The Lady Paramount. Harland Henry

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      "I expected that would rouse you. A Madame Torrebianca."

      "Ah?" said Anthony; and his interest appeared to drop.

      "Yes—la Nobil Donna Susanna Torrebianca. Is n't that a romantic name? A lady like the heroine of some splendid old Italian story—like Pompilia, like Francesca—like Kate the Queen, when her maiden was binding her tresses. Young, and dark, and beautiful, and altogether charming."

      "H'm. And not a duffer? An adventuress, then, clearly," said Anthony.

       "You 'll never get the rent."

      "Nothing of the sort," Adrian asserted, with emphasis. "A lady of the highest possible respectability. Trust me to know. A scrupulous Catholic, besides. It was partly because we have a chapel that she decided to take the house. Father David is hand and glove with her. And rich. She gave the very best of banker's references. 'Get the rent,' says he—as if I had n't got my quarter in advance. I let furnished—what? Well, that's the custom—rent payable quarterly in advance. And cultivated. She's read everything, and she prattles English like you or me. She had English governesses when she was a kiddie. And appreciative. She thinks I 'm without exception the nicest man she 's ever met. She adores my singing, and delights in all the brilliant things I say. She says things that are n't half bad herself, and plays my accompaniments with really a great deal of sympathy and insight. And Tony dear,"—he laid his hand impressively on Tony's arm, while his voice sank to the pitch of deep emotion—"she has a cook—a cook—ah, me!"

      He smacked his lips, as at an unutterable recollection.

      "She brought him with her from Italy. He has a method of preparing sweetbreads—well, you wait. His name is Serafino—and no wonder. And she has the nicest person who was ever born to live with her: a Miss Sandus, Miss Ruth Sandus, a daughter of the late Admiral Sir Geoffrey Sandus. She 's a dove, she 's a duck, she 's a darling; she 's completely won my heart. And I"—he took a few skipping steps, and broke suddenly into song—

      "'And I, and I have hers!'

      We dote upon each other. She calls me her Troubadour. She has the prettiest hands of any woman out of Paradise. She 's as sweet as remembered kisses after death. She 's as sharp as a needle. She 's as bright as morning roses lightly tipped with dew. She has a house of her own in Kensington. And she's seventy-four years of age."

      Anthony's interest appeared to wake again.

      "Seventy-four? You call that young?" he asked, with the inflection of one who was open to be convinced.

      Adrian bridled.

      "You deliberately put a false construction on my words. I was alluding to Miss Sandus, as you 're perfectly well aware. Madame Torrebianca is n't seventy-four, nor anything near it. She's not twenty-four. Say about twenty-five and a fraction. With such hair too—and such frocks—and eyes. Oh, my dear!" He kissed his fingers, and wafted the kiss to the sky. "Eyes! Imagine twin moons rising over a tropical—"

      "Allons donc," Anthony repressed him. "Contain yourself. Where is Madame Torrebianca's husband?"

      "Ah," said Adrian, with a sudden lapse of tone. "Where is Madame Torrebianca's husband? That's the question. Where?" And he winked suggestively. "How can I tell you where he is? If I could tell you that, you don't suppose I 'd be wearing myself to a shadow with uncongenial and ill-remunerated labour, in an obscure backwater of the country, like this, do you? If I could tell you that, I could tell you the secretest secrets of the sages, and I should be making my everlasting fortune—oh, but money hand over fist—as the oracle of a general information bureau, in Bond Street, or somewhere. I should be a millionaire, and a celebrity, and a regular cock-of-the-walk. Where is Madame Torrebianca's husband? Ay! Gentle shepherd, tell me where?"

      "Ah?" wondered Anthony, off his guard. "A mysterious disappearance?"

      "Bravo!" crowed Adrian, gleefully. "I am not only witty myself, but the cause of wit in others." He patted Anthony on the shoulder. "A mysterious disappearance. The mot is capital. That's it, to a hair's breadth. Oft thought before, but ne'er so well expressed. The gentleman (as the rude multitude in their unfeeling way would put it) is dead."

      "On the whole," mused Anthony, looking him up and down with a reflective eye, "you 're an effulgent sort of egotist, as egotists go; but you yield much cry for precious little wool."

      "Yes, dead," Adrian repeated, pursuing his own train of ideas. "Donna Susanna is a widow, a poor lone widow, a wealthy, eligible widow. You must be kind to her."

      "Why don't you marry her?" Anthony enquired.

      "Pooh," said Adrian.

      "Why don't you?" Anthony insisted. "If she 's really rich? You don't dislike her—you respect her—perhaps, if you set your mind to it, you could even learn to love her. She 'd give you a home and a position in the world; she 'd make a sober citizen of you; and she 'd take you off my hands. You know whether you 're an expense—and a responsibility. Why don't you marry her? You owe it to me not to let such an occasion slip."

      "Pooh," said Adrian. But he looked conscious, and he laughed a deliriously conscious laugh. "What nonsense you do talk. I 'm too young, I 'm far too young, to think of marrying."

      "See him blush and giggle and shake his pretty curls," said Anthony, with scorn, addressing the universe.

      By this time they had skirted the house, and come round to the southern front, where the sunshine lay unbroken on the lawn, and the smell of the box hedges, strong in the still air, seemed a thing almost ponderable: the low, long front, a mellow line of colour, with the purple of its old red bricks and the dark green of its ivy, sunlit against the darker green of the park, and the blue of the tender English sky. The terrace steps were warm under their feet, as they mounted them. In terra-cotta urns, at intervals upon the terrace balustrade, roses grew, roses red and white; and from larger urns, one at either side of the hall-door, red and white roses were espaliered, intertwining overhead.

      The hall-door stood open; but the hall, as they entered it from the brightness without, was black at first, like a room unlighted. Then, little by little, it turned from black to brown, and defined itself:—"that hackneyed type of Stage-property hall," I have heard Adrian lament, "which connotes immediately a lost will, a family secret, and the ghost of a man in armour"; "a noble apartment, square and spacious, characteristic of the period when halls were meant to serve at need as guard-rooms," says the County History.

      Square and spacious it was certainly, perhaps a hackneyed type none the less: the ceiling and the walls panelled in dark well-polished oak; the floor a pavement of broad stone flags, covered for the most part now by a faded Turkey carpet; the narrow windows, small-paned and leaded, set in deep stone embrasures; a vast fireplace jutting across a corner, the Craford arms emblazoned in the chimney-piece above; and a wide oak staircase leading to the upper storey. The room was furnished, incongruously enough, in quite a modern fashion, rather shabbily, and I daresay rather mannishly. There were leather arm-chairs and settles, all a good deal worn, and stout tables littered with books and periodicals. The narrow windows let in thin slants of mote-filled sunshine, vortices of gold-dust; and on the faded carpet, by the door, lay a bright parallelogram, warming to life its dim old colours. The rest of the room seemed twilit. Someone had been too wise to defeat that good oak panelling by hanging pictures on it.

      "Not a creature is stirring," said Adrian, "not even a mouse. Sellers—oh, what men daily do, not knowing what they do!—is shut up in the scullery, I suppose, torturing his poor СКАЧАТЬ