The Voyages of Marco Polo. Марко Поло

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СКАЧАТЬ ne parla." P. 334.

      The cobler is charitable, gives him bread, shoes, and a grey coat that was a foot too short. He then asks Bauduin if he will not learn his trade; but that is too much for the knightly stomach:

      "Et Bauduins respont, li preus et li membrus:

       J'ameroie trop miex que je fuisse pendus!" P. 335.

      The Caliph now in his Council expresses his vexation about the miracle, and says he does not know how to disprove the faith of the Christians. A very sage old Saracen who knew Hebrew, and Latin, and some thirty languages, makes a suggestion, which is, in fact, that about the moving of the Mountain, as related by Marco Polo.[22] Master Thomas is sent for again, and told that they must transport the high mountain of Thir to the valley of Joaquin, which lies to the westward. He goes away in new despair and causes his clerk to sonner le clocke for his people. Whilst they are weeping and wailing in the church, a voice is heard desiring them to seek a certain holy man who is at the good cobler's, and to do him honour. God at his prayer will do a miracle. They go in procession to Bauduin, who thinks they are mocking him. They treat him as a saint, and strive to touch his old coat. At last he consents to pray along with the whole congregation.

      The Caliph is in his palace with his princes, taking his ease at a window.

       Suddenly he starts up exclaiming:

      "'Seignour, par Mahoumet que j'aoure et tieng chier,

       Le Mont de Thir enportent le déable d'enfeir!'

       Li Califes s'écrie: 'Seignour, franc palasin,

       Voïés le Mont de Thir qui ch'est mis au chemin!

       Vés-le-là tout en air, par mon Dieu Apolin;

       Jà bientost le verrons ens ou val Joaquin!'" P. 345.

      The Caliph is converted, releases Polibans, and is baptised, taking the name of Bauduin, to whom he expresses his fear of the Viex de la Montagne with his Hauts-Assis, telling anew the story of the Assassin's Paradise, and so enlarges on the beauty of Ivorine that Bauduin is smitten, and his love heals his malady. Toleration is not learned however:

      "Bauduins, li Califes, fist baptisier sa gent,

       Et qui ne voilt Dieu crore, li teste on li pourfent!" P. 350.

      The Caliph gives up his kingdom to Bauduin, proposing to follow him to the Wars of Syria. And Bauduin presents the Kingdom to the Cobler.

      Bauduin, the Caliph, and Prince Polibans then proceed to visit the Mountain of the Old Man. The Caliph professes to him that they want help against Godfrey of Bouillon. The Viex says he does not give a bouton for Godfrey; he will send one of his Hauts-Assis straight to his tent, and give him a great knife of steel between fie et poumon!

      After dinner they go out and witness the feat of devotion which we have quoted elsewhere.[23] They then see the Paradise and the lovely Ivorine, with whose beauty Bauduin is struck dumb. The lady had never smiled before; now she declares that he for whom she had long waited was come. Bauduin exclaims:

      "'Madame, fu-jou chou qui sui le vous soubgis?'

       Quant la puchelle l'ot, lors li geta. j. ris;

       Et li dist: 'Bauduins, vous estes mes amis!'" Pp. 362–363.

      The Old One is vexed, but speaks pleasantly to his daughter, who replies with frightfully bad language, and declares herself to be a Christian. The father calls out to the Caliph to kill her. The Caliph pulls out a big knife and gives him a blow that nearly cuts him in two. The amiable Ivorine says she will go with Bauduin:

      "'Sé mes pères est mors, n'en donne. j. paresis!'" P. 364.

      We need not follow the story further, as I did not trace beyond this point any distinct derivation from our Traveller, with the exception of that allusion to the incombustible covering of the napkin of St. Veronica, which I have quoted at p. 216 of this volume. But including this, here are at least seven different themes borrowed from Marco Polo's book, on which to be sure his poetical contemporary plays the most extraordinary variations.

      [Sidenote: Chaucer and Marco Polo.]

      [78 bis.—In the third volume of The Complete Works of Geoffrey Chaucer, Oxford, 1894, the Rev. Walter W. Skeat gives (pp. 372 seqq.) an Account of the Sources of the Canterbury Tales. Regarding The Squieres Tales, he says that one of his sources was the Travels of Marco; Mr. Keighley in his Tales and Popular Fictions, published in 1834, at p. 76, distinctly derives Chaucer's Tale from the travels of Marco Polo. (Skeat, l. c., p. 463, note.) I cannot quote all the arguments given by the Rev. W. W. Skeat to support his theory, pp. 463–477.

      Regarding the opinion of Professor Skeat of Chaucer's indebtedness to Marco Polo, cf. Marco Polo and the Squire's Tale, by Professor John Matthews Manly, vol. xi. of the Publications of the Modern Language Association of America, 1896, pp. 349–362. Mr. Manly says (p. 360): "It seems clear, upon reviewing the whole problem, that if Chaucer used Marco Polo's narrative, he either carelessly or intentionally confused all the features of the setting that could possibly be confused, and retained not a single really characteristic trait of any person, place or event. It is only by twisting everything that any part of Chaucer's story can be brought into relation with any part of Polo's. To do this might be allowable, if any rational explanation could be given for Chaucer's supposed treatment of his 'author,' or if there were any scarcity of sources from which Chaucer might have obtained as much information about Tartary as he seems really to have possessed; but such an explanation would be difficult to devise, and there is no such scarcity. Any one of half a dozen accessible accounts could be distorted into almost if not quite as great resemblance to the Squire's Tale as Marco Polo's can."

      Mr. A. W. Pollard, in his edition of The Squire's Tale (Lond., 1899) writes: "A very able paper, by Prof. J. M. Manly, demonstrates the needlessness of Prof. Skeat's theory, which has introduced fresh complications into an already complicated story. My own belief is that, though we may illustrate the Squire's Tale from these old accounts of Tartary, and especially from Marco Polo, because he has been so well edited by Colonel Yule, there is very little probability that Chaucer consulted any of them. It is much more likely that he found these details where he found more important parts of his story, i.e. in some lost romance. But if we must suppose that he provided his own local colour, we have no right to pin him down to using Marco Polo to the exclusion of other accessible authorities." Mr. Pollard adds in a note (p. xiii.): "There are some features in these narratives, e.g. the account of the gorgeous dresses worn at the Kaan's feast, which Chaucer with his love of colour could hardly have helped reproducing if he had known them."—H. C.]

      [1] See Ferrazzi, Manuele Dantesca, Bassano, 1865, p. 729.

      [2] In Quaritch's catalogue for Nov. 1870 there is only one old edition of Polo; there are nine of Maundevile. In 1839 there were nineteen MSS. of the latter author catalogued in the British Museum Library. There are now only six of Marco Polo. At least twenty-five editions of Maundevile and only five of Polo were printed in the 15th century.

      [3] I have made personal enquiry at the National Libraries of Naples and Palermo, at the Communal Library in the latter city, and at the Benedictine Libraries of Monte Cassino, Monreale, S. Martino, and Catania.

      In the 15th century, when Polo's book had become more generally diffused we find three copies of it in the Catalogue of the Library of Charles VI. of France, made at the Louvre in 1423, by order of the Duke of Bedford.

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