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СКАЧАТЬ response and logical reference thus become equivalent terms.

      We have seen that imagery may exercise two functions with reference to habit, as direct and as indirect stimulus; so also with reference to logical meaning, imagery may be the stimulus to a direct reference of the idea to reality, or it may present, or mirror, conditions with regard to which some new meaning is to be worked out. The quality, the sense-content, of imagery may per se suffice directly to arouse a habitual attitude, to call forth an immediate reference to reality. It may cause one to "tumble" to what is taking place, to "catch on," to apprehend (pardon these expressions for the sake of their description of the motor aspect of meaning), as when we say, for example: "It came over me like a flash what I was to do, and I did it." Our more abstract and complicated forms of judgment and reasoning, in which the imagery involved is reduced to the minimum of conscious, qualitative content, are of the same order, though at the other extreme, so far as immediate overt expression is concerned. We are working along lines of habitual activity so familiar that we can work almost in the dark. We need no elaborate imagery. Guided only by the waving of a signal flag or by the shifting gleam of a semaphore, we thread our way swiftly through the maze of tracks worn smooth by use and habit. But suppose a new line of habit is to be constructed. No signal flags or semaphores will suffice. A detailed survey of the proposed route must be had, and here is where imagery with a rich and varied yet flexible sensuous content, growing out of previous surveys, may function in projecting and anticipating the new set of conditions, and thus become the stimulus of a new line of habit, of a new and more far-reaching meaning. As this new line of habit, of meaning, gets into working order with the rest of the system, imagery tends normally to decline again to the rôle of signal flags and semaphores.

      The distinction in logical theory between "image" and "idea" which we have been considering is only a half-truth from the point of view of psychology. It virtually limits the "idea" to a fixed, unalterable reference of a fragment of a desiccated image to a reality beyond. It indifferently loses the play and richness of imagery to the floating remnants of sense-content, or to an external reality. It limits itself to an examination of a final stage in thinking, a stage in which the image acts as a direct stimulus, a stage in which the sense-content of the image has little or no function per se, because this content now initiates directly a habitual adjustment, a worked-out and established adaptation of means to end. It overlooks the process of conscious reflection which logically precedes every such adjustment not purely instinctive or accidental, a process in which imagery as representational functions indirectly in bringing the resources of past experience, the fund of acquired habits, to bear upon the fragmentary and problematic elements of sense-experience actually present, thus maintaining the flow and continuity of experience. It fails to recognize that in the inseparable association of meaning with quality, of "idea" with "image," there goes the possibility of working out and applying new meanings from old, of developing deeper meanings, of testing and affirming more inclusive and universal meaning.

      We are confronted with this alternative. Either the image has a logical function in virtue of its sense-content, or else the image functions logically merely as a symbol, the sense-content of which is a matter of complete logical indifference. According to the empiricist, the former is the case, according to the conceptualist, the latter. The empiricist would say that he needs the image to piece out the data upon which logical processes operate. Having met this need, the image is retired from active service. For the empiricist the processes of thought, observing, comparing, generalizing, etc., are as independent of the data they use as, for the conceptualist, logical meaning, reference, and "idea" are independent of the sense-content of the "image." In reality he agrees with the conceptualist in excluding the sense-content of the image from the processes of thought, and hence from the domain of logic.

      From the standpoint of psychological theory the conceptualist is an improvement over the empiricist. He has gone a step farther in the analysis of thought-processes by showing that they are bound up with some kind of imagery, however irrelevant, inconsequential, and worn down the sense-quality of that imagery may be. His statement of ideas as references to reality lends itself readily, as we have seen, to the unitary conception in psychology of ideo-motor, or sensori-motor, activity. But is this where logical theory is to stop, while psychology as a study of "states of consciousness" takes up the unfinished tale and carries it forward? It seems hardly possible, unless logic is willing to give over its task of thinking about thinking.

      Reduce the image to a mere symbol. Let its sense-quality be a matter of complete indifference. What have you, then, but an elementary and primitive type of reflex action? It is of no particular consequence even from what sense-organ it appears to proceed, or whether it appears to be peripherally or centrally excited. It is simply a case of feel and act; touch and go. Is this thinking? It may be regarded as either the germ or the finality of thinking, but what most of us are inclined to believe is the true subject-matter of logic is not to be limited to a simple reflex, or even to a chain of reflexes. It is something more complex, even if nothing more than an intricate tangle of chains of reflexes.

      The complexity of the process called thinking does not reside alone in the instinctive or habitual reflexes involved. The more instinctive and habitual any adjustment may be, the less is it a matter of thought, as everyone knows, although its biological complexity is none the less patent to one who looks at it from the outside. The complexity of the thinking process resides in consciousness also; it resides in the imagery, the stimuli, the mere symbols, if you like, that have "come" to consciousness. As soon as the complexity begins to be felt, as soon as any discrimination whatsoever begins to be introduced or appreciated, at that instant the sense-content, the quale, of imagery begins to have a logical function. Conscious discrimination, however vague and evanescent, and the logical function of the quale of imagery are born together, unless one chooses to regard the more obvious and deliberate forms of conscious discrimination as more characteristic of a logical process. It is only as the sense-contents of various images are discriminated and compared that anything like thinking can be conceived to go on. The particular sense-content of an image, instead of being a matter of logical indifference, is the condition, the possibility, of thinking.

      The conceptualist has contributed to the data of descriptive psychology by calling attention, by implication at least, to the remote and reduced character of the imagery which may characterize thinking. But it by no means follows that the more remote and reduced the sense-content of an image becomes, the less important is that sense-content for thinking, the less demand for discrimination. On the contrary, the sense-content that remains may be of supreme logical importance. It may be the quintessence of meaning. It may be the conscious factor which, when discriminated from another almost equally sublimated conscious factor, may determine a whole course of action. The delicacy and rapidity with which these reduced forms of imagery as they hover about the margin of consciousness or flit across its focus are discriminated and caught, are points in the technique of that long art of thinking, begun in early childhood. The fact that questionnaire investigations—like that of Galton's, for example—have in many instances failed to discover in the minds of scientists and advanced thinkers a rich and varied furniture of imagery does not argue the poverty of imagery in such minds; it argues, rather, a highly developed technique, a species of virtuosity, with reference to the sense-content of the types of imagery actually in use.

      To push a step farther the alternative we have already stated in a preliminary way: Either the "idea," or "logical meaning," lies outside of the process of thinking, as a mere impulse or reflex; or else, in virtue of the sense-content of its "image," it enters into that conscious process of discrimination, comparison, and selection, of light and shade, of doubt and inquiry, which constitutes the evolution of a judgment, which makes the life-history of a movement of thought.

      IX

       The Logic of the Pre-Socratic Philosophy87

       Table of Contents

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