Fate Knocks at the Door. Will Levington Comfort

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СКАЧАТЬ thoughts had come to him from the unpretentious things of music. … Ben Bolt brought back the memory of some prolonged and desperate sorrow. The lineaments of the tragedy were effaced, but its effect lived and preyed upon him under the stress of its own melody. Once he had heard Caller Herrin' grandly sung, and for the time, the circuit was complete between the Andrew Bedient of Now, and another of a bleak land and darker era. In this case the words brought him a clearer picture—gaunt coasts and the thrilling humanity of common fisher folk. … Many times a strain of angelic meaning and sweetness was yoked to a silly effigy of words; but he rejoiced in opposite examples, such as that little lullaby of Tennyson's, Sweet and Low, which J. Barnby seemed to have exactly tono-graphed. … Once across infantry campfires, Juanita came, with a bleeding passion for home—to him who had no home. There was a lyrical Ireland very dear to him—songs and poems which wrung him as if he were an exile; Tom Moore's Sunflower Song incited at first a poignant anguish, as of a sweetheart's dead face; and Lead Kindly Light brought almost the first glimmer of spiritual light across the desolate distances of the world—like a tender smile from a greater being than man. And there were baleful songs that ran red with blood, as the Carmagnole; and roused past the sense of physical pain, like the Marseillaise. What heroic sins have been committed in their spell! By no means was it all uplift which the songs brought. There was one night when he heard Mandalay sung by some British seaman across the dark of a Japanese harbor. They were going out, and he was coming into port. …

      These were his sole adventures in music, but they had bound his dreams together. He had felt, if the right person were near, he could have made music tell things, not to be uttered in mere words; and under the magic of certain songs, that which was creative within him, even dim and chaotic, stirred and warmed for utterance. … So fresh a surface did Bedient bring to the Carreras music-room.

      The time had come when his nature hungered for great music. The orchestrelle added to the Island something he needed soulfully. Experimenting with the rolls, the stops and the power, he found there was nothing he could not do in time. Music answered—trombone, clarionet, horn, bassoon, hautboy, flute, 'cello answered. Volume and tempo were mere lever matters. On the rolls themselves were suggestions. Reaching this point, his exaltation knew no bounds. He looked upon the great array of rolls—symphonies, sonatas, concertos, fantasies, rhapsodies, overtures, prayers, requiems, meditations, minuets—and something of that rising power of gratitude overcame him, as only once before in his life—when he had realized that the Bible was all words, and they were for him. From the first studious marvellings, Bedient's mind lifted to adoring gratefulness in which he could have kissed the hands of the toilers who had made this instrument answer their dreams. Then, he fell deeply into misgiving. It seemed almost a sacrilege for him to take music so cheaply; that he had not earned such joy. But he could praise them in his heart, and he did with every sound.

      The orchestrelle unfolded to a spirit like this. Doubtless his early renderings of random choice were weird, but more and more as he went on, the great living things righted themselves in his consciousness, for he had ear and soul and love for them. Some great fissure in his nature had long needed thus to be filled. He sent for books about the great composers; descriptions of the classics; how the themes were developed through different instruments. Then he wanted the history of all music; and for weeks his receptivity never faltered. No neophyte ever brought a purer devotion to the masters. His first loves—the Andante in F, the three movements of the Kreutzer Sonata, a prayer from Otello, the Twelfth Rhapsody, the Swan Song and the Evening Star, and finally Isolde's Triumph over Death—these were ascendings, indeed—to the point of wings.

      The stops so formidable at first became as stars in the dark. … Little loves, little fears and sins and hopes were all he had known before; and now he entered into the torrential temperaments of the masters—magnificent and terrifying souls who dared to sin against God, or die defying man; whose passions stormed the world; whose dirges were wrung from heaven. Why, these men levelled emperors and aspired to angels, violated themselves, went mad with music, played with hell's own dissonances, and dared to transcribe their baptisms, illuminations, temptations, Gethsemanes, even their revilings and stigmata.

      The dirges lifted him to immensity from which the abysses of the world spread themselves below. Two marches of Chopin, and the death-march of Siegfried, the haunting suggestion of a soul's preparation for departure in Schubert's Unfinished; the Death of Aase, the Pilgrim's Chorus, one of Mozart's requiems, and that Napoleonic funèbre from the Eroica—these, with others, grouped themselves into an unearthly archipelago—towering cliffs of glorious gloom, white birds silently sweeping the gray solitudes above the breakers. …

      It was during the four days while Captain Carreras remained in Coral City with Jaffier, that Bedient entered into the mysterious enchantment of the Andante movement of Beethoven's Fifth Symphony. He had played it all, forgetting almost to breathe, and then returned to the second movement which opens with the 'celli:

      [Illustration: Musical notation]

      Again and again it unfolded for him, but not its full message. There was a meaning in it for him! He heard it in the night; three voices in it—a man, a woman and a soul. … The lustrous third Presence was an angel—there for the sake of the woman. She was in the depths, but great enough to summon the angel to her tragedy. The man's figure was obscure, disintegrate. … Bedient realized in part at least that this was destined to prove his greatest musical experience. …

      Captain Carreras found much to do in the city, but he did not tell Bedient that the real reason for his remaining four days was that he couldn't sooner summon courage for the long ride home. He spoke but little regarding the reasons Jaffier had called him.

      "He's afraid of Celestino Rey, and likely has good reason," said the Captain wearily. "The old pirate is half-dead below the knees, but his ugly ambition still burns bright. He thinks he ought to be drawing all the Island tributes, instead of the government. Jaffier expects assassination. On this point, it would be well to watch for the death of Rey. These two old hell-weathered Spaniards are worth watching—each tossing spies over the other's fences, and openly conducting affairs with melting courtesy toward each other—but I don't seem to have much appetite for the game. There was a time when I would have stopped work and helped Jaffier whip this fellow. But I hardly think he'll take our harvests and the river-beds just yet—"

      They talked late. The Captain alternated from his bed to a chair, seemed unwilling for Bedient to leave and unable to sleep or find ease anywhere. He was over-tired, he explained, and hearing about Bedient's experience with the Andante con moto, insisted upon it being played that night. …

      "It's very soothing," Carreras said, when Andrew returned to the upper apartment. "I think I can sleep now. Off to bed with you, lad."

      So lightly did Bedient sleep, however—for the music haunted his brain—that he was aroused by the bare feet of a servant in the hall-way, before the latter touched his door to call him. Captain Carreras had asked for him. The glow of dawn was in the old man's quarters, and he smiled in a queer, complacent way from his bed, as if a long-looked-for solution to some grave problem had come in the night, and he wanted his friend to guess. A hand lifted from the coverlet, and Bedient's sped to it; yet he saw that something more was wanted. The Captain's shoulder nudged a little, and the smile had become wistful. He did not fail to understand the need, but other realizations were pressing into his brain. So the Captain nudged his shoulder again bashfully. Bedient bent and took him in his arms.

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