The Life & Legacy of Johannes Brahms. Florence May

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СКАЧАТЬ coffee, and Lischen and Hannes, sitting together in the bottom of the boat, thoroughly enjoyed these picnic dinners.

      Johannes always began the day after his arrival at Hamburg by exercising his fingers on the upright piano that stood against the parlour wall, on the music-desk of which a book invariably stood open, into which he poked his head—for he was very near-sighted—reading as he worked. Lischen saw little of him afterwards, for his time was occupied by his various lessons, but she did not mind this. She soon became very fond of his dear, kind old mother, and liked to watch her at her duties, sometimes able to help her by fetching water from the pump at the bottom of the steps outside the house, a task which Johanna's lameness prevented her from performing herself. Lischen much admired the portrait of Frau Brahms that hung above the piano, and thought, as she looked at the youthful figure arrayed in a pink dress made Empire fashion, with flowing skirt, short waist, and low neck, the hair dressed with little curls in front and a high comb behind, that Hannes' mother must have been very pretty in her youth. The parlour was rather bare, containing little beyond the piano, table, chairs, a few shelves filled with books, and one or two small prints; but Lischen did not think this mattered, as everything was so neat and shining. She felt sorry, however, that it was so dark, and that its one small window had no other prospect than a close, dreary courtyard—for Johanna still had her little shop in front—and proposed to Hannes that they should bring some scarlet-runners from Winsen, which could be planted in the courtyard and trained up sticks. There would soon be something bright in front of the parlour window. Johannes greatly approved of the plan, which worked well up to the planting of the beans and the placing of some immensely high sticks in readiness for the training. After this stage it disappointed expectations, as the plants failed to do their part and firmly abstained from growing.

      It would have been impossible for Johannes to pass with entire enjoyment through the months of his visit to Winsen if he had been without the means of gratifying a taste hardly less strong in him than his passion for music. From the very early age at which he was first able to read, he had been devoted to books, and, whilst showing the child's natural preference for the romantic and wonderful, had displayed strange discrimination in the choice of his favourite tales. He had always contrived by some means or other to provide himself with reading material, preferring books for his little birthday and Christmas gifts, buying them from time to time from pedlars' wheelbarrows with his collection of halfpennies, or begging the loan of a volume from a friend. Brahms' exceptional knowledge of the Bible grew from the time when, as a young child, he was accustomed to eat his dinner with the book lying open beside his plate, absorbed in the Old Testament stories which were then his prime favourites, misty speculations forming in his brain which laid the foundation of his future attitude towards many of life's problems. He had not been long at Winsen before he had exhausted the mental nourishment afforded by Uncle Giesemann's collection of volumes. Fortunately, another resource was at hand. There was a lending library in the neighbourhood belonging to a certain Frau Löwenherz, a Jewess, who had a son called Aaron. With Aaron the two children made friends, and of him, in the absence of sufficient funds to pay the full price of a constant supply of literature, they sought counsel. He proved an able adviser, and, whilst promising to obtain for them access to the coveted books, showed that he was not wanting in the capacity of turning opportunity to profit on his own account. He promised that he would, on his private responsibility, bring one volume at a time for the perusal of Hannes and Lischen, to be put back when done with and replaced by another; the price demanded and agreed to for this secret service being one groschen (about a penny) for each supply.

      By this expedient Hannes and Lischen—the latter having probably been the active partner in striking the bargain, for Johannes had few spare pennies—found themselves provided with as many books as they could desire. Their best time for reading was when they sat together by the river-bank, or fished in the pond during the afternoon. Forgetting their rods, they used to pore silently over the open book supported between them, devouring one tale after another of knights and tournaments, outlaws and bandits. Aaron received very particular instruction as to the kind of selections he was to make, and took pains to suit the taste of his patrons. He appeared one afternoon with a volume containing the history of 'The Beautiful Magelone and the Knight Peter with the Silver Keys.' That was a red-letter day in the history of the young subscribers to the lending library which neither Hannes nor Lischen ever forgot. The romance made an indelible impression on both of them. As for bandits, what better could Johannes desire than a work bearing the stimulating title of 'The Robbers,' which Aaron offered another day, insisting with justifiable pride on the success of his researches? The book was written by one Schiller, and proved so satisfactory that Hannes begged Aaron to be on the look-out for other volumes bearing this name on the title-page.

      It might be expected that the young conductor of the Winsen Choral Society and the pupil of the distinguished musician of Altona would turn his studies to account by writing something for the use of his choir, and so it was. Johannes composed an 'ABC' four-part song for his school-teachers, consisting of thirty-two bars in two-four time, preceded by three bars of introduction and followed by a kind of signature. The introduction and first three of the four eight-bar phrases had for their text the letters of the alphabet arranged, first in order, and then in syllables of two letters as in a first spelling lesson; the fourth phrase was set to a few words introduced at random. The composition closed with the words 'Winsen, eighteen hundred seven and forty,' sung in full chorus, lento and fortissimo, on the reiterated tonic chord. The little composition, tuneful and spirited, showing a feeling for independent part-writing, and conceived in a vein of boyish fun that was fully appreciated by the teachers, was soon succeeded by a second, 'The Postilion's Morning Song,' composed to the well-known words 'Vivat! und in's Horn ich stosse.' The young musician was also requested by a deputation from the school-children of Winsen to assist them in the performance of a serenade with which they were desirous of greeting their Rector Köhler on his birthday. He accordingly looked out one suitable to the occasion, arranged it in two parts, practised the boys and girls until they were perfect with it, and conducted the performance outside the Rector's house on the eve of the birthday celebration. He was very strict and serious when engaged in these professional duties, beat time with great verve, and insisted on careful observance of the pianos and fortes, as well as on the proper graduation of the rallentandos. The singing of the Ständchen was declared brilliantly successful by the quite considerable audience that assembled near the Rector's house to enjoy it.

      Rumours of the increased musical activity of Winsen could not fail to reach the ears of the Amtsvogt, Herr Blume, an official of good social standing residing there, whose duties, as administrator of some of the rural districts of northern Hanover, brought him into touch with the life of such parts of the country as were included in his circuit. Herr Blume was not far short of seventy when Johannes paid his first visit to the Giesemanns, but his interest in music and love for Beethoven's art were as strong as ever, and Johannes, before leaving Winsen, was invited to his house, and pressed to use his piano for practice. The boy delighted the Amtsvogt by playing with him some four-hand pianoforte arrangements of Beethoven's works, and won the heart of Frau Blume, in spite of his shy, awkward manner, by his simple, childlike nature. If, as was hoped, he should be able to repeat his visit to Uncle Giesemann next year, he was to come often to the Blumes' house, and use the piano as long as he liked. Great regret was felt throughout the circle of Winsen friends at the news of the young musician's impending departure, but the arrival of autumn brought with it the necessity for the resumption of duties in Hamburg, and nothing remained save to hope for a renewal of the pleasures his long visit had brought to many beside himself.

      Johannes returned to his home in such a satisfactory condition of health and spirits that he was able, with Marxsen's approval, to take a decided step forward in his career. He played in the Apollo Concert-room on November 20, at a benefit concert given by Birgfeld, already known to our readers as the violinist of the subscription concert at the 'Old Raven,' performing Thalberg's Fantasia on airs from 'Norma.' Marxsen's affection for his pupil and appreciation of his gifts are clearly to be read in the summary of concerts which appeared a week later in the Freischütz, a widely-read Hamburg paper to which he was one of the chief contributors:

      'Birgfeld's СКАЧАТЬ