The Rustler of Wind River. George W. Ogden
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Название: The Rustler of Wind River

Автор: George W. Ogden

Издательство: Bookwire

Жанр: Языкознание

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isbn: 4057664596697

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СКАЧАТЬ These nesters drew courage from Macdonald’s example, and cunning from his counsel, and stood against the warnings, persecutions, and attempts at forceful dislodgment. The law of might did not seem to apply to them, and there was no other source equal to the dignity of the Drovers’ Association—at least none to which it cared to carry its grievances and air them.

      So they cut Alan Macdonald’s fences, and other homesteaders’ fences, in the night and drove a thousand or two cattle across his fields, trampling the growing grain and forage into the earth; they persecuted him in a score of harassing, quick, and hidden blows. But this homesteader was not to be driven away by ordinary means. Nature seemed to lend a hand to him, he made crops in spite of the cattlemen, and was prospering. He had taken root and appeared determined to remain, and the others were taking deep root with him, and the free, wide range was coming under the menace of the fence and the lowly plow.

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      That was the condition of things in those fair autumn days when Prances Landcraft returned to the post. The Drovers’ Association, and especially the president of it, was being defied in that section, where probably a hundred homesteaders had settled with their families of long-backed sons and daughters. They were but a speck on the land yet, as Chadron had told the smoky stranger when he had engaged him to try his hand at throwing the “holy scare.” But they spread far over the upland plain, having sought the most favored spots, and they were a blight and a pest in the eyes of the cattlemen.

      Nola had flitted back to the ranchhouse, carrying Frances with her to bring down the curtain on her summer’s festivities there in one last burst of joy. The event was to be a masquerade, and everybody from the post was coming, together with the few from Meander who had polish enough to float them, like new needles in a glass of water, through frontier society’s depths. Some were coming from Cheyenne, also, and the big house was dressed for them, even to the bank of palms to conceal the musicians, in the polite way that society has of standing something in front of what it cannot well dispense with, yet of which it appears to be ashamed.

      It was the afternoon of the festal day, and Nola sighed happily as she stood with Frances in the ballroom, surveying the perfection of every detail. Money could do things away off there in that corner of the world as well as it could do them in Omaha 33 or elsewhere. Saul Chadron had hothouses in which even oranges and pineapples grew.

      Mrs. Chadron was in the living-room, with its big fireplace and homely things, when they came chattering out of the enchanted place. She was sitting by the window which gave her a view of the dim gray road where it came over the grassy swells from Meander and the world, knitting a large blue sock.

      Mrs. Chadron was a cow-woman of the unimproved school. She was a heavy feeder on solids, and she liked plenty of chili peppers in them, which combination gave her a waist and a ruddiness of face like a brewer. But she was a good woman in her fashion, which was narrow, and intolerant of all things which did not wear hoofs and horns, or live and grow mighty from the proceeds of them. She never had expanded mentally to fit the large place that Saul had made for her in the world of cattle, although her struggle had been both painful and sincere.

      Now she had given it up, and dismissed the troubles of high life from her fat little head, leaving Nola to stand in the door and do the honors with credit to the entire family. She had settled down to her roasts and hot condiments, her knitting and her afternoon naps, as contentedly as an old cat with a singed back under a kitchen stove. She had no desire to go back to the winter home in Cheyenne, with its grandeur, its Chinese cook, and furniture that she was afraid to use. There was no satisfaction in that place for Mrs. Chadron, beyond the 34 swelling pride of ownership. For comfort, peace, and a mind at ease, give her the ranchhouse by the river, where she could set her hand to a dish if she wanted to, no one thinking it amiss.

      “Well, I declare! if here don’t come Banjo Gibson,” said she, her hand on the curtain, her red face near the pane like a beacon to welcome the coming guest. There was pleasure in her voice, and anticipation. The blue sock slid from her lap to the floor, forgotten.

      “Yes, it’s Banjo,” said Nola. “I wonder where he’s been all summer? I haven’t seen him in an age.”

      “Who is he?” Frances inquired, looking out at the approaching figure,

      “The troubadour of the North Platte, I call him,” laughed Nola; “the queerest little traveling musician in a thousand miles. He belongs back in the days of romance, when men like him went playing from castle to court—the last one of his kind.”

      Frances watched him with new interest as he drew up to the big gate, which was arranged with weights and levers so that a horseman could open and close it without leaving the saddle. The troubadour rode a mustang the color of a dry chili pepper, but with none of its spirit. It came in with drooping head, the reins lying untouched on its neck, its mane and forelock platted and adorned fantastically with vari-colored ribbons. Rosettes were on the bridle, a fringe of leather thongs along the reins.

      The musician himself was scarcely less remarkably 35 than the horse. He looked at that distance—now being at the gate—to be a dry little man of middle age, with a thirsty look about his throat, which was long, with a lump in it like an elbow. He was a slender man and short, with gloves on his hands, a slight sandy mustache on his lip, and wearing a dun-colored hat tilted a little to one side, showing a waviness almost curly in his glistening black hair. He carried a violin case behind his saddle, and a banjo in a green covering slung like a carbine over his shoulder.

      “He’ll know where to put his horse,” said Mrs. Chadron, getting up with a new interest in life, “and I’ll just go and have Maggie stir him up a bite to eat and warm the coffee. He’s always hungry when he comes anywhere, poor little man!”

      “Can he play that battery of instruments?” Prances asked.

      “Wait till you hear him,” nodded Nola, a laugh in her merry eyes.

      Then they fell to talking of the coming night, and of the trivial things which are so much to youth, and to watching along the road toward Meander for the expected guests from Cheyenne, who were to come up on the afternoon train.

      Regaled at length, Banjo Gibson, in the wake of Mrs. Chadron, who presented him with pride, came into the room where the young ladies waited with impatience the waning of the daylight hours. Banjo acknowledged the honor of meeting Miss Landcraft 36 with extravagant words, which had the flavor of a manual of politeness and a ready letter-writer in them. He was on more natural terms with Nola, having known her since childhood, and he called her “Miss Nola,” and held her hand with a tender lingering.

      His voice was full and rich, a deep, soft note in it like a rare instrument in tune. His small feet were shod in the shiningest of shoes, which he had given a furbishing in the barn, and a flowing cravat tied in a large bow adorned his low collar. There were stripes in the musician’s shirt like a Persian tent, but it was as clean and unwrinkled as if he had that moment put it on.

      Banjo Gibson—if he had any other christened name, it was unknown to men—was an original. As Nola had said, he belonged back a few hundred years, when musical proficiency was not so common as now. The profession was not crowded in that country, happily, and Banjo traveled from ranch to ranch carrying cheer and entertainment with him as he passed.

      He had been doing that for years, having worked his way westward from Nebraska with the big cattle ranches, and his art was his living. Banjo’s arrival at a ranch usually resulted in a dance, for which he supplied the music, and received such compensation as the generosity of the host might fix. Banjo never quarreled over such matters. All he needed was enough to buy cigarettes and shirts.

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