The Prisoner. Alice Brown

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      "They adore him," said Lydia, who had never seen them or the nephew. "And they're lying in gold beds at this minute eating silver cheese off an emerald plate and hearing the nightingales singing and saying to each other, 'Oh, my! I wish it was morning so we could get up and put on our pan-velvet dresses and new gold shoes.'"

      This effective picture Anne and the colonel received with a perfect gravity, not really seeing it with the mind's eye. Lydia's habit of speech demanded these isolating calms.

      "I think," said Anne, "we'd better be getting to the Inn. We sha'n't find any supper. Lydia, which bag did you pack our nighties in?"

      Lydia picked out the bag, carolling, as she did so, in high bright notes, and then remembered that she had to put on her hat. Anne had already adjusted hers with a careful nicety.

      "You know where the Inn is, don't you, Farvie?" Lydia was asking, as they stood on the stone step, after Anne had locked the door, and gazed about them in another of their according trances.

      He smiled at them, and his eyes lighted for the first time. The smile showed possibilities the girls had proven through their growing up years, of humour and childish fooling.

      "Why, yes," said he, "it was here when I was born."

      They went down the curving driveway into the street which the two girls presently found to be the state street of the town. The houses, each with abundant grounds, had all a formal opulence due chiefly to the white-pillared fronts. Anne grew dreamy. It seemed to her as if she were walking by a line of Greek temples in an afternoon hush. The colonel was naming the houses as they passed, with good old names. Here were the Jarvises, here the Russells, and here the Lockes.

      "But I don't know," said he, "what's become of them all."

      At a corner by a mammoth elm he turned down into another street, elm-shaded, almost as wide, and led them to the Inn, a long, low-browed structure built in the eighteenth century and never without guests.

II

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      The next morning brought a confusion of arriving freight, and Denny was supplicated to provide workmen, clever artificers in the opening of boxes and the setting up of beds. He was fired by a zeal not all curiosity, a true interest assuaged by certainty more enlivening yet.

      "I know who ye be," he announced to the colonel. This was on his arrival with the first load. "I ain't lived in town very long, or I should known it afore. It's in the paper."

      Mr. Blake frowned slightly and seemed to freeze all over the surface he presented to the world. He walked away without a reply, but Lydia, who had not heard, came up at this point to ask Denny if he knew where she could find a maid.

      "Sure I do," said Denny, who was not Irish but consorted with common speech. "My wife's two sisters, Mary Nellen, Prince Edward girls."

      "We don't want two," said Lydia. "My sister and I do a lot of the work."

      "The two of them," said Denny, "come for the price of one. They're studyin' together to set up a school in Canada, and they can't be separated. They'd admire to be with nice folks."

      "Mary? did you say?" asked Lydia.

      "Mary Nellen."

      "Mary and Ellen?"

      "Yes, Mary Nellen. I'll send 'em up."

      That afternoon they came, pleasant-faced square little trudges with shiny black hair and round myopic eyes. This near-sightedness when they approached the unclassified, resulted in their simultaneously making up the most horrible faces, the mere effort of focusing. Mary Nellen—for family affection, recognising their complete twin-ship, always blended them—were aware of this disfiguring habit, but relegated the curing of it to the day of their future prosperity. They couldn't afford glasses now, they said. They'd rather put their money into books. This according and instantaneous grimace Lydia found engaging. She could not possibly help hiring them, and they appeared again that night with two battered tin boxes and took up residence in the shed chamber.

      There had been some consultation about the disposition of chambers. It resolved itself into the perfectly reasonable conclusion that the colonel must have the one he had always slept in, the southeastern corner.

      "But there's one," said Lydia, "that's sweeter than the whole house put together. Have you fallen in love with it, Anne? It's that low, big room back of the stairs. You go down two steps into it. There's a grape-vine over the window. Whose chamber is that, Farvie?"

      He stood perfectly still by the mantel, and the old look of introspective pain, almost of a surprised terror, crossed his face. Then they knew. But he delayed only a minute or so in answering.

      "Why," said he, "that was Jeff's room when he lived at home."

      "Then," said Anne, in her assuaging voice, "he must have it again."

      "Yes," said the colonel. "I think you'd better plan it that way."

      They said no more about the room, but Anne hunted out a set of Dickens and a dog picture she had known as belonging to Jeff, who was the own son of the colonel, and took them in there. Once she caught Lydia in the doorway looking in, a strangled passion in her face, as if she were going back to the page of an old grief.

      "Queer, isn't it?" she asked, and Anne, knowing all that lay in the elision, nodded silently.

      Once that afternoon the great brass knocker on the front door fell, and Mary Nellen answered and came to Lydia to say a gentleman was there. Should he be asked in? Mary Nellen seemed to have an impression that he was mysteriously not the sort to be admitted. Lydia went at once to the door whence there came to Anne, listening with a worried intensity, a subdued runnel of talk. The colonel, who had sat down by the library window with a book he was not reading, as if he needed to soothe some inner turmoil of his own by the touch of leathern covers, apparently did not hear this low-toned interchange. He glanced into the orchard from time to time, and once drummed on the window when a dog dashed across and ran distractedly back and forth along the brick wall. When Anne heard the front door close she met Lydia in the hall.

      "Was it?" she asked.

      Lydia nodded. Her face had a flush; the pupils of her eyes were large.

      "Yes," said she. "His paper wanted to know whether Jeff was coming here and who was to meet him. I said I didn't know."

      "Did he ask who you were?"

      "Yes. I told him I'd nothing to say. He said he understood Jeff's father was here, and asked if he might see him. I said, No, he couldn't see anybody."

      "Was he put out?" Anne had just heard Mary Nellen use the phrase. Anne thought it covered a good deal.

      "No," said Lydia. She lifted her plump hands and threaded the hair back from her forehead, a gesture she had when she was tired. It seemed to spur her brain. "No," she repeated, in a slow thoughtfulness, "he was a kind of gentleman. I had an idea he was sorry for me, for us all, I suppose. I was sorry for him, too. He was trying to earn his living and I wouldn't let him."

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