People of the Whirlpool. Mabel Osgood Wright

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      Richard has a clinging way even in sleep, and his speech, though very direct for his age, is soft and cooing; he says "mother" in a lingering tone that might belong to a girl, and there are what are called feminine traits in him.

      Ian (to save confusion, we called him from the first by the pretty Scotch equivalent of Evan's first name) is of a wholly masculine mould, and like his father in light hair, gray eyes, and determination. His very speech is quick and staccato, his tendency is to overcome, to fight rather than assuage, though he is the champion of everything he loves. From the time he could form distinct sounds he has called me Barbara, and no amount of reasoning will make him do otherwise, while the imitation of his father's pronunciation of the word goes to my heart.

      Recently, now that he is fully able to comprehend, Evan took him quietly on his knee and told him that he must say "mother" and that he was not respectful to me. He thought a few minutes, as if reasoning with himself, and then the big gray eyes filled with tears, a very rare occurrence, as he seemed to feel that he could not yield, and he said, trying very hard to steady his voice, "Favver, I truly can't, I _think it muvver inside, but you and I, we must say it Barbara," and I confess that my heart leaped with joy, and I begged Evan to let the matter end here. To be called, if it so may be, by one name from the beginning to the end of life by the only true lovers that can never be rivals, is bliss enough for any woman.

      Equally resolved, but in a thing of minor importance, is Ian about his headgear. As a baby of three, when he first tasted the liberty of going out of garden bounds daily into the daisy field beyond the wild walk, while Richard clung to his protecting baby sunbonnet, Ian spurned head covering of any kind, and blinked away at the sun through his tangled curls whenever he had the chance, in primitive directness until his cheeks glowed like burnished copper; and his present compromise is a little cap worn visor backward.

      When the twins were very young, people were most funny in the way in which they seemed to think it necessary to feel carefully about to make sure whether condolence or congratulations were in order. The Severely Protestant was greatly agitated, as, being himself the possessor of an overflowing quiverful, his position was difficult. After making sure which was the right side of the fence, and placing himself on it, he tugged painfully at his starved red beard, and made an elaborate address ending in a parallel—the idea of the complete Bible being in two volumes, the Old and New Testament, each being so necessary to the other, and so inseparable, that they were only comparable to twins!

      Father and Evan were present at the time—I dared not look at either—and as soon as we were again alone, the room shook with laughter, until Martha Corkle, who was then in temporary residence, popped in to be sure that I was not being unduly agitated.

      "The Old and New Testament, I wonder which is which?" gasped father, going upstairs to look at the uninteresting if promising woolly bundles by light of this startling suggestion.

      Now, however, the joke has developed a serious side, as their two characters, though in no wise precocious, have become distinctive. Ian represents the Old, primitive and direct, the "sword of the Lord and Gideon" type, while Richard is the New, the reconciler and peacemaker.

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      The various congratulations that the twins were boys, from my standpoint I took as a matter of course, even though I had always heard that boys gave the most worry and girls were referred to among our friends and neighbours as the greatest comforts in a home unless they did something decidedly unusual, fitting into nooks, and often taking up and bearing burdens the brothers left behind. But when many people who had either daughters or nieces of their own, and might be said to be in that mystic ring called "Society," congratulated me pointedly about the boys, I began to ponder about the matter mother-wise. Then, three years ago the New York Colony seized upon the broad acres along the Bluffs, and dotted two miles with the elaborate stone and brick houses they call cottages; not for permanent summer homes (the very rich, the spenders, have no homes), but merely hotels in series. These, for the spring and fall between seasons and week-end parties and golfing, men and girls gay in red and green coats, replaced the wild flowers in the shorn outlying fields. I watched these girls, and, beginning to understand, wondered if I had grown old before my time, or if I were too young to comprehend their point of view, for, to their strange enlightenment I was practically as yet unborn.

      Lavinia Dorman says caustically that I really belong with her in the middle of the last century, and she, born to what father says was really the best society and privilege of New York life, like his college chum Martin Cortright, is now swept quite aside by the swirl.

      "Yes, dear child," she insists (how different this use of the word sounds from when the Lady of the Bluffs uses the universal "my dear" impartially to mistress and maid, shopgirl and guest), "you not only belong to the last century, but as far back in it as myself, and I am fifty-five, full measure.

      "The new idea among the richer and consequently more privileged classes is, that girls are to be fitted not only to go out into the world and shine in different ways unknown to their grandmothers, but to be superior to home, which of necessity unfits them for a return trip if the excursion is unsuccessful.

      "What with high ideas, high rents, and higher education, the home myth is speedily following Santa Claus out of female education, and, argue as one may, New York is the social pace-maker 'East of the Rockies,' as the free delivery furniture companies advertise. I congratulate you anew that the twins are boys!"

      I laughed to myself over Miss Lavinia's letter; she is always so deliciously in earnest and so perturbed over any change in the social ways of her dearly beloved New York, that I'm wondering how she finds it, on her return after two years or more abroad (she was becoming agitated before she left), and whether she will ask me down for another of those quaint little visits, where she so faithfully tours me through the shops and a few select teas, when, to wind it up, Evan buys opera box seats so that she may have the satisfaction of having her hair dressed, wearing her point lace bertha and aigret, and showing us who is who, and the remainder who are not. For she is well born, intricately related to the original weavers of the social cobweb, and knows every one by name and sight; but has found lately, I judge, that this knowledge unbacked by money is no longer a social power that carries beyond mixed tea and charity entertainments. Never mind, Lavinia Dorman is a dear! Ah, if she would only come out here, and return my many little visits by a long stay, and act as a key to the riddle the Whirlpool people are to me. But of course she will not; for she frankly detests the country—that is, except Newport and Staten Island—is wedded even in summer to her trim back-yard that looks like a picture in a seed catalogue, and, like a faithful spouse, declines to leave it or Josephus for more than a few days. Josephus is a large, sleek, black cat, a fence-top sphinx, who sits all day in summer wearing a silver collar, watching the sparrows and the neighbourhood's wash with impartial interest, while at night he goes on excursions of his own to a stable down a crooked street in "Greenwich Village," where they still keep pigeons. Some day he won't come back!

      Yet Martin Cortright, the Bookworm, was a pavement worshipper too, and he came last fall for over a Sunday to wake father up; for I believe men sometimes need the society of others of their own age and past, as much as children need childlife, and Martin stayed a month, and is promising to return next spring. I wonder if the Sylvia Latham who has been travelling with Miss Lavinia is any kin of the Lathams who are building the great colonial home above the Jenks-Smiths. I have never seen any of the family except Mrs. Latham, a tall, colourless blonde, who reminds one of a handsome unlit lamp. She seems to be superintending the work by coming up now and then, and I met her at the butcher's where she was buying sweetbreads—"a trifle for luncheon." Accusation No. 1, against the Whirlpoolers: Since their advent sweetbreads have risen from two pairs for a quarter, and "thank you kindly for taking them off our hands," to fifty cents to a dollar a "set." We no longer care for sweetbreads!

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