The Story of Grettir the Strong. Anonymous

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СКАЧАТЬ brother Illugi. The losel, "Noise," now that the brothers can no more stir abroad, will not take the trouble to pull up the ladders that lead from the top of the island down to the beach; and, amidst all this, helped by a magic storm the sorceress has raised, Thorbiorn Angle, with a band of men, surprises the island, unroofs the hut of the brothers, and gains ingress there, and after a short struggle (for Grettir is already a dying man) slays the great outlaw and captures Illugi in spite of a gallant defence; he, too, disdaining to make any terms with the murderers of his brother, is slain, and Angle goes away exulting, after he had mutilated the body of Grettir, with the head on which so great a price had been put, and the sword which the dead man had borne.

      But now that the mighty man was dead, and people were relieved of their fear of him, the minds of men turned against him who had overcome him in a way, according to their notions, so base and unworthy, and Angle has no easy time of it; he fails to get the head-money, and is himself brought to trial for sorcery and practising heathen rites, and the 'nithings-deed' of slaying a man already dying, and is banished from the land.

      Now comes the part so necessary to the Icelandic tale of a hero, the revenging of his death; Angle goes to Norway, and is thought highly of for his deed by people who did not know the whole tale; but Thorstein Dromund, an elder half-brother of Grettir, is a lord in that land, and Angle, knowing of this, feels uneasy in Norway, and at last goes away to Micklegarth (Constantinople), to take service with the Varangians: Thorstein hears of this and follows him, and both are together at last in Micklegarth, but neither knows the other: at last Angle betrays himself by showing Grettir's sword, at a 'weapon-show' of the Varangians, and Thorstein slays him then and there with the same weapon. Thorstein alone in a strange land, with none to speak for him, is obliged to submit to the laws of the country, and is thrown into a dungeon to perish of hunger and wretchedness there. From this fate he is delivered by a great lady of the city, called Spes, who afterwards falls in love with him; and the two meet often in spite of the watchful jealousy of the lady's husband, who is at last so completely conquered by a plot of hers (the sagaman here has taken an incident with little or no change from the Romance of Tristram and Iseult), that he is obliged to submit to a divorce and the loss of his wife's dower, and thereafter the lovers go away together to Norway, and live there happily till old age reminds them of their misdeeds, and they then set off together for Rome and pass the rest of their lives in penitence and apart from one another. And so the story ends, summing up the worth of Grettir the Strong by reminding people of his huge strength, his long endurance in outlawry, his gift for dealing with ghosts and evil spirits, the famous vengeance taken for him in Micklegarth; and, lastly, the fortunate life and good end of Thorstein Dromund, his brother and avenger.

      Such is the outline of this tale of a man far above his fellows in all matters valued among his times and people, but also far above them all in ill-luck, for that is the conception that the story-teller has formed of the great outlaw. To us moderns the real interest in these records of a past state of life lies principally in seeing events true in the main treated vividly and dramatically by people who completely understood the manners, life, and, above all, the turn of mind of the actors in them. Amidst many drawbacks, perhaps, to the modern reader, this interest is seldom or ever wanting in the historical sagas, and least of all in our present story; the sagaman never relaxes his grasp of Grettir's character, and he is the same man from beginning to end; thrust this way and that by circumstances, but little altered by them; unlucky in all things, yet made strong to bear all ill-luck; scornful of the world, yet capable of enjoyment, and determined to make the most of it; not deceived by men's specious ways, but disdaining to cry out because he must needs bear with them; scorning men, yet helping them when called on, and desirous of fame: prudent in theory, and wise in foreseeing the inevitable sequence of events, but reckless beyond the recklessness even of that time and people, and finally capable of inspiring in others strong affection and devotion to him in spite of his rugged self-sufficing temper—all these traits which we find in our sagaman's Grettir seem always the most suited to the story of the deeds that surround him, and to our mind most skilfully and dramatically are they suggested to the reader.

      As is fitting, the other characters are very much subordinate to the principal figure, but in their way they are no less life-like; the braggart—that inevitable foil to the hero in a saga—was never better represented than in the Gisli of our tale; the thrall Noise, with his carelessness, and thriftless, untrustworthy mirth, is the very pattern of a slave; Snorri the Godi, little though there is of him, fully sustains the prudent and crafty character which follows him in all the Sagas; Thorbiorn Oxmain is a good specimen of the overbearing and sour chief, as is Atli, on the other hand, of the kindly and high-minded, if prudent, rich man; and no one, in short, plays his part like a puppet, but acts as one expects him to act, always allowing the peculiar atmosphere of these tales; and to crown all, as the story comes to its end, the high-souled and poetically conceived Illugi throws a tenderness on the dreadful story of the end of the hero, contrasted as it is with that of the gloomy, superstitious Angle.

      Something of a blot, from some points of view, the story of Spes and Thorstein Dromund (of which more anon) must be considered; yet whoever added it to the tale did so with some skill considering its incongruous and superfluous nature, for he takes care that Grettir shall not be forgotten amidst all the plots and success of the lovers; and, whether it be accidental or not, there is to our minds something touching in the contrast between the rude life and tragic end of the hero, and the long, drawn out, worldly good hap and quiet hopes for another life which fall to the lot of his happier brother.

      As to the authorship of our story, it has no doubt gone through the stages which mark the growth of the Sagas in general, that is, it was for long handed about from mouth to mouth until it took a definite shape in men's minds; and after it had held that position for a certain time, and had received all the necessary polish for an enjoyable saga, was committed to writing as it flowed ready made from the tongue of the people. Its style, in common with that of all the sagas, shows evidences enough of this: for the rest, the only name connected with it is that of Sturla Thordson the Lawman, a man of good position and family, and a prolific author, who was born in 1214 and died 1284; there is, however, no proof that he wrote the present work, though we think the passages in it that mention his name show clearly enough that he had something to do with the story of Grettir: on the whole, we are inclined to think that a story of Grettir was either written by him or under his auspices, but that the present tale is the work of a later hand, nor do we think so complete a saga-teller, as his other undoubted works show him to have been, would ever have finished his story with the epilogue of Spes and Thorstein Dromund, steeped as that latter part is with the spirit of the mediaeval romances, even to the distinct appropriation of a marked and well-known episode of the Tristram; though it must be admitted that he had probably plenty of opportunity for being versed in that romance, as Tristram was first translated into the tongue of Norway in the year 1226, by Brother Robert, at the instance of King Hakon Hakonson, whose great favourite Sturla Thordson was, and whose history was written by him.

      For our translation of this work we have no more to say than to apologise for its shortcomings, and to hope, that in spite of them, it will give some portion of the pleasure to our readers which we felt in accomplishing it ourselves.

      EIRÍKR MAGNÚSSON, WILLIAM MORRIS.

      LONDON, April 1869.

CHRONOLOGY OF THE STORY.

       Table of Contents

      872. The battle of Hafrsfirth.

       874. Begins the settlement of Iceland.

       cca.897. Thrand and Ufeigh Grettir settle Gnup-Wardsrape.

       cca.900. Onund Treefoot comes to Iceland.

       cca.920. Death of Onund Treefoot.

       929. The Althing established.

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