Roman Society from Nero to Marcus Aurelius. Dill Samuel
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Название: Roman Society from Nero to Marcus Aurelius

Автор: Dill Samuel

Издательство: Bookwire

Жанр: Документальная литература

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isbn: 4064066101800

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СКАЧАТЬ and philosophy, that his Letters rather skim the surface of social life, and leave its deeper problems untouched. Pliny himself would probably have accepted this criticism as a compliment. The mass of men are little occupied with insoluble questions. And Pliny has probably deserved better of posterity by leaving us a vivid picture of the ordinary life of his time or of his class, rather than an analysis of its spiritual distresses and maladies. We have enough of that in Seneca, in M. Aurelius, and in Lucian. Of the variety and vividness of Pliny’s sketches of social life there can never be any question. But our gratitude will be increased if we compare his Letters with the collections of his imitators, Symmachus and Sidonius, whose arid pages are seldom turned by any but a few curious and weary students. Martial, in his way, is perhaps even more clear-cut and minute in his portraiture. But Martial is essentially a wit of the town, viewing its vices, follies, and fashions with the eye of a keen, but rather detached observer. In reading Pliny’s Letters, we feel ourselves introduced into the heart of that society in its better hours; and, above all, we seem to be transported to those quiet provincial towns and secluded country seats where, if life was duller and tamer than it was in the capital, the days passed in a quiet content, unsolicited by the stormier passions, in orderly refinement, in kindly relations with country neighbours, and amid the unfading charm of old-world pieties and the witchery of nature.

      Pliny has also done a great service in preserving a memorial of the literary tone and habits of his time. Even in that age of fertile production and too enthusiastic appreciation, Pliny, like Seneca and Statius, has a feeling that the love for things of the mind was waning.925 And he deemed it an almost religious duty, as Symmachus and Sidonius did more than three centuries after him, to arouse the flagging interest in letters, and to reward even third-rate literary [pg 164]effort with exuberant praise. He avows that it is a matter of duty to admire and venerate any performance in a field so difficult as that of letters.926 Yet Pliny was not by any means devoid of critical honesty and acumen. He could be a severe judge of his own style. He expects candid criticism from his friends, and receives it with gratitude and good temper.927 This is to him, indeed, the practical purpose of readings before final publication. He made emendations and excisions in the Histories of Tacitus, which the great author had submitted for his revision.928 In his correspondence with Tacitus, there is a curious mixture of vanity along with a clear recognition of his friend’s immense superiority of genius, and a sure prescience of his immortal fame. He is proud to hear their names coupled as chiefs of contemporary literature,929 and he cherishes the hope that, united by loyal friendship in life, they will go down together to a remote future. When, in the year 106, Tacitus had asked him for an account of the elder Pliny’s death, in the great eruption of Vesuvius, Pliny expressed a firm belief that the book on which Tacitus was then engaged was destined to an enduring fame.930 He was not quite so confident as to the immortality of Martial’s work,931 although he appreciates to the full Martial’s brilliant and pungent wit. On the other hand, writing to a friend about the death of Silius Italicus, he frankly recognises that the Epic of the Punic War is a work of industry rather than of genius.932 Yet he cannot allow the author of this dull mechanical poem to pass away without some record of his career.933 The death at seventy-five of the last surviving consular of the Neronian age, of the consul in whose year of office the tyranny of Nero closed, inspired a feeling of pathos which was probably genuine, in spite of the rather pompous and pedantic expression of it. And although he wrote the Punica, a work which was almost buried till the fifteenth century,934 Silius was probably a not uninteresting person. He had been a delator under Nero, and [pg 165]had enjoyed the friendship of Vitellius, but he knew how to redeem his character under the Flavian dynasty, and he had filled the proconsulate of Asia with some credit.935 Henceforth he enjoyed the lettered ease and social deference which were the privilege of his class for centuries. He retired finally to the shores of Campania, where, moving from one villa to another, and surrounding himself with books and gems of art, his life flowed away undisturbed by the agony of Rome in the last terror of the Caesars. Among his many estates he was the proud owner of one of Cicero’s villas, and of the ground where Virgil sleeps. He used to keep the great poet’s birthday with a scrupulous piety, and he always approached his tomb as a holy place. This apparently placid and fortunate life was, like so many in those days, ended by a voluntary death.936 Silius Italicus, in his life and in his end, is a true type of a generation which could bend before the storm of despotism, and save itself often by ignominious arts, which could recover its dignity and self-respect in the pursuit of literary ideals, and, at the last, assert the right to shake off the burden of existence when it became too heavy.

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