Название: The Crow's Nest
Автор: Day Clarence
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664624796
isbn:
He usually keeps that part of him asleep if he can. He doesn't like to let it wake up and look around at the world, because it asks awful questions—about death, or truth—and that makes him uncomfortable. He wants to be cheery and he hates to have his soul interfere. The soul is too serious and the best thing to do is to deaden it.
Humor is an opiate for the soul, says Francis Hackett. Laugh it off: that's one way of not facing a trouble. Sentimentality, too, drugs the soul; so does business. That's why humor and sentimentality and business are popular.
In Russia, it's different. Their souls are more awake, and less covered. The Russians are not businesslike, and they're not sentimental, or humorous. They are spiritually naked by contrast. An odd, moody people. We look on, well wrapped-up, and wonder why they shiver at life.
"My first interest," the Russian explains, "is to know where I stand: I must look at the past, and the seas of space about me, and the intricate human drama on this little planet. Before I can attend to affairs, or be funny, or tender, I must know whether the world's any good. Life may all be a fraud."
The Englishman and American answer that this is not practical. They don't believe in anyone's sitting down to stare at the Sphinx. "That won't get you anywhere," they tell him. "You must be up and doing. Find something that interests you, then do it, and—"
"Well, and what?" says the Russian.
"Why—er—and you'll find out as much of the Riddle in that way as any."
"And how much is that?"
"Why, not so very damn much perhaps," we answer. "But at least you'll keep sane."
But why stay sane?
"Why keep sane?" says the Russian. "If there is any point to so doing I should naturally wish to. But if one can't find a meaning to anything, what is the difference?"
And the American and Englishman continue to recommend business.
Odd Countries
When I go away for a vacation, which I don't any more, I am or was appalled at the ridiculous inconveniences of it. I have sometimes gone to the Great Mother, Nature; sometimes to hotels. Well, the Great Mother is kind, it is said, to the birds and the beasts, the small furry creatures, and even, of old, to the Indian. But I am no Indian; I am not even a small furry creature. I dislike the Great Mother. She's damp: and far too full of insects.
And as for hotels, the man in the next room always snores. And by the time you get used to this, and get in with some gang, your vacation is over and you have to turn around and go home.
The farmer who hates you on sight
I can get more for my money by far from a book. For example, the Oppenheim novels: there are fifty-three of them, and to read them is almost like going on fifty-three tours. A man and his whole family could take six for the price of one pair of boots. Instead of trying to find some miserable mosquitoey hotel at the sea-shore, or an old farmer's farmhouse where the old farmer will hate you on sight, and instead of packing a trunk and running errands and catching a train I go to a book-shop and buy any Oppenheim novel. When I go on a tour with him, I start off so quickly and easily. I sit in my armchair, I turn to the first page, and it's like having a taxi at the door—"Here's your car, sir, all ready!" The minute I read that first page I am off like a shot, into a world where things never stop happening. Magnificent things! It's about as swift a change as you could ask from jog-trot daily life.
Is she an adventuress?
On page two, I suddenly discover that beautiful women surround me. Are they adventuresses? I cannot tell. I must beware every minute. Everybody is wary and suave, and they are all princes and diplomats. The atmosphere is heavy with the clashing of powerful wills. Paid murderers and spies are about. Hah! am I being watched? The excitement soon gets to a point where it goes to my head. I find myself muttering thickly or biting my lips—two things I never do ordinarily and should not think of doing. I may even give a hoarse cry of rage as I sit in my armchair.
But I'm not in my armchair. I am on a terrace, alone, in the moonlight. A beautiful woman (a reliable one) comes swiftly toward me. Either she is enormously rich or else I am, but we don't think of that. We embrace each other. Hark! There is the duke, busily muttering thickly. How am I to reply to him? I decide to give him a hoarse cry of rage. He bites his lips at me. Some one else shoots us both. All is over.
If any one is too restless to take his vacation in books, the quaintest and queerest of countries is just around the corner. An immigrant is only allowed to stay from 8.15 to 11 P. M., but an hour in this country does more for you than a week in the mountains. No canned fish and vegetables, no babies—
I wonder, by the way, why most babies find existence so miserable? Convicts working on roadways, stout ladies in tight shoes and corsets, teachers of the French language—none of these suffering souls wail in public; they don't go around with puckered-up faces, distorted and screaming, and beating the air with clenched fists. Then why babies? You may say it's the nurse; but look at the patients in hospitals. They put up not only with illness, but nurses besides. No, babies are unreasonable; they expect far too much of existence. Each new generation that comes takes one look at the world, thinks wildly, "Is this all they've done to it?" and bursts into tears. "You might have got the place ready for us," they would say, only they can't speak the language. "What have you been doing all these thousands of years on this planet? It's messy, it's badly policed, badly laid out and built—"
Yes, Baby. It's dreadful. I don't know why we haven't done better. I said just now that you were unreasonable, but I take it all back. Statesmen complain if their servants fail to keep rooms and kitchens in order, but are statesmen themselves any good at getting the world tidied up? No, we none of us are. We all find it a wearisome business.
Let us go to that country I spoke of, the one round the corner. We stroll through its entrance, and we're in Theatrical-Land.
A remarkable country. May God bless the man who invented it. I always am struck by its ways, it's so odd and delightful—
"But," some one objects (it is possible), "it isn't real."
Ah, my dear sir, what world, then, is real, as a matter of fact? You won't deny that it's not only children who live in a world of their own, but débutantes, college boys, business men—certainly СКАЧАТЬ