The Mythology of Mayas, Aztecs and Incas. Lewis Spence

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      The Altar of Skulls

      The Aculhuaque

      Next to them in point of order of tribal arrival were the Aculhuaque, or Acolhuans. The name means “tall” or “strong” men, literally “People of the Broad Shoulder,” or “Pushers,” who made a way for themselves. Gomara states in his Conquista de Mexico that they arrived in the valley from Acolhuacan about A.D. 780, and founded the towns of Tollan, Colhuacan, and Mexico itself. The Acolhuans were pure Nahua, and may well have been the much-disputed Toltecs, for the Nahua people always insisted on the fact that the Toltecs were of the same stock as themselves, and spoke an older and purer form of the Nahua tongue. From the Acolhuans sprang the Tlascalans, the inveterate enemies of the Aztecs, who so heartily assisted Cortés in his invasion of the Aztec capital, Tenochtitlan, or Mexico.

      The Tecpanecs

      The Tecpanecs were a confederacy of purely Nahua tribes dwelling in towns situated upon the Lake of Tezcuco, the principal of which were Tlacopan and Azcapozalco. The name Tecpanec signifies that each settlement possessed its own chief’s house, or tecpan. This tribe were almost certainly later Nahua immigrants who arrived in Mexico after the Acolhuans, and were great rivals to the Chichimec branch of the race.

      The Aztecs

      The Aztecâ, or Aztecs, were a nomad tribe of doubtful origin, but probably of Nahua blood. Wandering over the Mexican plateau for generations, they at length settled in the marshlands near the Lake of Tezcuco, hard by Tlacopan. The name Aztecâ means “Crane People,” and was bestowed upon the tribe by the Tecpanecs, probably because of the fact that, like cranes, they dwelt in a marshy neighbourhood. They founded the town of Tenochtitlan, or Mexico, and for a while paid tribute to the Tecpanecs. But later they became the most powerful allies of that people, whom they finally surpassed entirely in power and splendour.

      The Aztec Character

      The features of the Aztecs as represented in the various Mexican paintings are typically Indian, and argue a northern origin. The race was, and is, of average height, and the skin is of a dark brown hue. The Mexican is grave, taciturn, and melancholic, with a deeply rooted love of the mysterious, slow to anger, yet almost inhuman in the violence of his passions when aroused. He is usually gifted with a logical mind, quickness of apprehension, and an ability to regard the subtle side of things with great nicety. Patient and imitative, the ancient Mexican excelled in those arts which demanded such qualities in their execution. He had a real affection for the beautiful in nature and a passion for flowers, but the Aztec music lacked gaiety, and the national amusements were too often of a gloomy and ferocious character. The women are more vivacious than the men, but were in the days before the conquest very subservient to the wills of their husbands. We have already very briefly outlined the trend of Nahua civilisation, but it will be advisable to examine it a little more closely, for if the myths of this people are to be understood some knowledge of its life and general culture is essential.

      Legends of the Foundation of Mexico

      At the period of the conquest of Mexico by Cortés the city presented an imposing appearance. Led to its neighbourhood by Huitzilopochtli, a traditional chief, afterwards deified as the god of war, there are several legends which account for the choice of its site by the Mexicans. The most popular of these relates how the nomadic Nahua beheld perched upon a cactus plant an eagle of great size and majesty, grasping in its talons a huge serpent, and spreading its wings to catch the rays of the rising sun. The soothsayers or medicine-men of the tribe, reading a good omen in the spectacle, advised the leaders of the people to settle on the spot, and, hearkening to the voice of what they considered divine authority, they proceeded to drive piles into the marshy ground, and thus laid the foundation of the great city of Mexico.

      An elaboration of this legend tells how the Aztecs had about the year 1325 sought refuge upon the western shore of the Lake of Tezcuco, in an island among the marshes on which they found a stone on which forty years before one of their priests had sacrificed a prince of the name of Copal, whom they had made prisoner. A nopal plant had sprung from an earth-filled crevice in this rude altar, and upon this the royal eagle alluded to in the former account had alighted, grasping the serpent in his talons. Beholding in this a good omen, and urged by a supernatural impulse which he could not explain, a priest of high rank dived into a pool close at hand, where he found himself face to face with Tlaloc, the god of waters. After an interview with the deity the priest obtained permission from him to found a city on the site, from the humble beginnings of which arose the metropolis of Mexico-Tenochtitlan.

      Mexico at the Conquest

      At the period of the conquest the city of Mexico had a circumference of no less than twelve miles, or nearly that of modern Berlin without its suburbs. It contained 60,000 houses, and its inhabitants were computed to number 300,000. Many other towns, most of them nearly half as large, were grouped on the islands or on the margin of Lake Tezcuco, so that the population of what might almost be called “Greater Mexico” must have amounted to several millions. The city was intersected by four great roadways or avenues built at right angles to one another, and laid four-square with the cardinal points. Situated as it was in the midst of a lake, it was traversed by numerous canals, which were used as thoroughfares for traffic. The four principal ways described above were extended across the lake as dykes or viaducts until they met its shores. The dwellings of the poorer classes were chiefly composed of adobes, but those of the nobility were built of a red porous stone quarried close by. They were usually of one story only, but occupied a goodly piece of ground and had flat roofs, many of which were covered with flowers. In general they were coated with a hard, white cement, which gave them an added resemblance to the Oriental type of building.