Erasmus and the Age of Reformation. Johan Huizinga
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Название: Erasmus and the Age of Reformation

Автор: Johan Huizinga

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4057664641021

isbn:

СКАЧАТЬ 1524-6

       CHAPTER XIX

       AT WAR WITH HUMANISTS AND REFORMERS

       1528-9

       CHAPTER XX

       LAST YEARS

       CHAPTER XXI

       CONCLUSION

       SELECTION FROM THE LETTERS OF ERASMUS

       I. TO SERVATIUS ROGER [21]

       II. TO NICHOLAS WERNER [23]

       III. TO ROBERT FISHER [25]

       IV. TO JAMES BATT [28]

       V. TO ANTONY OF BERGEN [31]

       VI. TO WILLIAM WARHAM [36]

       VII. TO ALDUS MANUTIUS [42]

       VIII. TO THOMAS MORE [47]

       IX. TO JOHN COLET [49]

       X. TO SERVATIUS ROGER

       XI. TO WOLFGANG FABRICIUS CAPITO [58]

       XII. TO THOMAS MORE

       XIII. TO BEATUS RHENANUS [73]

       XIV. TO MARTIN LUTHER

       XV. TO ULRICH HUTTEN [80]

       XVI. TO WILLIBALD PIRCKHEIMER [89]

       XVII. TO MARTIN LUTHER

       XVIII. TO THEOPHRASTUS PARACELSUS [100]

       XIX. TO MARTIN BUCER [103]

       XX. TO ALFONSO VALDES [106]

       XXI. TO CHARLES BLOUNT [112]

       XXII. TO BARTHOLOMEW LATOMUS [116]

       LIST OF ILLUSTRATIONS

       ACKNOWLEDGEMENTS

       INDEX OF NAMES

       Table of Contents

      by G.N. Clark, Provost of Oriel College, Oxford

      Rather more than twenty years ago, on a spring morning of alternate cloud and sunshine, I acted as guide to Johan Huizinga, the author of this book, when he was on a visit to Oxford. As it was not his first stay in the city, and he knew the principal buildings already, we looked at some of the less famous. Even with a man who was well known all over the world as a writer, I expected that these two or three hours would be much like the others I had spent in the same capacity with other visitors; but this proved to be a day to remember. He understood the purposes of these ancient buildings, the intentions of their founders and builders; but that was to be expected from an historian who had written upon the history of universities and learning. What surprised and delighted me was his seeing eye. He told me which of the decorative motifs on the Tower of the Four Orders were usual at the time when it was built, and which were less common. At All Souls he pointed out the seldom appreciated merits of Hawksmoor's twin towers. His eye was not merely informed but sensitive. I remembered that I had heard of his talent for drawing, and as we walked and talked I felt the influence of a strong, quiet personality deep down in which an artist's perceptiveness was fused with a determination to search for historical truth.

      Huizinga's great success and reputation came suddenly when he was over forty. Until that time his powers were ripening, not so much slowly as secretly. His friends knew that he was unique, but neither he nor they foresaw what direction his studies would take. He was born in 1872 in Groningen, the most northerly of the chief towns of the Netherlands, and there he went to school and to the University. He studied Dutch history and literature and also Oriental languages and mythology and sociology; he was a good linguist and he steadily accumulated great learning, but he was neither an infant prodigy nor a universal scholar. Science and current affairs scarcely interested him, and until his maturity imagination seemed to satisfy him more than research. Until he was over thirty he was a schoolmaster at Haarlem, a teacher of history; but it was still uncertain whether European or Oriental studies would claim him in the end. For two or three years before giving up school-teaching he lectured in the University of Amsterdam on Sanskrit, and it was almost an accident that he became professor of history in the University of his native town. All through his life it was characteristic of him that after a spell of creative work, when he had finished a book, he would turn aside from the subject that had absorbed him and plunge into some other subject or period, so that the books and articles in the eight volumes of his collected works (with one more volume still to come) cover СКАЧАТЬ