Essential Novelists - Hamlin Garland. Garland Hamlin

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СКАЧАТЬ so that we moved in a pallid half-light, and the windows thick with frost shut us in as if with gray shrouds.

      Hour after hour those winds and snows in furious battle, howled and roared and whistled around our frail shelter, slashing at the windows and piping on the chimney, till it seemed as if the Lord Sun had been wholly blotted out and that the world would never again be warm. Twice each day my father made a desperate sally toward the stable to feed the imprisoned cows and horses or to replenish our fuel—for the remainder of the long pallid day he sat beside the fire with gloomy face. Even his indomitable spirit was awed by the fury of that storm.

      So long and so continuously did those immitigable winds howl in our ears that their tumult persisted, in imagination, when on the third morning, we thawed holes in the thickened rime of the window panes and looked forth on a world silent as a marble sea and flaming with sunlight. My own relief was mingled with surprise—surprise to find the landscape so unchanged.

      True, the yard was piled high with drifts and the barns were almost lost to view but the far fields and the dark lines of Burr Oak Grove remained unchanged.

      We met our school-mates that day, like survivors of shipwreck, and for many days we listened to gruesome stories of disaster, tales of stages frozen deep in snow with all their passengers sitting in their seats, and of herders with their silent flocks around them, lying stark as granite among the hazel bushes in which they had sought shelter. It was long before we shook off the awe with which this tempest filled our hearts.

      The school-house which stood at the corner of our new farm was less than half a mile away, and yet on many of the winter days which followed, we found it quite far enough. Hattie was now thirteen, Frank nine and I a little past eleven but nothing, except a blizzard such as I have described, could keep us away from school. Facing the cutting wind, wallowing through the drifts, battling like small intrepid animals, we often arrived at the door moaning with pain yet unsubdued, our ears frosted, our toes numb in our boots, to meet others in similar case around the roaring hot stove.

      Often after we reached the school-house another form of suffering overtook us in the "thawing out" process. Our fingers and toes, swollen with blood, ached and itched, and our ears burned. Nearly all of us carried sloughing ears and scaling noses. Some of the pupils came two miles against these winds.

      The natural result of all this exposure was of course, chilblains! Every foot in the school was more or less touched with this disease to which our elders alluded as if it were an amusing trifle, but to us it was no joke.

      After getting thoroughly warmed up, along about the middle of the forenoon, there came into our feet a most intense itching and burning and aching, a sensation so acute that keeping still was impossible, and all over the room an uneasy shuffling and drumming arose as we pounded our throbbing heels against the floor or scraped our itching toes against the edge of our benches. The teacher understood and was kind enough to overlook this disorder.

      The wonder is that any of us lived through that winter, for at recess, no matter what the weather might be we flung ourselves out of doors to play "fox and geese" or "dare goal," until, damp with perspiration, we responded to the teacher's bell, and came pouring back into the entry ways to lay aside our wraps for another hour's study.

      Our readers were almost the only counterchecks to the current of vulgarity and baseness which ran through the talk of the older boys, and I wish to acknowledge my deep obligation to Professor McGuffey, whoever he may have been, for the dignity and literary grace of his selections. From the pages of his readers I learned to know and love the poems of Scott, Byron, Southey, Wordsworth and a long line of the English masters. I got my first taste of Shakespeare from the selected scenes which I read in these books.

      With terror as well as delight I rose to read Lochiel's Warning, The Battle of Waterloo or The Roman Captive. Marco Bozzaris and William Tell were alike glorious to me. I soon knew not only my own reader, the fourth, but all the selections in the fifth and sixth as well. I could follow almost word for word the recitations of the older pupils and at such times I forgot my squat little body and my mop of hair, and became imaginatively a page in the train of Ivanhoe, or a bowman in the army of Richard the Lion Heart battling the Saracen in the Holy Land.

      With a high ideal of the way in which these grand selections should be read, I was scared almost voiceless when it came my turn to read them before the class. "Strike for your Altars and your Fires. Strike for the Green Graves of your Sires—God and your Native Land," always reduced me to a trembling breathlessness. The sight of the emphatic print was a call to the best that was in me and yet I could not meet the test. Excess of desire to do it just right often brought a ludicrous gasp and I often fell back into my seat in disgrace, the titter of the girls adding to my pain.

      Then there was the famous passage, "Did ye not hear it?" and the careless answer, "No, it was but the wind or the car rattling o'er the stony street."—I knew exactly how those opposing emotions should be expressed but to do it after I rose to my feet was impossible. Burton was even more terrified than I. Stricken blind as well as dumb he usually ended by helplessly staring at the words which, I conceive, had suddenly become a blur to him.

      No matter, we were taught to feel the force of these poems and to reverence the genius that produced them, and that was worth while. Falstaff and Prince Hal, Henry and his wooing of Kate, Wolsey and his downfall, Shylock and his pound of flesh all became a part of our thinking and helped us to measure the large figures of our own literature, for Whittier, Bryant and Longfellow also had place in these volumes. It is probable that Professor McGuffey, being a Southern man, did not value New England writers as highly as my grandmother did, nevertheless Thanatopsis was there and The Village Blacksmith, and extracts from The Deer Slayer and The Pilot gave us a notion that in Cooper we had a novelist of weight and importance, one to put beside Scott and Dickens.

      A by-product of my acquaintance with one of the older boys was a stack of copies of the New York Weekly, a paper filled with stories of noble life in England and hair-breadth escapes on the plain, a shrewd mixture, designed to meet the needs of the entire membership of a prairie household. The pleasure I took in these tales should fill me with shame, but it doesn't—I rejoice in the memory of it.

      I soon began, also, to purchase and trade "Beadle's Dime Novels" and, to tell the truth, I took an exquisite delight in Old Sleuth and Jack Harkaway. My taste was catholic. I ranged from Lady Gwendolin to Buckskin Bill and so far as I can now distinguish one was quite as enthralling as the other. It is impossible for any print to be as magical to any boy these days as those weeklies were to me in 1871.

      One day a singular test was made of us all. Through some agency now lost to me my father was brought to subscribe for The Hearth and Home or some such paper for the farmer, and in this I read my first chronicle of everyday life.

      In the midst of my dreams of lords and ladies, queens and dukes, I found myself deeply concerned with backwoods farming, spelling schools, protracted meetings and the like familiar homely scenes. This serial (which involved my sister and myself in many a spat as to who should read it first) was The Hoosier Schoolmaster, by Edward Eggleston, and a perfectly successful attempt to interest western readers in a story of the middle border.

      To us "Mandy" and "Bud Means," "Ralph Hartsook," the teacher, "Little Shocky" and sweet patient "Hannah," were as real as Cyrus Button and Daddy Fairbanks. We could hardly wait for the next number of the paper, so concerned were we about "Hannah" and "Ralph." We quoted old lady Means and we made bets on "Bud" in his fight with the villainous drover. I hardly knew where Indiana was in those days, but Eggleston's characters were near neighbors.

      The illustrations were dreadful, even in my eyes, but the artist contrived to give a slight virginal charm to Hannah and a certain СКАЧАТЬ