The Hoyden. Duchess

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СКАЧАТЬ THE ARGUMENT GROWS HIGHER; AND HOW MARIAN LOSES HER TEMPER, AND HOW MARGARET OBJECTS TO THE RUIN OF ONE YOUNG LIFE.

      "She is insufferable—intolerable!" says Lady Rylton, almost hysterically. She is sitting in the drawing-room with Margaret and Mrs. Bethune, near one of the windows that overlook the tennis court. The guests of the afternoon have gone; only the house-party remains, and still, in the dying daylight, the tennis balls are being tossed to and fro. Tita's little form may be seen darting from side to side; she is playing again with Sir Maurice.

      "She is a very young girl, who has been brought up without a mother's care," says Miss Knollys, who has taken a fancy to the poor hoyden, and would defend her.

      "Her manners this afternoon!—her actions—her fatal admissions!" says Lady Rylton, who has not forgiven that word or two about the sugar merchant.

      "She spoke only naturally. She saw no reason why she should not speak of——"

      "Don't be absurd, Margaret!" Sharply. "You know, as well as I do, that she is detestable."

      "I am quite glad you have formed that idea of her," says Miss Knollys, "as it leads me to hope you do not now desire to marry her to Maurice."

      After all, there are, perhaps, moments when Margaret is not as perfect as one believes her. She can't, for example, resist this thrust.

      "Decidedly I don't _desire _to marry her to Maurice," says Lady Rylton angrily. "I have told you that often enough, I think; but for all that Maurice must marry her. It is his last chance!"

      "Tessie," says Margaret sharply, "if you persist in this matter, and bring it to the conclusion you have in view, do you know what will happen? You will make your only child miserable! I warn you of that." Miss Knollys' voice is almost solemn.

      "You talk as if Maurice was the only person in the world to be made miserable," says Lady Rylton, leaning back in her chair and bursting into tears—at all events, it must be supposed it is tears that are going on behind the little lace fragment pressed to her eyes. "Am not I ten times more miserable? I, who have to give my only son—as" (sobbing) "you most admirably describe it, Margaret—to such a girl as that! Good heavens! What can his sufferings be to mine?" She wipes her eyes daintily, and sits up again. "You hurt me so, dear Margaret," she says plaintively, "but I'm sure you do not mean it."

      "No, no, of course," says Miss Knollys, as civilly as she can. She is feeling a little disgusted.

      "And as for this affair—objectionable as the girl is, still one must give and take a little when one's fortunes are at the ebb. And I will save my dearest Maurice at all risks if I can, no matter what grief it costs me. Who am I"—with a picturesque sigh—"that I should interfere with the prospects of my child? And this girl! If Maurice can be persuaded to have her——"

      "My dear Tessie, what a word!" says Margaret, rising, with a distinct frown. "Has he only to ask, then, and have?"

      "Beyond doubt," says Lady Rylton insolently, waving her fan to and fro, "if he does it in the right way. In all my experience, my dear Margaret, I have never known a woman to frown upon a man who was as handsome, as well-born, as chic as Maurice! Even though the man might be a—well"—smiling and lifting her shoulders—"it's a rude word, but—well, a very devil!"

      She looks deliberately at Margaret over her fan, who really appears in this dull light nearly as young as she is. The look is a cruel one, hideously cruel. Even Marian Bethune, whose bowels of compassion are extraordinary small, changes colour, and lets her red-brown eyes rest on the small woman lounging in the deep chair with a rather murderous gaze.

      Yet Lady Rylton smiles on, enjoying the changes in Margaret's face.

       It is a terrible smile, coming from so fragile a creature.

      Margaret's face has grown white, but she answers coldly and with deliberation. All that past horrible time—her lover, his unworthiness, his desertion—all her young, young life lies once more massacred before her.

      "The women who give in to such fascination, such mere outward charms, are fools!" says she with a strength that adorns her.

      "Oh, come! Come now, dearest Margaret," says her aunt, with the gayest of little laughs, "would you call yourself a fool? Why, remember, your own dear Harold was——"

      "Pray spare me!" says Miss Knollys, in so cold, so haughty, so commanding a tone, that even Lady Rylton sinks beneath it. She makes an effort to sustain her position and laughs lightly, but for all that she lets her last sentence remain a fragment.

      "You think Maurice will propose to this Miss Bolton?" says Marian

       Bethune, leaning forward. There is something sarcastic in her smile.

      "He must. It is detestable, of course. One would like a girl in his own rank, but there are so few of them with money, and when there is one, her people want her to marry a Duke or a foreign Prince—so tiresome of them!"

      "It is all such folly," says Margaret, knitting her brows.

      "Utter folly," says Lady Rylton. "That is what makes it so wise! It would be folly to marry a satyr—satyrs are horrid—but if the satyr had millions! Oh, the wisdom of it!"

      "You go too far!" says Margaret. "Money is not everything."

      "And Maurice is not a satyr," says Mrs. Bethune, a trifle unwisely. She has been watching the players on the ground below. Lady Rylton looks at her.

      "Of course you object to it," says she.

      "I!" says Marian. "Why should I object to it? I talk of marriage only in the abstract."

      "I am glad of that!" Lady Rylton's eyes are still fixed on hers. "This will be a veritable marriage, I assure you; I have set my mind on it. It is terrible to contemplate, but one must give way sometimes; yet the thought of throwing that girl into the arms of darling Maurice——"

      She breaks off, evidently overcome, yet behind the cobweb she presses to her cheeks she has an eye on Marian.

      "I don't think Maurice's arms could hold her," says Mrs. Bethune, with a low laugh. It is a strange laugh. Lady Rylton's glance grows keener. "Such a mere doll of a thing. A mite!" She laughs again, but this time (having caught Lady Rylton's concentrated gaze) in a very ordinary manner—the passion, the anger has died out of it.

      "Yes, she's a mere mite," says Lady Rylton. "She is positively trivial! She is in effect a perfect idiot in some ways. You know I have tried to impress her—to show her that she is not altogether below our level—as she certainly is—but she has refused to see my kindness. She—she's very fatiguing," says Lady Rylton, with a long-suffering sigh. "But one gets accustomed to grievances. This girl, just because she is hateful to me, is the one I must take into my bosom. She is going to give her fortune to Maurice!"

      "And Maurice?" asks Margaret.

      "Is going to take it," returns his mother airily. "And is going to give her, what she has never had—a name!"

      "A cruel compact," says Margaret slowly, but with decision. "I think this marriage should not be so much as thought of! That child! and Maurice, who cares nothing for her. Marian"—Miss Knollys turns suddenly to Marian, who has withdrawn behind the curtains, as СКАЧАТЬ