Arminell, a social romance. Baring-Gould Sabine

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СКАЧАТЬ at a height of a thousand feet above the sea, the lungs find delight in each inhalation, and the pulses leap with perennial youth. ​Pecuniary embarrassments cease to oppress, and the political outlook appears less threatening.

      At the bottom of yonder valley three hundred feet above the sea-level, where a steamy, dreamy atmosphere hangs, we see that England is going to the dogs; the end of English commerce, agriculture, the aristocracy, the church, the crown, the constitution is at hand—in a word, the Saturday Review expresses exactly our temper of mind. A little way up the hill, we think the recuperative power of the British nation is so great, the national vigour is so enormous, that it will shake itself free of its troubles in time—in time, and with patience—in a word, we begin to see through the spectacles of the Spectator. But when we have our foot on the heather, and scent the incense of the gorse, and hear the stonechat and the pewit, and see the flicker of the silver cotton grass about us, why then—we feel we are in the best of worlds, and in the best little nook of the whole world, and that all mankind is pushing its way, like us, upward with a scramble over obstacles; it will, like us, in the end breathe the same sparkling air, and enjoy the same extensive outlook, and be like us without care.

      From Court what a wonderful prospect was commanded. The Angel in the Apocalypse stood with one foot on the land, and the other in the sea; so Court stood half in the rich cultivated garden of the Western Paradise, and half in the utter desolation of treeless moor. To south and west lay woodlands and pasture, parks and villages, tufts of Scotch fir, cedars, oak and elm and beech, with rooks cawing and doves cooing, and the woodpecker hooting among them; to the east and north lay the haunt of the blackcock and hawk and wimbrel, and tracts of heather flushed with flower, and gorse ablaze with sun, and aromatic as incense.

      Far away in the north-west, when the sun went down, he ​set in a quiver of gold-leaf, he doubled his size, and expired like the phœnix in flame. That was when he touched the ocean, and in touching revealed it.

      What a mystery there is in distance? How the soul is drawn forth, step by step, over each rolling hill, down each half-disclosed valley. How it wonders at every sparkle where a far-off window reflects the sun, and admires where the mists gather in wooded clefts, and asks, what is that? when the sun discloses white specks far away on slopes of turquoise; as the Israelites asked when they saw the Manna. How a curling pillar of smoke stirs up interest, rising high and dispersing slowly. We watch and are filled with conjecture.

      As the afternoon sun shines sideways on the moor-cheek, it discloses what it did not reveal at other times, the faintest trace of furrows where are no fields now, where no plough has run since the memory of man. Was corn once grown there? At that bleak altitude? Did the climate permit of its ripening at one time? No one can answer these questions, but how else account for these furrows occasionally, only under certain aspects discernible? And to Court there was a corn-chamber, a sort of tower standing on a solid basement of stone six feet above the ground, a square construction all of granite blocks, floored within with granite, and with a conical slated roof, and a flight of stone steps leading up to it. A tower—a fortress built against rats, who will gnaw through oak and even lead, but must break their teeth against granite.

      The corn-chamber was overhung by a sycamore, and at its side a rown, or "witch-bean" as it is locally called—a mountain ash—had taken root, flourished and ripened its crimson berries.

      On the lowest step but one of the flight leading to the corn-chamber sat Thomasine Kite, the daughter of the white-witch, Patience. The evening was still and balmy in ​the valleys; here on the moor-edge airs ever stirred and were crisp. The bells were ringing for evening service far away in a belfry that stood on a hill against the western sky, and their music came in wafts mingled with the hum of the wind among the heather, and the twitter among the sycamores.

      Aloft, on the highest twig of the tallest tree sat a crow calling itself in Greek, Korax! and so pleased with the sound of its name in Greek that it repeated its name again and again, and grew giddy with vanity, and nearly over- balanced itself, and had to spread wings and recover its poise.

      Thomasine was in a bad humour. All the household of Court were away, master and mistress, men and maids, and she was left alone like that crow on the tree-tops.

      "Tamsin!" muttered the girl, "what a foolish name I have got. It's like damson, of which they make cheese. If they'd call me by my proper name of Thomasine, it would be all right, but Tamsin I hate."

      "Korax!" croaked the crow. "Why was I not born in Greece to be called Korax? Crow is vulgar."

      "I'm tired of my place," grumbled the girl; "here I am a servant maid at Court, out of the world and hard worked. Nothing going on, nothing to see, no amusements, nothing to read."

      Why was Thomasine restless and impatient for a change? She did not herself know. She was dissatisfied with what? She did not herself properly know. She had vigorous health; she had work, but not more than what with her fresh youth and hearty body she could easily execute. She had sufficient to eat. The farmer and his wife were not exacting, nor rough and bad tempered. The workmen and women on the farm were as workmen and women are, with good and bad points about them. Elsewhere she would meet with much the same sort of associates. She knew ​that. Her wage was not high, but it was as much as she was likely to get in a farm-house, and a small wage there with freedom was better than a big wage in a gentleman's family with restraint. She knew that. Yet she was not content. She wanted something, and she did not know what. She would give her mistress notice and go elsewhere. Whither? She did not know. At any rate it would be elsewhere, a change; and she craved for a change, for she had been a twelvemonth in one place. Would she like her new situation? She did not know. Would she, when in a town, look back on the healthy life at Court? Possibly; she did not know. But she could not stay, because as the passion for roving is in the gipsy blood, so was the fever of unrest in hers. She was tired of life as it presented itself to her, uniform, commonplace, unsensational.

      There was a period in European history when all was change, when every people plucked itself out of its ancestral ground and went a wandering; when the whole of the continent was trampled over by races galloping west, like cattle and wild beasts disturbed by a prairie fire. What was the cause? We hardly know, but we know that there was not a people, a race, a class which was not thus inspired with the passion for change of domicile. The Germans entitle that period the time of the great Folk-wandering. We are in the midst of such another Folk-wandering, but it is not now the migration of races and nations, but of classes and individuals; the passion for change drives the men and women out of the country to towns, and the young out of their situations. It is in the air, it is in their blood.

      The evening sun touched the western sea, and flared up in a spout of fire. Then Thomasine rose to her feet. Her red hair had fallen, and she bent her arms behind her, to do it up. Gorgeous that hair was in the evening sun, it seemed itself to be on fire, to be incandescent in every hair, and her attitude as she stood on the step was grand, her ​vigorous, graceful form, her splendid proportions were shown in perfection, with bosom expanded, and her hands behind her head collecting and tying and twisting the fire that rained off it. The evening sun was full on her, and filled her eyes that she could see nothing; but her handsome face was shown illuminated as a lamp against the cold grey walls of the corn-chamber. Her shadow was cast up the steps and against the door, a shadow that had no blackness in it, but the purple of the plum.

      "Tamsin! my word, you are on fire!"

      She started, let go her hair, and it fell about her, enveloping her shoulders and arms in flame. Then she put one hand above her eyes, and looked to see who addressed her.

      "You here, Archelaus! What has brought you to this lost corner of the world, this time o' day?"

      "You, of course, Tamsin, what else?"

      "I СКАЧАТЬ