hydrogen gas becomes black, even at a considerable distance. This ink, which may be employed by conjurers, proves the subtlety of this gas, and the porosity of bodies; as the change or colouring takes place, even when the writing is placed on the other side of a thin wall.
This effect presented itself perhaps accidentally to some chemist; but the discovery is not of great antiquity. Wecker, who compiled his book De Secretis from Porta, Cardan, and several old writers, and printed it for the first time in 1582, and gave a third edition in 1592, must have been unacquainted with it; else he certainly would not have omitted it in the fourteenth book, where he mentions all the methods of secret writing. Neither would it have been unnoticed by Caneparius, whose book De Atramentis was printed at Venice, for the first time, in 1619.
The first person who, as far as I have been able to learn, gave a receipt for preparing this ink, was Peter Borel, in Historiarum et Observationum Medico-physic. Centuriæ quatuor. In this work, which was printed for the first time in 1653, and a second time in 1657, at Paris, and of which there were several editions afterwards, the author calls it a magnetic water, which acts at a distance264. After the occult qualities of the schoolmen were exploded, it was customary to ascribe phænomena, the causes of which were unknown, and particularly those the causes of which seemed to operate without any visible agency, to magnetic effluvia; as the tourmaline was at first considered to be a kind of magnet. Others concealed their ignorance under what they called sympathy, and in latter times attraction and electricity have been employed for the like purpose. Borel, who made it his business to collect new observations that were kept secret, learned the method of preparing this magnetic water from an ingenious apothecary of Montpelier, and in return taught him some other secrets. Otto Tachen, a German chemist265, afterwards thought of the same experiment, which he explains much better, without the assistance of magnetism or sympathy. The receipt for making these liquids, under the name of sympathetic ink, I find first given by Le Mort266, and that name has been still retained267.
Another remarkable kind of sympathetic ink is that prepared from cobalt, the writing of which disappears in the cold, but appears again of a beautiful green colour, as often as one chooses, after being exposed to a moderate degree of heat.
The invention of this ink is generally ascribed to a Frenchman named Hellot. He was, indeed, the first person who, after trying experiments with it, made it publicly known, but he was not the inventor; and he himself acknowledges that a German artist of Stolberg first showed him a reddish salt, which, when exposed to heat, became blue, and which he assured him was made out of Schneeberg cobalt, with aqua regia268. СКАЧАТЬ